Deadline Approaches for St. Francis College Literary Prize

Submissions are open for the biennial St. Francis College Literary Prize. The $50,000 award is given to a midcareer author for their third, fourth, or fifth book of fiction. Chris Abani, Ron Currie, and Kate Christensen will judge. The shortlist will be announced on August 15, and the winner will be announced at the Brooklyn Book Festival in September.

To submit, mail five copies of a book of fiction published between June 2017 and May 2019 to St. Francis College, 180 Remsen Street, Brooklyn, NY 11201. Self-published books and English translations are also eligible. The deadline is May 15. There is no entry fee.

First awarded in 2009, the prize is designed to recognize “authors at this crucial stage in their careers” and give them more opportunities to focus on their craft. Past winners include Dana Spiotta for Innocents and Others, Maud Casey for The Man Who Walked Away, and David Vann for Dirt.

Patterns of Wear

The unofficial Smith College Historic Clothing Collection is home to three thousand dresses, suits, and accessories worn from the nineteenth century to today, showcasing a wide variety of women’s social uniforms across a diverse range of economic backgrounds. Search online for photos and advertisements of everyday work attire or casual wear from the last century or two, and write a personal essay that contemplates how the outfits differ from what you wear and see worn on others in the present day. What clues can you derive about the culture and its values—in terms of gender, workforce, or class—from the clothing worn back then? How does that carry through to what you wear today?

Get It Wrong

“You don’t need to look up the specifics of some detail right that moment. You just don’t. So you get the state wrong when you’re writing the short story that was inspired by that Internet video of the black bear that broke into a house and played the piano in what you think was probably Colorado,” writes Camille T. Dungy in “Say Yes to Yourself: A Poet’s Guide to Living and Writing” in the May/June issue of Poets & Writers Magazine. Write a short story inspired by a strange or humorous Internet video you watched a while ago. Don’t worry about rewatching it to make sure you get the details right. Allow the fallibility of your memory to take the story into a new and bolder direction.

Marilyn Nelson Wins Ruth Lilly Poetry Prize

Today the Poetry Foundation named Marilyn Nelson the winner of the 2019 Ruth Lilly Poetry Prize. The annual award for outstanding lifetime achievement is one of the most prestigious awards given to American poets and includes a $100,000 prize. The Poetry Foundation also named Terrance Hayes the recipient of the 2019 Pegasus Award for Poetry Criticism and Naomi Shihab Nye the 2019–2021 Young People’s Poet Laureate. The three awards will be presented at the Pegasus Awards Ceremony at the Poetry Foundation in Chicago on June 10.

Poet and translator Marilyn Nelson has published several books, including three poetry collections that were finalists for the National Book Award: Carver: A Life in Poems (Front Street Press, 2001), The Fields of Praise: New and Selected Poems (Louisiana State University Press, 1997), and The Homeplace (Louisiana State University Press, 1990). Nelson won the Frost Medal from the Poetry Society of America in 2012 and is the recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts. She is a professor emeritus at the University of Connecticut at Storrs and was the state’s poet laureate from 2001 to 2006.

“Marilyn Nelson has been committed throughout her career to meticulously chronicling the contemporary and historical experience—and contributions—of Black people in America,” said Don Share, editor of the foundation’s magazine, Poetry. “Everyone who cares about how life is lived and felt in this country should read her vivid and deeply considered work.”

The inaugural Ruth Lilly Poetry Prize was awarded to Adrienne Rich in 1986. The prize has since been awarded to Gary Snyder, C. K. Williams, W. S. Merwin, Joy Harjo, and Martín Espada, among others.

The Young People’s Poet Laureate title, which includes a $25,000 prize, celebrates a living writer’s devotion to writing exceptional poetry for young readers. As the 2019–2021 laureate, Nye plans to bring poetry to geographically underserved areas. Nye, who is a professor of creative writing at Texas State University, has published several poetry collections for both young readers and adults. BOA Editions published her most recent collection for adults, The Tiny Journalist, last month.

The $7,500 Pegasus Award for Poetry Criticism, which honors a book of poetry criticism published in the previous year, was awarded to Terrance Hayes for his book To Float in the Space Between: A Life and Work in Conversation with the Life and Work of Etheridge Knight (Wave Books, 2018). A professor at New York University, Hayes has been recognized with numerous awards, including a 2010 National Book Award for his poetry collection Lighthead (Penguin Books, 2010).

The Things You’ve Seen

Several years ago, journalist Geoffrey Gagnon observed that there were bowhead whales—who are among the world’s longest-living mammals with life spans of over two hundred years—still alive in the Arctic that were born long before Moby-Dick was written in 1851. This week, write a poem that imagines being in the presence of a creature that has been alive for over two centuries. What might this being have seen or experienced that you would ask about? What historical events pertinent to you have occurred over its lifetime? How does perspective shift over such a long period of time?

You Are What You...Refrigerate?

Can refrigerator contents lead to a love connection? Refrigerdating is an app that works with Samsung’s Family Hub Refrigerator, a four thousand dollar appliance with a built-in camera and touchscreen door, and allows you to browse ice box contents of potential dates for compatibility. Write a personal essay that considers the contents of your own fridge, and compares it with what’s inside the fridge of a friend, family member, or foe. How are your personalities and habits apparent in your preserved food choices? What might be misconstrued or misrepresentative?

Must’ve Been Something I Ate

According to a recent study in the Journal of Archaeological Science: Reports, scientists found evidence in a cave in Texas that 1,500 years ago, someone ate a venomous snake whole. The discovery was made through analysis of coprolite, fossilized poop, which revealed a wealth of information about the ancient forager’s life and times. While there is no way to be certain, the archaeologists believe it’s possible that the snake was eaten for ceremonial or ritualistic purposes. Write a short story in which your main character finds a fossil in an unlikely place. How does this discovery steer your character into a mystery?

Dante Micheaux Wins Four Quartets Prize

At a ceremony in New York City this afternoon, Dante Micheaux was named the winner of the second annual Four Quartets Prize. Micheaux, who won for his book-length poem, Circus (Indolent Books), will receive $20,000. The annual award is given for a unified and complete sequence of poems published during the previous year. Rowan Ricardo Phillips, Carmen Giménez Smith, and Rosanna Warren judged.

“How right that this poet’s first name should be Dante,” wrote the judges in their citation. “For his Circus is a Comedy: a savage comedy, lacerating dialects, fingering wounds, looking for loves right and wrong in the crevices of history and of humiliated bodies. And yet, and yet. His language exults, triumphs, and freely rummages in the treasuries of the Bible, Baudelaire, Whitman, Eliot, Baraka, and Mahalia Jackson, taking what it needs, making it his sovereign own, a wrested blessing.”

Upon accepting the award, Micheaux thanked his grandmother, saying she “put the pen in my hand, put my hand in her hand, and taught me how to write.” Micheaux also thanked Michael Broder, his publisher at Indolent Books, a small press based in Brooklyn devoted to poetry that is “innovative, provocative, risky, and relevant.” Micheaux is the author of one previous collection, Amorous Shepherd (Sheep Meadow Press, 2010), and has published poems in the American Poetry Review, Callaloo, Poetry, PN Review, and Tongue, among others.

The finalists for the prize were Catherine Barnett for her poem sequence “Accursed Questions” from Human Hours (Graywolf Press) and Meredith Stricker for her chapbook anemochore (Newfound Press).

The Poetry Society of America and the T. S. Eliot Foundation established the Four Quartets Prize two years ago to celebrate the poetic sequence and honor T. S. Eliot’s legacy. Danez Smith won the inaugural prize for their lyric sequence “summer, somewhere” from Don’t Call Us Dead (Graywolf Press).

The Most Vivid Moment

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“‘When you finish the book, you close the pages and let your mind wander to the first thing you remember—the most vivid moment, a feeling, a character, a phrase, or even something in your own life experience that resonated and has been resurfaced by the story,’” says Ben Please in “The Bookshop Band” by Dana Isokawa in the May/June issue of Poets & Writers Magazine. The duo, comprised of Please and Beth Porter, composes and performs literary-themed music by a wide range of authors, oftentimes inspired by just one book. Try this exercise while composing a new poem: Select a book you read recently and let your mind’s wandering—and lingering on a word, phrase, or feeling—lead you to the starting point of a poem.

Watchale Workshop: An Alternative Narrative for California’s Central Valley

Jamie Moore is the author of the novella, Our Small Faces (ELJ Publications, 2013). Her work has been published in magazines including TAYO Literary Magazine and the Nervous Breakdown. She is a professor at College of the Sequoias in Visalia, California, and executive director of the Watchale Workshop.

California’s Central Valley has a surprisingly rich literary history, and the Watchale Workshop team has learned a few things about our literary community. Firstly, it is a community centered around Fresno, the city hub of the Central Valley and location of the nearest MFA program, which makes many of the literary events inaccessible to community members in the south part of the region, particularly writing students at the College of the Sequoias, where I teach. Secondly, many events are focused on a single genre—poetry—perhaps as a result of the success of poets from the area. Lastly, and of greatest concern to us, many literary events are focused on and organized by men. Knowing the rich diversity of writers in our area, the Watchale Workshop aimed to showcase what more the Central Valley has to offer with our inaugural day-long event full of workshops and lectures that took place on April 6 at the College of the Sequoias.

The idea for Watchale started as a conversation between fellow writers over coffee. The four of us at Watchale were brought together by a desire to create opportunities for writers like us: POC, queer, emerging. After recruiting a student team in September 2018, Watchale was conceptualized, the name derived from Sandra Cisneros’s poem “Loose Woman.” We wanted to make a statement: Watch out! We’re coming for you! We’ve been here! We’re ready to be heard!

With our mission statement in mind—to create an alternative narrative of our literary community—we carefully curated a lineup of writers that put women and queer voices at the center of our literary conversation. We invited women writers who not only had Central Valley connections, but those we knew would help us create a space for our student writers to be included in the larger literary community. I wanted Watchale to complement the women-centered literary groups already doing work in Fresno, such as Fresno Women Read and Women Writers of Color Central Valley. This was our festival to shine.

And shine we did. In the morning, generative workshops in several genres led by P&W–supported writers Ife-Chudeni Oputa, Monique Quintana, and Wendy C. Ortiz encouraged participants to pick up their pens and get writing. Oputa’s workshop focused on the theme of “Ownership,” asking emerging poets to consider the duality of ownership, and what we owe to ourselves and our communities.

After a rousing reading with Sara Borjas and Wendy C. Ortiz, participants gathered for craft lectures on topics like community organizing, freedom and futurity, scene writing, poetry structure, and self-publishing. The evening reading celebrated both our student readers from the College of the Sequoias Quill Creative Writing Club and our featured writers of the workshop.

Students and community members were invigorated by a literary space that felt like us, of us, for us. I deeply believe we served that purpose and thus, Watchale became the literary event of my dreams. Watchale is a love letter to the Central Valley and to the writers who’ve been missing from the narrative thus far. We’re here now.

Support for Readings & Workshops in California is provided by the California Arts Council, a state agency, and the National Endowment for the Arts, a federal agency. Additional support comes from the Friends of Poets & Writers.

Photo: (from left to right) Marcus Moreno, Jamie Moore, Martin Velasco Ramos, Destina Hernandez, Wendy C. Ortiz, and Sara Borjas (Credit: Marcus Moreno).

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