Devoya Mayo is a poet, playwright, former radio personality, DJ, tastemaker, and events coordinator with P&W-sponsored The Soulflower Group. Based in Fresno, she dedicates her time to curating events that bridge the divide between the diverse communities residing within California’s Central Valley. From 2005–2006, Mayo was P&W’s Central Valley outreach consultant. Under the moniker Ms. Soulflower, you can find her spinning music in dimly lit establishments, organizing and hosting gatherings, and creating art via Etsy.

What makes the Soulflower Group unique?
We are a consortium of designers, DJs, musicians, photographers, poets, and organizers connected by the tenet that creativity and culture are essential in building community wellness.

What recent project have you been especially proud of?
The P&W-supported Soulflower Speakeasy featuring Sunni Patterson, along with Stephen Mayu, Connie Owens, and Joy Graves, was the easy standout of the year. Sharing space with someone who had appeared on HBO’s Def Poetry Jam, performed at major spoken-word venues, and worked with several well-known artists and performers—including Sonia Sanchez, Wanda Coleman, and Amiri Baraka—was spiritually motivating and an honest-to-goodness awakening. From the moment Sunni walked on stage with her son, she offered us a glimpse into her soul through poetry, reflecting the strife, angst, joy, and hope that many of us were feeling.

How do you find and invite readers?
I find writers via word-of-mouth, social networks, and the occasional open-mic night. You can’t walk down the street in a place like Fresno and not run into a writer of some kind. California’s Central Valley has always been home to a host of heavy hitters like Connie Hales, Tim Z. Hernandez, Juan Felipe Herrera, Lee Herrick, Philip Levine, and Gary Soto.

What’s the craziest thing that’s happened at an event you’ve hosted?
One night a crowd favorite walked on stage, placed a gym bag on a stool, and began to read from his chapbook. As he read about the abuse inflicted by various objects, he began to reach into his bag and toss out the offending objects. He threw boots, belts and, yes, even an iron into a crowd of poetry lovers. Needless to say, there were lots of near misses and, afterwards, we enacted a no-Gallagher-type-antics disclaimer for future events.

How has literary presenting informed your own writing and/or life?
When I’m part of an event, or in the process of curating one, my literary antennae are on high alert. I push myself harder and listen more than I speak, which is hard... let me tell ya. The elements that speak to me, or don't speak to me, inform what I want to provide.
 
What do you consider to be the value of literary programs for your community?
Very few have the power, resources, or authority to demand more programming. This is how we knew we had to do more than just daydream about what it would be like if we were really to invest in our artistic futures.

Photo: Devoya Mayo. Credit: Joe Osejo Photography.

Major support for Readings/Workshops in California is provided by The James Irvine Foundation. Additional support comes from the Friends of Poets & Writers.

Poet and presenter of literary events Cheryl Boyce Taylor, blogs about the P&W-supported Calypso Muse Reading Series in New York City.

In  the summer of 1994, I founded the Calypso Muse Reading Series. I wanted to create a place where Caribbean poets could nuture their work and native dialect. First, I called some of my favorite poets to tell them about the series. They were thrilled and jumped at the opportunity to share their work. Next, I contacted P&W to inquire about its Readings/Workshops program. My next call was to my friend Sigrid, who owned a small cafe in SoHo.

We opened that September to a full house! Rodlyn Douglas, Suheir Hammad, and Hal Sirowitz were my first features, along with a stirring open mic. The series boasted a bevy of poets from diverse backgrounds, some of the poets included: Sekou Sundiata, Jewelle Gomez, Elena Georgiou, and Cheryl Clarke.

Poets from Calypso Muse past have parlayed their voices into writing careers! Hal Sirowitz was awarded an NEA, Suheir Hammad won the Audre Lorde Writing Award, and Rodlyn Douglas was the P&W-supported writer at Lincoln Square Neighborhood Center's senior writing program.

P&W gave Calypso Muse its first grants of twenty five dollars per reader! The support we received helped to nuture our stories. The series' poets reminded audiences that every voice is authentic and deserves celebration.

Since 1994, I have received P&W funding for a number of programs, including: Trini Girls Take Brooklyn, The Womens Reading Series at McNally Jackson Books, and the Calypso Muse House Reading Series. With P&W support, I've become a force in the literary community!

Photo: Cheryl Boyce Taylo. Credit: Artis Q. Wright.

Support for Readings/Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, the A.K. Starr Charitable Trust, and Friends of Poets & Writers.

Playwright Jill Patrick, who runs Working Title Playwrights in Atlanta, Georgia, blogs about the organization's P&W-supported Playwrights &... series.

There is no greater danger than an artist without an outlet, which might be why so many playwrights write in other genres. Launched in 2005, Working Title Playwrights has provided playwrights the opportunity to write in other genres and to present their original work to the public. Held in bookstores and other non-theatrical venues, the readings bring together Atlanta-area playwrights and audiences that may have no interest in live theater. The audience is made up of folks who like to read, poetry enthusiasts, or those who may have just stumbled across the reading.

I was one of the original three Working Title Playwright members to participant in Playwrights &... (along with Pamela Turner and Marian X). I am a decidedly navel-gazing poet, slowly luring adverbs from my belly button. It took the challenge of putting together an hour-long reading of my own work for me to realize that my best writing had variations of the same ingredients: food and family. Eating the Singletaries: Tales from a Tall Redhead was a journey of discovery for me as a writer, and an emotional roller coaster ride for the audience. Not only do I have a lot to say about family, but there is an audience for my work (and not one word of it was meant for the stage). To my surprise and delight, I realized that I am not a playwright who writes poetry, but a poet who writes plays.

Through Playwrights &..., Patricia Henritze (co-author of Anthony+Cleopatra Remix, a re-imagining of Shakespeare's original) presented excerpts from her own memoir, Learning To Talk: My Life Story and Other Fiction. But, the program isn't limited to memoir. Hilary King presented Matthew, Mark, Luke & Potluck: Church Poems. Hank Kimmel paid tribute to the peerless Spalding Gray, The Last Stand of a Stand-Up Comic. Raymond Fast, Karla Jennings,Vynnie Meli, and Topher Payne were also introduced to audiences that may have otherwise been unaware of their diverse, dynamic voices. Playwrights &... will resume this fall with a reading by Lisa Brathwaite, author of True Hotku: 69 haiku celebration of women and our real hotness.

Photo: (left to right) Jill Patrick, Daphne Mintz, Sherry Lee. Credit: Perry Patrick.

Support for the Readings/Workshops events in Atlanta is provided by an endowment established with generous contributions from the Poets & Writers Board of Directors and others.  Additional support comes from the Friends of Poets & Writers.