Yuka Igarashi of Soft Skull Press
Sometimes the only words I feel I can trust are nouns. I’m not sure this is a recommendation for writers, but it is a thought that has occurred to me when describing books.
Agents & Editors Recommend
A dependable source of professional and creative advice, this weekly series features anecdotes, insights, tips, recommended reading and viewing for writers, and more from leading agents and editors.
Melissa Danaczko of Stuart Krichevsky Literary Agency
“Write every day” can be a good motivator, but it doesn’t work for everyone. In some cases, it can even be counterproductive if it prioritizes word count at the expense of creating fully realized worlds.
I also believe writing is a craft that goes beyond simply putting pen to paper (or fingers to keypad). Some of the most talented writers I know spend months thinking about their story elements outside of the physical act of writing. This might take the form of outlining or research, but a lot of the time it looks much closer to daydreaming.
Sally Howe of Scribner
Like many people, I first dove into reading as a way to escape. Later, though, I found that I confronted myself in everything I read—my fears, inclinations, and sympathies were reflected and challenged in the books I chose. What I want from reading, whether fiction or nonfiction, is to have my mind changed and my perspective expanded. And so I love a distinctive point of view, something solid to engage with, an outlook that feels honed, developed, and self-aware.
Monika Woods of Triangle House Literary
If you’re a writer, I recommend reading a lot. I might not recommend reading this article, but I do recommend reading literally anything else. I recommend reading books especially, though I also recommend reading journalism, short stories, and really long essays. As a literary agent, I often recommend my own clients’ work and the work I use as reference points to develop my own taste.
Morgan Jerkins of ZORA
When it comes to pitching essays to publications, your proposal needs to have an idea and an anchor. What am I trying to assert and how am I going to assert it? The “what” is the idea. It’s an abstraction. You need to ground it with an anchor. An anchor is the actual story. It’s the vehicle. It’s the “how.” Most pitches fail because writers only expound on the idea but not the anecdote that readers will need to guide them through the piece, so make sure you have both components. And most of all, don’t take it personal. All you need is one editor to say yes.
Priya Doraswamy of Lotus Lane Literary
You’re ready to submit your manuscript to agents and excitedly or nervously working on your pitch. The Author Bio is looming large and you’re trying to figure how to funnel your entire essence, your whole life, into one paragraph that will prompt the agent to say, Yes, this author is solid! For so many of us, writing about ourselves is a painful process because we are self-conscious about trying to find that fine line between not wanting to sound pompous or downright dull. If you’re stuck crafting the bio, my advice is to find that place within you when you’re most relaxed—say, after
Tynan Kogane of New Directions
The persistent image of the isolated writer—the cable-knit-sweater-wearing genius who takes a deep breath and aims a thundering blast of prose directly at the cosmos—isn’t a very useful one, especially not for the writer trying to work out the business of publishing his or her work, and driven to reading the advice of a cranky editor on a website. It takes the combined efforts of a generous group of people to nurture and circulate the literary talents of a writer, and I’d like to speak about this group:
Lilly Dancyger of Barrelhouse Books
I don’t know where I’d be without my writers group. We’ve been meeting every week—to critique each other’s work, give advice and pep talks, and troubleshoot this fickle industry—for almost three years now. We’ve helped each other through manuscript revisions, agent searches, submission blues, prepublication anxiety, and the publicity whirlwind.
Tabia Yapp of BEOTIS
When is the right time to build out your team and seek representation (literary agent, speaking agent, talent manager, publicist, assistant, lawyer, etc.)?
Ian Bonaparte of Janklow and Nesbit
Go ahead, judge that book by its cover. And judge it by its back cover, too. Today I want to talk sizzle, or, more properly, “copy.” Much depends on the text that surrounds the book through each step of the publishing process, from the query the agent reads, the pitch the editor will read, to the jacket copy on the back of the slab.