Ten Questions for Chaitali Sen
“Stay curious, pay attention, and write things down.” —Chaitali Sen, author of A New Race of Men From Heaven
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Read weekly interviews with authors to learn the inside stories of how their books were written, edited, and published; insights into the creative process; the best writing advice they’ve ever heard; and more.
“Stay curious, pay attention, and write things down.” —Chaitali Sen, author of A New Race of Men From Heaven
“I need to live life to make art.” —Jamila Minnicks, author of Moonrise Over New Jessup
“I like taking risks.” —Joy Castro, author of One Brilliant Flame
Ten writers, including Roger Reeves and Dana Levin, share the best writing advice they’ve ever received.
“Don’t worry, you’ll finish it one day.” —Bushra Rehman, author of Roses, in the Mouth of a Lion
“I can control what I write and how much of myself I put into the manuscript.” —Evette Dionne, author of Weightless: Making Space for My Resilient Body and Soul
“Isn’t poetry supposed to be a spiritual practice?” —John Lee Clark, author of How to Communicate
“Let your sense of language dawn of its own accord.” —Will Alexander, author of Divine Blue Light: For John Coltrane
“It’s up to you to advocate for your books.” —Allie Rowbottom, author of Aesthetica
“The most challenging thing, for me, was believing that it could be done.” —A. J. Bermudez, author of Stories No One Hopes Are About Them
“I am only able to write because of consistent and reliable childcare.” —Kate Baer, author of And Yet
“The more you write, the more there will be to write about—so you’ve just gotta cut it off at some point!” —Franny Choi, author of The World Keeps Ending, and the World Goes On
“The first draft is just telling the story to yourself.” —Jeanna Kadlec, author of Heretic
“Fixed ideas are always problematic when it comes to writing fiction.” —Dani Shapiro, author of Signal Fires
“There’s space for your story.” —E. M. Tran, author of Daughters of the New Year
“Poetry is impossible, but it is not difficult.” —Olena Kalytiak Davis, author of Late Summer Ode
“I’m not a writer, I’m a receiver for something I don’t always understand.” —James Cagney, author of Martian: The Saint of Loneliness
“It takes a lot of intentional work to write ethical stories.” —Hafizah Augustus Geter, author of The Black Period: On Personhood, Race, and Origin
“I’d tell my past self to trust my work.” —Aldo Amparán, author of Brother Sleep
“A terrible draft of a story is a gift, because now the real work can begin.” —Jonathan Escoffery, author of If I Survive You
“Stop Googling the ages of people you think are more successful than you.” —Mia Mercado, author of She’s Nice Though: Essays on Being Bad at Being Good
“These characters have been in my head for so long that they seem more real to me than some people.” —Lauren Acampora, author of The Hundred Waters
“I was surprised by my own tendency to write longer and longer lines and to frequently slip into prose poems.” —Nina Mingya Powles, author of Magnolia 木蘭
“If you can surprise a reader with a character’s reaction, a scene will almost always work.” —Megan Giddings, author of The Women Could Fly
“Writing, I now believe, is both a confidence trick and an alchemical process.” —Sarah Thankam Mathews, author of All This Could Be Different