One hundred years from now, what physical objects from your life would you want preserved that express your work as a writer? In the New York Times, Thessaly La Force asks, “What should an artist save?” while examining the eclectic archives left behind by artists, including boxes of fabric in Louise Bourgeois’s basement, a rejection letter addressed to Andy Warhol, and David Wojnarowicz’s “magic box.” Jot down a list of objects, physical spaces, and writings that you would consider integral to understanding the intersections of your life and work. Write a lyric essay composed of reflections on each of these items and how they are connected to your personal creative intentions or beliefs.