Suzanne Rancourt's Authentic Voice: One Writer's GPS to Wholeness

Suzanne Rancourt blogs about her P&W funded workshops with many underserved populations. Suzanne Rancourt is pursuing her Doctorate at the US accredited European Graduate School in Expressive Arts: Therapy, Coaching, Consulting & Education as well as a Chemical Dependency Counselor certification. She holds an MFA in writing, MS in Educational Psychology, AWA and CAGS. Suzanne draws from her Native American culture and military service (USMC, USA) in her arts practice and workshops. She has nonfiction work, The Bear That Stands forthcoming in the Journal of Military Experience, with recent work translated by Beatrice Machet. Her writing has been published in numerous journals, is used widely in schools, and transposed into the successful project, On Her Shoulders - a play about nine female veterans. Suzanne is a Managing Editor for Blue Streak - A Journal of Military Poetry. Suzanne has an upcoming P&W funded workshop open to female vets from all eras November 2, 2013 at the Stratton VA Medical Center, Albany, NY. Her award winning book, Billboard in the Clouds, is now carried by nupress.northwestern.

For several years I have had the good fortune of receiving funding from Poets & Writers' Readings/Workshops Program. These opportunities have taken me into prisons, veterans hospitals, homeless shelters for women and children of domestic violence, survivors of Traumatic Brain Injuries, drug and alcohol substance abuse recovery groups, young, inner city girls, YWCA’s, Military Experience and the Arts symposium, and more. I often get people emailing me asking about my use of writing in the field of Expressive/Creative Arts Therapy.

Of course, I recall my first attempts twenty or so years ago trying to explain to various academics my ideas. Neuroscience and brain chemistry fields really didn’t exist then, so usually my ideas were received with a raised eyebrow, leery glances, and silence. My first writing professor, Leonard Gilley, always said that perseverance was a writer’s mainstay. I continued to seek and cultivate my voice as a writer and in so doing I was met with profound adversity, and opportunities.

I focused on being my “authentic” self and in so doing embarked on a journey that led to Pat Schneider and her Amherst Writers and Artists method of facilitating writing workshops. By then I had already acquired two Masters Degrees with education in writing and psychology. I knew a good thing when I felt it. The AWA method, to use some of Pat’s phrasing, 1. is non hierarchical, 2. is experiential, 3. is a strengths based model, 4. can be used with all people regardless of age, religion, lifestyle, culture, cognitive levels, etc, 5. meets the writer/learner where they are at, 6. the facilitator takes the same risks as the participants, 7. it is NOT psychotherapy.

I continued to educate myself and learn from each participant in every one of my groups. I began to realize the changes occurring within participants and myself, not just the cathartic stuff, but the physiological things. For example, prior to a writing spree I may become highly agitated and then sit and write for hours or days. What’s that about? I wanted to know more. Expressive Arts counseling requires that we delve into our own Kafka-esque realities and for me that meant using my primary modality - writing. The change occurs in the process of the art making. Find the surprise.

Since this is to be a relatively short blog post, I won’t give you the full Monty but let’s say the bus most recently stopped off at my military service years. In 2012,  a young Iraq veteran, Travis Martin, followed his Authentic self and created The Journal of Military Experience. Their dedication in using the arts for helping each other, bettering our worlds and documenting our experiences is beyond profound. Each writer writes for their own reason with some discovering a knack that they cultivate into a well honed craft. Ironically, words can’t fully describe how much being reconnected with veterans has helped me. Resonance and resiliency; Perhaps those two words can give you an idea.

Writing transports the artist to someplace. That’s why many of us write. Writing as an Expressive Arts / Creative Arts therapeutic modality is serious business. You are accessing memories, emotions, activating neural pathways that can lead to change with the appropriate guidance and support. There are specific practices that we follow in our daily living, and our continued passion to seek, learn, experience and become more competent in our profession; to be a better human. Be Authentic.

Photo:  Suzanne S. Rancourt.  Photo Credit: Donna Davidson

Support for Readings/Workshops in New York is provided, in part, by public funds from the New York State Council on the Arts, with additional support from the Friends of Poets & Writers.

Alice Munro Wins Nobel Prize

Canadian short story writer Alice Munro has won the 2013 Nobel Prize in Literature. Munro, eighty-two, is the first Canadian writer and only the thirteenth woman to win the award.

Peter Englund, the permanent secretary of the Swedish Academy, made the announcement today in Stockholm, calling Munro a "master of the contemporary short story." Munro, who lives in Clinton, Ontario, and whose work often deals with small-town life and the complicated relationships between women and men, announced earlier this year that she may be retiring. Her fourteenth story collection, Dear Life, was published in 2012 by Knopf.

One of the most prestigious prizes in the world, the Nobel Prize is given to a writer for a body of work, rather than a single book. The winner receives eight million Swedish kronor, or approximately $1.2 million.

Recent winners of the prize include Chinese writer Mo Yan, in 2012; Swedish poet Tomas Tranströmer, in 2011; Peruvian writer Mario Vargas Llosa, in 2010; and the Romanian-born German novelist and essayist Herta Müller, in 2009.

Remembering Home

10.10.13

Our homes are extensions of our souls: the vibrant oil painting of a French villa hanging in the dining room, the tattered couch stained by a child’s bowl of ice cream in the den, the dead, blackened peace lily on an empty bookshelf. Write about the home you were raised in. Focus on the decorations, the furniture, and the items that reveal the most about the people who lived among them. In our homes, everything means something.

Pet Fiction

10.9.13

Pets are playing an increasingly important role in the lives of many people and families in our society. Pets offer companionship, unconditional love, or simply represent a welcome living force in our imperfect homes. Write a scene where an animal or pet stops a character from feeling lonely, stressed, or on the brink of madness. Explore the complex, but very deep and real, relationship between animals and people.

Man Booker Prize Announces Global Expansion

Starting next year, the London–based Man Booker Prize—whose 2013 winner will be announced next week—will be expanded to include all books written in English.

The prize has been given since 1969 for books of fiction written by a citizen of the United Kingdom, the British Commonwealth, or the Republic of Ireland. The expansion will make all books written and published in English, by authors from any country, eligible for nomination.

While the announcement, made last week on the Man Booker website by Foundation Chair Jonathan Taylor, has drawn a flurry of mixed reviews, the Foundation insists that by expanding the prize it will be “embracing the freedom of English in its versatility, in its vigour, in its vitality and in its glory wherever it may be. We are abandoning the constraints of geography and national boundaries.”

Eligible books must still be published in the United Kingdom, and UK publishers must submit titles for consideration. A few other submission guidelines have also changed.
 
The 2013 shortlist, which was announced in September, was chosen from a longlist released in July. The winner, who will be announced on October 15, will receive 50,000 British pounds, or approximately $75,000.

The Man Booker Foundation has also partnered with Apple to host a series of free podcasts featuring readings and interviews with the shortlisted authors.

Crash Poetry

10.8.13

Collisions spark creativity. Colors collide to form new colors. Opposing ideas create an inspired argument. Friction makes fire. Write a poem that combines two unrelated entities in your life: Imagine your birth certificate under a decaying woodpile, your mother-in-law clenching spark plugs, a bluebird singing in your freezer. Push your imagination. The words will follow.

Koon Woon on Poetry as a Survival Technique

P&W-supported poet Koon Woon, October’s Writer in Residence, was born in a timeless village in China in 1949. In 1960 he immigrated to Washington State, first to the logging town of Aberdeen, then to Seattle, where he now resides. He turned to poetry while he was a mathematics and philosophy student coping with mental illness. Later he attended the workshops of Nelson Bentley at the University of Washington. At the age of forty-eight, Koon’s first book, The Truth in Rented Rooms, was published by Kaya Press

It might sound like a stretch, but poetry saved my life—along with the care of psychotherapists, the kindness of my dear friend Betty Irene Priebe, and a continuous parade of literary friends.

Even though I was appointed literary chairman in high school, I could not attend the meetings after school because I had to help out in my family’s Chinese-American restaurant. I tried to study mathematics and philosophy in college, but mental illness was sneaking up on me. I had a full-blown psychotic episode in the streets of San Francisco at age twenty-seven, and was involuntarily hospitalized. I was shouting alarming verses on Stockton and Vallejo Streets at the edge of Chinatown, just a few blocks from the City Lights Bookstore.

I had no idea then that City Lights founder Lawrence Ferlinghetti would one day blurb my first book, The Truth in Rented Rooms, and sell it in his bookstore. (P&W has supported both Ferlinghetti and the store over the years.)

I wrote because I could assuage my mental illness by clarifying to myself my feelings and perceptions of reality. My first publication was “Goldfish,” which appeared in a literary tabloid called Bellowing Ark, started by a fellow student of poet Nelson Bentley at the University of Washington. The poem is about an animal perceived as a regal creature admired by emperors in daylight; but at night, the goldfish turns into a carp, a sharp, silver dagger conspiring to take their lives.

Many academic poets have at least a full-length book out with a prize (and also a price) attached, and a teaching position. But my relationship to poetry always felt more personal than professional—more intense, more weighty. For me, poetry was an attempt to regain my sanity. (This struggle was later collected in a chapbook, The Burden of Sanity, first published by Joe Musso’s Hellp Press.)

Now, at age sixty-four, my second book, Water Chasing Water, is out, thanks to editor Sunyoung Lee and Kaya Press, the world’s foremost English-language publisher of literature of the Asian diaspora. My books have found their way into universities.

I never set out to become a published poet. I entered the literary world through the back door, writing to channel my emotions instead of acting out in the streets. One can almost say I had a utilitarian reason to write poetry. But I am not an armchair poet. I became active in the literary community--active enough to form a literary press and to edit and publish a poetry magazine for twenty years. I also judge contests and sponsor poetry readings and workshops, several of which have been supported by Poets & Writers, Inc.

This month, I will blog about the poetry scene in Seattle and some of the poets and facilitators of readings and workshops. Increasingly, Seattle is becoming a thriving literary community that deserves the nation’s attention.

Photo: Koon Woon reads with Beacon Bards at the Station coffee shop in Seattle. Credit: Greg Bem.
Support for Readings/Workshops events in Seattle is provided by an endowment established with generous contributions from the Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.

Rona Jaffe Award Winners Announced

The Rona Jaffe Foundation has announced the winners of its nineteenth annual Writers’ Awards, given to emerging women writers. The program offers grants of $30,000 each to writers of poetry, fiction, and creative nonfiction.

The 2013 winners are fiction and nonfiction writer Tiffany Briere of San Diego, California; fiction writer Ashlee Crews of Durham, North Carolina; nonfiction writer Kristin Dombek of Brooklyn, New York; poet Margaree Little of Tuscon, Arizona; fiction writer Kirstin Valdez Quade of Palo Alto, California; and nonfiction writer Jill Sisson Quinn of Scandinavia, Wisconsin. Visit the website for the winners’ complete bios.

The Rona Jaffe Foundation Writers’ Awards program was established by author Rona Jaffe in 1995 “in recognition of the special contributions women writers make to our culture and society.” Since the program began, the Foundation has awarded more than $1.5 million to women writers in the early stages of their careers. Past recipients have included Rachel Aviv, Eula Biss, Lan Samantha Chang, Rivka Galchen, ZZ Packer, Sharifa Rhodes-Pitts, and Tracy K. Smith. In addition to providing time to write, the program also offers assistance for things like research, travel, and child care. Nominations for the annual awards are solicited by the Foundation from writers, editors, critics, and other literary professionals.

Rona Jaffe (1931–2005) was the author of sixteen books, including Class Reunion, Family Secrets, The Road Taken, and The Room-Mating Season. Her 1958 bestselling debut novel, The Best of Everything, was reissued by Penguin in 2005.

Listen to a podcast of the 2013 winners reading from their work during a recent awards ceremony at New York University.

Scar Tissue

10.3.13

We all have scars. Though most do not conjure welcome memories, scars are an important part of our lives—both physically and metaphorically. Scars reveal our vulnerability and human frailty, but also represent our resilience and toughness. Write about a scar you have, how you got it, and what it means to you.

Express Lane Character Check

10.2.13

Life is stressful. How our characters handle—or don’t handle—stress reveals much about them. Write a scene in which your protagonist is stressed due to a death in the family, a financial crisis, or an unraveling relationship. Place your protagonist in a grocery store at the express lane for customers with fewer than 10 items. Have a lady, pushing a cart full of groceries, jump in line just before your protagonist. “Sorry, but I’m in a hurry,” she explains. Write six hundred words.

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