Ten Questions for Jessie van Eerden
“I found the creation of cohesion challenging; essays are disparate things, yet the book needs to make a whole.”—Jessie van Eerden, author of Yoke and Feather
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
“I found the creation of cohesion challenging; essays are disparate things, yet the book needs to make a whole.”—Jessie van Eerden, author of Yoke and Feather
The author of Amphibian (Ig Publishing, October 2024) considers what films can teach us about writing adolescent characters.
This week’s installment of Ten Questions features Brynja Hjálmsdóttir and Rachel Britton, the author and translator of A Woman Looks Over Her Shoulder / Kona lítur við.
The author of Amphibian (Ig Publishing, October 2024) applies lessons in magical realism and metaphor from film to fiction.
The author of Amphibian (Ig Publishing, October 2024) contemplates how lessons in screenwriting can be applied to fiction.
“Do a lot of people feel this monogamous guilt in their writing lives?”—Sharon Wahl, author of Everything Flirts: Philosophical Romances
“Streamline. Outline. Find your center of gravity.” —Mike Fu, author of Masquerade
“[T]herapeutic modes can enhance artistic work enormously, because they give us access to our inner workings in fresh, sometimes even revelatory ways. ” —Miller Oberman, author of Impossible Things
The author of The Body Alone: A Lyrical Articulation of Chronic Pain offers advice on submitting and publishing hybrid work.
“You can go with intention, or you can explore where the poem leads you. Where your unconscious leads you.” —Kimiko Hahn, author of The Ghost Forest: New and Selected Poems
Excerpts from debut books by Suzette Mullen, Dorsía Smith Silva, Uchenna Awoke, Deborah Jackson Taffa, and Parul Kapur.
For Mosab Abu Toha, whose entire life and body of work, including his new collection, Forest of Noise, have been shaped by war, poetry is a way for all of us to document, to try to understand, and to act in times of suffering.
The first lines of a dozen noteworthy books, including Between the Night and Its Music: New and Selected Poems by A. B. Spellman and The Charterhouse of Padma by Padma Viswanathan.
Led by best-selling author Lauren Groff, the Lynx Watch helps distribute books banned or challenged in the state of Florida to local readers and works with advocacy organizations to bring awareness to other threatened freedoms.
The Center for Book Arts’s new fellowship program supports BIPOC creatives with essential resources to start a small press, planting seeds for a more diverse and equitable vision of publishing.
“Take pleasure in publishing work you love,” says Ander Monson, founder of New Michigan Press. Steered by this guidance and a taste for the off-kilter, the press has produced chapbooks and the magazine Diagram for over twenty years.
The author of the debut poetry collection Good Dress highlights a thoughtful selection of literary journals that helped shepherd her poems into the world, including Underbelly and Hopkins Review.
U.K.-based artist James Cook uses a typewriter to create architectural and portraiture artworks consisting of thousands of letters, numbers, and punctuation marks, encouraging viewers to look beyond their first impressions.
The new president of the Association of American Literary Agents speaks about the state of agenting today, what writers misunderstand about agents, and the numerous irons she has in the literary fire.
This past April, NDN Girls Book Club loaded up a big pink truck to distribute over ten thousand free books and care packages throughout the Hopi Reservation and Navajo Nation, improving accessibility to Indigenous literature.
“Never let the pursuit of perfection be the enemy of the good.” —Steve Wasserman, author of Tell Me Something, Tell Me Anything, Even If It’s a Lie: A Memoir in Essays
The author of The Body Alone: A Lyrical Articulation of Chronic Pain contemplates how hybrid writing can capture ongoing stories without neat endings.
“Trust yourself enough to know that you don’t need to do backflips for your readers on the page. Just walk straight ahead.” —Aaron Robertson, author of The Black Utopians: Searching for Paradise and the Promised Land in America
The author of The Body Alone: A Lyrical Articulation of Chronic Pain contemplates how hybrid writing can capture the nonlinear chronology of pain.
“Take a year, pursue it, and see what happens.” —Afabwaje Kurian, author of Before the Mango Ripens