The deadline approaches for the International Dylan Thomas Prize, given annually for a book of poetry or fiction published in English in the previous year by an author between the ages of 18 and 39. The winner will receive £30,000.

Publishers may submit ten copies of a book published between January 1, 2016, and December 31, 2016, along with the required entry form, by Friday, November 4. Entries should be mailed to the International Dylan Thomas Prize, c/o Dr. Elaine Canning, Research Institute for Arts and Humanities, Keir Hardie Building, Room 405c, Swansea University, Singleton Park, Swansea SA2 8PP, UK.

There is no entry fee. Translations and self-published books are ineligible. E-mail or visit the website for complete guidelines.

The International Dylan Thomas Prize was established in 2006 in honor of Dylan Thomas, who, according to the website, was: “the quintessential adolescent writer, ideally suited to serve as an inspiration to young writers everywhere. The freshness and immediacy of his writing were qualities that he never lost. The Prize seeks to ensure that readers today will have the chance to savour the vitality and sparkle of a new generation of young writers.”

Recent winners of the prize include Max Porter for his novel, Grief Is a Thing With Feathers (Graywolf, 2016), Joshua Ferris for his novel To Rise Again at a Decent Hour (Little, Brown, 2014), and Claire Vaye Watkins for her story collection Battleborn (Riverhead, 2012).

The 2017 winner will be announced at an awards ceremony in Swansea, Wales, in May.

As pollution levels worsen in many cities around the world, some enterprising companies have found a market for selling packages of bottled air from Wales (with a "morning dew feel"), as well as from Australian beaches and Canadian mountains. Write a short story that takes place in a world that has perfected the ability to conveniently bottle not just air, but other highly sought-after items, both tangible and intangible. What happens when emotional states and feelings, like happiness or love, can be bottled, sold, and bought?

Día de los Muertos, or Day of the Dead, is a Mexican holiday celebrated during the first two days of November in which family and friends commemorate the dead: gathering to tidy up tombs in the cemetery, presenting offerings on altars, eating and drinking, playing music, and telling stories. Write a poem that joyfully honors a loved one who has passed away—or that confronts death and mortality in a more general way—with a tone of both respect and celebration. How does imbuing the gravity of mortality with liveliness and vitality inspire you to think about imagery, rhythm, and diction in new ways?

Poet, children’s book author, and translator Marilyn Nelson has won the 2017 Neustadt Prize for Children’s Literature. The biennial award recognizes a “storied career exploring history, race relations, and feminism in America,” and carries with it a $25,000 purse.
Ohio-born Nelson, who currently serves as professor emeritus at the University of Connecticut, has written or translated more than a dozen works, and has received honors including the Newbery Honor, the Coretta Scott King Honor, and the Pushcart Prize. In addition to her awards, Nelson has served as the poet laureate of Connecticut, and has received fellowships from the Guggenheim Foundation, the National Endowment of the Arts, and the Poetry Society of America.

Robert Con Davis-Undiano, the executive director of World Literature Today who oversees the prize, said in a press release of Nelson’s work, “Her engaging, lyrical style builds awareness around sensitive issues through human, and even humor storytelling that both children and adults can relate to.”

Established in 2003, the NSK Neustadt Prize for Children’s Literature honors a living writer or author-illustrator who has made significant achievements in the field. Funding for the award is provided by Nancy Bercelo, Susan Neustadt Shwartz, and Kathy Neustadt, and the prize is sponsored by World Literature Today, the University of Oklahoma–based magazine of international literature. Previous winners include Vera B. Williams, Virginia Euwer Wolff, and Naomi Shihab Nye.

Are you a nonfiction writer? Looking to publish an essay, or in search of funding to finish your book? If so, there’s a writing contest for you—and several of them have deadlines within the next few days. So get to work this weekend, and check out these contests with November 1 deadlines.

If you’re an emerging writer looking for experience and mentorship in New York City, A Public Space’s annual Emerging Writer Fellowships might be right for you. Each fellowship includes $1,000, publication in A Public Space, a six-month mentorship with an established author, and optional workspace in the journal's Brooklyn, New York, office from March 2017 to September 2017. There is no application fee.

Looking to publish an essay? Reed Magazine’s Gabriele Rico Challenge in Creative Nonfiction offers an annual prize of $1,333 and publication of an essay of up to 5,000 words (with a $15 entry fee). Similarly, the Briar Cliff Review offers an annual prize of $1,000 and publication for an essay of up to 5,000 words (with a $20 entry fee).

Want to travel abroad to finish your book? There’s a contest for that. The American-Scandinavian Foundation offers annual writing fellowships of up to $23,000 and grants of up to $5,000 to creative nonfiction writers for study and research in Scandinavia. The application fee is $60. Meanwhile, the American Academy in Rome’s annual Rome Prize— which includes a $28,000 stipend, lodging, workspace, and most meals—allows writers to spend eleven months at the American Academy in Rome. It’s open to nonfiction writers who have published either a book or at least five essays or memoir excerpts in two or more literary journals, magazines, or anthologies. The application fee is $40.

For study in the United States, Washington College’s Patrick Henry Writing Fellowship confers a nine-month fellowship, which includes a stipend of $45,000, at the C. V. Starr Center for the Study of the American Experience at Washington College in Chestertown, Maryland, to a nonfiction writer working on a book that addresses the history or legacy of the American Revolution and the nation’s founding ideas. There is no application fee.

Visit the contest websites for complete guidelines and submission details. For more upcoming contests, check out our Grants & Awards database and Submission Calendar.

The deadline approaches for several contests for fiction writers. Below is a roundup of fiction contests—for everything from flash fiction and stories to full-length manuscripts and published books—with deadlines of October 31 or November 1.

For emerging story writers, check out Glimmer Train Press’s Short Story Award for New Writers, given for a short story by a writer whose fiction has not appeared in a print publication with a circulation of more than 5,000. The winner will receive $2,500 and publication in Glimmer Train Stories; the deadline is October 31.

You might also try your luck with the Tucson Festival of Books Literary Awards, one of which will be given for a short story or novel excerpt. The winner will receive $1,000 and an invitation to participate in a panel discussion at the annual Tucson Festival of Books and attend a workshop on the University of Arizona campus in March 2017. The deadline is October 31.

Story writers may also consider a handful of contests with a November 1 deadline that offer at least $1,000 and publication of a story, including the Madison Review’s Fiction Prize, the Malahat Review’s Open Season Award in Fiction, and Reed Magazine’s John Steinbeck Fiction Award.

For writers working on a novel or who have published a novel, the Dana Awards offer a prize of $2,000 for a novel or novel-in-progress; the deadline is October 31. Writers with a book of fiction published in 2016 can also submit to PEN/Faulkner Foundation’s annual Award for Fiction, a $15,000 prize given for a short story collection, novella, or novel published in the preceding year. The deadline is October 31.

And for those seeking publication of their fiction manuscript, several contests with November 1 deadlines offer at least $1,000 and publication. The $1,000 Washington Writers Publishing House Fiction Prize is given annually for a story collection or novel by a writer who lives in Washington D.C., or in Maryland or Virginia within a 75-mile radius of the U.S. Capitol. Fiction Collective Two is administering two prizes for story collections, novellas, novella collections, or novels: the $15,000 Catherine Doctorow Innovative Fiction Prize, given to a writer who has published at least three books of fiction, and the $1,500 Ronald Sukenick Innovative Fiction Contest, open to all fiction writers.

Visit the prize websites for complete guidelines. For more contests with upcoming deadlines, visit our Grants & Awards Database, and check out the Submission Calendar.

“He walked warily, stopping often to scan the clouds for clues to an impending downpour...” A recent article in the New York Times explores why the National Weather Service is not able to better predict and track storms like this fall’s Hurricane Matthew, and speaks to a meteorologist and professor of atmospheric sciences about the need for improvement. Write an essay exploring an experience that disrupted plans in your life—perhaps an illness, a breakup, or an unexpected opportunity—that you were not able to predict. How did you respond to the challenge? In retrospect, were there signs or clues of the change to your forecast?

In Julio Cortazar’s short story, “Graffiti,” two graffiti artists develop a relationship admiring each other’s work and create a dialogue through their art like love letters. This week, think of a recent encounter you had with someone you admire. Then, write a short story where you reimagine that experience from the perspective of the other person. What might be noticed about the interaction that is different from what you interpreted? Will the feelings expressed be mutual?

Paul Beatty has been awarded the 2016 Man Booker Prize for Fiction for his novel The Sellout (Oneworld), a satirical look at race in America. Beatty will receive £50,000 (approximately $61,000).

Beatty, fifty-four, is the first American author to win the prize. Of his winning book, 2016 chair of judges Amanda Foreman said, “The Sellout is a novel for our times. A tirelessly inventive modern satire, its humor disguises a radical seriousness. Paul Beatty slays sacred cows with abandon and takes aim at racial and political taboos with wit, verve and a snarl.” 

The Sellout was selected from a shortlist of finalists that included Deborah Levy’s Hot Milk (Hamish Hamilton), Graeme Macrae Burnet’s His Bloody Project (Contraband), Ottessa Moshfegh’s Eileen (Jonathan Cape), David Szalay’s All That Man Is (Jonathan Cape), and Madeleine Thien’s Do Not Say We Have Nothing (Granta Books). Each finalist receives £2,500 (approximately $3,050). 

“I can’t tell you how long this journey has been,” Beatty said in his acceptance speech, at the Man Booker awards ceremony this evening in London. “Writing has given me a life.” 

In addition to its Booker win, The Sellout received the 2015 National Book Critics Circle Award for Fiction.

This is the third year that the Man Booker Prize, established in 1969, has been open to any novel written in English and published in Britain, after having previously been given only to writers from the United Kingdom and the Commonwealth. Previous winners include Margaret Atwood, Peter Carey, and Marlon James. 

(Photo: Paul Beatty, Credit: Alex Welsh)

Edward Gorey wrote and illustrated more than one hundred books, including several alphabet-driven works such as The Gashlycrumb Tinies (“A is for Amy who fell down the stairs”), The Glorious Nosebleed (“She wandered among the trees Aimlessly”), and The Just Dessert (“Apologize”). In the spirit of Gorey’s dark humor unexpectedly combined with a children’s alphabet primer, write a macabre poem similarly derived from the first ten letters of the alphabet, or any ten letters of your choosing.