Ten Questions for Rachel Eliza Griffiths
“The uneven rhythms of grief don’t allow you to do or to feel life as you did before.” —Rachel Eliza Griffiths, author of Seeing the Body
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“The uneven rhythms of grief don’t allow you to do or to feel life as you did before.” —Rachel Eliza Griffiths, author of Seeing the Body
“What’s most fundamental is being able to listen.” —Lauren Russell, author of Descent
The author of This Is One Way to Dance reflects on using fragments to build a larger structure.
“I have a deeply unhealthy work-life balance in that the Venn diagram of those things is a circle.” —Ilana Masad, author of All My Mother’s Lovers
The author of This Is One Way to Dance considers the consonances and dissonances between dance and writing.
“I’m mistrustful of writing advice in general.” —Kate Zambreno, author of Drifts
The author of This Is One Way to Dance shares how notes—footnotes, codas, prologues, corrections—figure into her writing process.
The author of White Blood: A Lyric of Virginia discusses definitions of poetry, ancestral silence, and unpacking American history’s “white blood.”
“Write what you do not know, which I think is particularly helpful because—not to sound too much like Socrates—I’m not really convinced that anyone knows anything.” —John Elizabeth Stintzi, author of Vanishing Monuments
The author of The Nix struggles with the pressure to be productive during the pandemic and finds relief in celebrating the small victories.