Worth the Story

Temperatures in the thirties, driving rain, and headwinds gusting at thirty miles per hour are not ideal weather conditions for a marathon. And yet, approximately thirty thousand people participated in this year’s Boston Marathon slogging through these treacherous conditions. In Matthew Futterman’s essay “What It Was Like to Run the Boston Marathon in a Freezing Deluge” in the New York Times, he writes about the glory of getting to tell the story of this miserable yet epic experience. Write a personal essay about an event from your past in which circumstances beyond your control transformed what would have been a more standard situation into something decidedly more dramatic.

Bad Luck Streak

Lightning never strikes the same place twice, is how the saying goes, but for some it strikes more than twice. Over the course of three years, twenty-year-old outdoorsman Dylan McWilliams beat 893 quadrillion-to-one odds to experience being bitten by a shark, being attacked by a bear, and then being bitten by a rattlesnake. Write a story in which a character endures a slew of bad luck in the form of several unfortunate incidents within a short span of time. Though the events may seem unrelated, are there larger forces at work? How does your character’s response to this streak of bad luck reveal her personality or foreshadow future consequences within the narrative?

More Cloudiness

In “The Love of Labor, the Labor of Love,” Rigoberto González’s interview with Carmen Giménez Smith in the May/June issue of Poets & Writers Magazine, she talks about the experimentation in her new book, Cruel Futures (City Lights Books, 2018). Smith discusses releasing her writing from her usual “taut lyric voice” and allowing herself to “fly without punctuation...employing more cloudiness, maybe more impressionism.” This week, make an effort to let go of your own poetic safety blanket, and do away with the most clearly defined aspects of your lyric voice. Dispel with punctuation, wreak havoc with line breaks and syntax, and write a hazy series of impressionistic, cloudy poems.

Deadline Approaches for BOMB Poetry Contest

Submissions are currently open for BOMB Magazine’s 2018 Poetry Contest. A prize of $1,000 and publication in BOMB’s literary supplement, First Proof, is given biennially for a group of poems by an emerging writer. Dawn Lundy Martin will judge.


Using the online submission system, submit up to five poems totaling no more than ten pages with a $20 entry fee, which includes a one-year subscription to BOMB for U.S. entrants, by May 6. The winner will be announced on July 31.

Previous winners of the contest include Marwa Helal, Daniel Poppick, and Steve Dickison. BOMB’s literary prize is given in alternating years for fiction and poetry; the 2019 award will be given in fiction. Visit the website for more information.

(Photo: Dawn Lundy Martin)

A Thirst for the Arts in the Inland Region

For years, Poets & Writers’ Readings & Workshops program has been conducting Literary Roundtable Meetings in California and New York State. The meetings bring together people from all areas of the literary community to share ideas, news, and resources. In California, eight community meetings are held a year. This spring, a meeting was held in California’s Inland Empire region, an area centered around the cities of Riverside and San Bernardino. The guest speaker was Dr. Ernie Garcia of the Garcia Center for the Arts, where the meeting was held, and the cohost was Cati Porter, director of the Inlandia Institute. Porter is a poet, editor, essayist, and arts administrator, and her third poetry collection, The Body at a Loss, is forthcoming next year from CavanKerry Press. She writes about the value of the annual Literary Roundtable Meetings and the recent gathering in San Bernardino, California.

For the past decade, Inlandia Institute has been the Inland Empire regional partner for Poets & Writers’ annual Inland Empire Literary Roundtable Meeting. We have always held the meeting at a local library, but this year thought it would be fun to mix it up and meet at the Garcia Center for the Arts in San Bernardino.

Situated in an urban center, the Garcia Center is an oasis. Opening the front gate is like stepping through a portal: The courtyard is filled with desert-loving flora. Banana trees, heavy with fruit, bend over the walkways. A fountain purrs. The building is a Spanish adobe, once abandoned and now rehabilitated, and home to artist studios and arts organizations, including a second office for Inlandia.

The Garcia Center is named after and run by Dr. Ernie Garcia, our guest speaker for the roundtable that day. I arrive early and can already hear voices as I make my way toward the community library for the meeting. That’s when I find Ernie sitting on a bench in the courtyard with another early arrival. The three of us head into the “library,” a large room stocked, thanks to generous community donations, with books and comfy chairs.

An island of tables has already been set up for our meeting. Soon Jamie Asaye FitzGerald, director of Poets & Writers’ Readings & Workshops (West), arrives—and then about a dozen others. Just inside the door is an upright piano, another donation, and Jamie sits and plays for us as we settle in. The table fills up quickly.

We have just begun going around the room introducing ourselves when two more people walk in, then one more, then a couple more again, until nearly every seat is filled including the wing chairs and sofa. Among those present are Timothy Green of Rattle literary magazine, Richard Soos of Cholla Needles Press, Jennifer Kane of Arts Connection, Juan Delgado of California State University in San Bernardino, Cindy Rinne of the San Bernardino Valley Concert Association, Edward Ferrari of PoetrIE, and Nikia Chaney, the Inlandia Literary Laureate.

In all, twenty-five people coming from as far and wide as Sun City, Rancho Cucamonga, Barstow, Ontario, Wrightwood, Forest Falls, Joshua Tree, Yucaipa, Moreno Valley, Redlands, and Riverside. There is such thirst for this kind of support for artists and writers in Inlandia that folks were willing to drive great distances just to connect.

Dr. Garcia—aka Ernie, aka Neto Esquelito—gives us an oral history of the Garcia Center, and then reads from his book, Growing Up Aleluya, about religious intolerance in the barrio of South Colton, California.

When Ernie finishes, I pull out a pair of scissors.

Ernie, Nikia, and I push back our chairs and walk to a trio of bookshelves behind me, a red ribbon draped across. Ernie cuts the ribbon. The sign beneath reads: Inlandia Poetry Library Donated By Inlandia Literary Laureate Nikia Chaney.

Nikia found herself with more books than bookshelves after serving as a judge for this year’s Kate and Kingsley Tufts Poetry Prize, so she decided to donate them as part of her laureateship to form the Inlandia Poetry Library at the Garcia Center. More than four hundred poetry books are now free to the public to check out, on the honor system, when the center is open.

Writing is about connecting. It’s not, as they say, always a solitary act. Community is the well we drink from after the long journey inward. What Poets & Writers does is create someplace for us to come back to—for exchange of ideas and connection with other writers—something that, in the Inlandia region, is hard to come by.

Support for this event and Readings & Workshops in California is provided by the California Arts Council, a state agency, and the National Endowment for the Arts, a federal agency. Additional support comes from the Friends of Poets & Writers.

Photos: (top) Dr. Ernie Garcia, Cati Porter, and Nikia Chaney (Credit: Cindy Rinne). (bottom) Inland Empire group (Credit: Jamie FitzGerald).

Courtney Zoffness Wins £30,000 Short Story Award

American writer Courtney Zoffness has won the 2018 Sunday Times EFG Short Story Award for her story “Peanuts Aren’t Nuts.” The annual award of £30,000 (approximately $41,300) is the world’s richest prize for a single short story written in English.

The winning story will be published in Britain’s Sunday Times on Sunday, April 29, and can also be found on the award website.

The finalists for the prize, who each received £1,000 (approximately, $1,380), were Allegra Goodman for “F.A.Q.s,” Victor Lodato for “Herman Melville, Volume 11,” Miranda July for “The Metal Bowl,” Molly McCloskey for “Life on Earth,” and Curtis Sittenfeld for “Do-Over.”

Tessa Hadley, Petina Gappah, Sebastian Faulks, Mark Lawson, and Andrew Holgate judged. Of Zoffness’s story, Faulks said: “It was a high-tariff endeavor, exactly brought off. And at its heart it had that precious thing that underlies the best fiction. It’s not just about giving a voice to the overlooked; it is about valuing the inner world above the outer —dramatically reminding us that this quiet place is where lives are shaped.”

Zoffness lives in Brooklyn, New York, and directs the creative writing program at Drew University in New Jersey. She is currently writing her first novel, which is based on the winning story. 

Established in 2010 by Lord Matthew Evans of EFG International banking group and Cathy Galvin of the Sunday Times, a weekly newspaper published in Britain since 1822, the annual prize is open to writers across the world and aims to promote and celebrate the excellence of the modern short story.

Zoffness is only the second woman to win the award, after Yiyun Li won in 2015. Other past winners include Bret Anthony Johnston, Jonathan Tel, and Junot Díaz. Visit the website for more information.

(Photo: Courtney Zoffness)

Upcoming Fiction and Nonfiction Deadlines

Prose writers, if you have a short story, essay, novel, or book of nonfiction ready to submit, consider the following contests with deadlines of April 30 and May 1, each offering a prize of at least $1,000 and publication.

Red Hen Press Nonfiction Award: A prize of $1,000 and publication by Red Hen Press is given annually for an essay collection, memoir, or book of narrative nonfiction. Florencia Ramirez will judge. Entry fee: $25. Deadline: April 30

Winning Writers Tom Howard/John H. Reid Fiction and Essay Contest: Two prizes of $2,000 each and publication on the Winning Writers website are given annually for a short story and an essay. Dennis Norris II will judge. Entry fee: $20. Deadline: April 30

Nimrod International Journal Literary Award: A prize of $2,000 and publication in Nimrod International Journal is given annually for a work of short fiction. A runner-up prize of $1,000 and publication is also given. The winner and runner-up also receive transportation and lodging to attend an awards ceremony and writing conference in Tulsa in October. Entry fee: $20. Deadline: April 30

Glimmer Train Press Fiction Open: A prize of $3,000, publication in Glimmer Train Stories, and 10 copies of the prize issue is given twice yearly for a short story. A $1,000 second-place prize is also given. The editors will judge. Entry fee: $21. Deadline: April 30

Glimmer Train Press Very Short Fiction Award: A prize of $2,000, publication in Glimmer Train Stories, and 10 copies of the prize issue is given three times a year for a very short story. Entry fee: $16. Deadline: April 30

Southwest Review David Nathan Meyerson Fiction Prize: A prize of $1,000 and publication in Southwest Review is given annually for a short story by a writer who has not published a full-length book of fiction. Entry fee: $25. Deadline: May 1

Leapfrog Press Fiction Award: A prize of $1,150 and publication by Leapfrog Press is given annually for a short story collection, a novel, or a novella. Marie-Helene Bertino and the Leapfrog editors will judge. Entry fee: $33. Deadline: May 1

Whiting Foundation Creative Nonfiction Grants: Up to six grants of $40,000 each are given annually for creative nonfiction works-in-progress to enable writers to complete their books. Creative nonfiction writers under contract with a publisher and at least two years into their contract are eligible. There is no entry fee. Deadline: May 1

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Cross-training

4.26.18

Hobbies and activities often inspire and become an important part of a writer’s life. In his memoir What I Talk About When I Talk About Running (Knopf, 2008), Haruki Murakami recounts his personal history with running, and draws parallels between his passions for marathons and novels. More recently, in her essay collection, The Curse of the Boyfriend Sweater (Flatiron Books, 2018), Alanna Okun explores her practices of knitting and crafting, and how they interact with her writing life and overall well-being. This week, try writing an essay about an interest of your own that runs parallel to, or perhaps even informs, your identity as a writer.

Bad Deeds

4.25.18

In Denis Johnson’s classic short story collection Jesus’ Son (Farrar, Straus and Giroux, 1992), the protagonist is morally compromised: he does bad things, ranging from little lies to large acts of theft and violence. Part of what makes the book compelling is the way Johnson handles the protagonist’s inner life and his reactions to his own misdeeds. This week, try writing a short story from the perspective of a character who does something bad and gets away with it. How is this character affected? Is there rationalization, shame, fear? The plot could be as innocuous as a child stealing a candy bar, or something more sinister.

Dream Sharing

4.24.18

Zachary Schomburg’s poetry collection Fjords Vol. 1 (Black Ocean, 2012) was inspired by his desire to write poems based on the dreams his friends had shared with him. In an interview for the Pleistocene, he explained that part of his process was “e-mailing my friends or having a beer and talking to them about their most interesting dreams or their most recent dreams, and trying to make poems out of them.” The resulting poems have the odd clarity of dream logic. This week, reach out to some friends and ask them to share their most vivid dreams with you. Then try turning that material into a poem: include both the surreal and the concrete.

Pages

Subscribe to RSS - blogs