In this collection of essays, Tom Sleigh investigates the ways private life, selfhood, and aesthetics are served by poetry written in the first person, and uses multiple forms to explore identity and the limits of subjectivity. Sleigh discusses his own writing, as well as work by poets including Elizabeth Bishop, Anne Bradstreet, Seamus Heaney, Sir Walter Raleigh, Tomas Tranströmer, and Derek Walcott to inspire new ways to think about poetic craft.
