Tales of the Future

The Time Is Now
12.30.21

“The future is the land of our expectations, hopes, fantasies, and projections, which is to say the future is a fiction,” writes Siri Hustvedt in “The Future of Literature,” an essay from her book Mothers, Fathers, and Others, published in December by Simon & Schuster. “In truth, the only certainty we have about the future is that it holds the secret to our mortality.” In her essay Hustvedt argues that our brains have evolved for prediction and references scientific studies, novels, and philosophy to create her own portrait of the future of literature. Write an essay that contemplates the role storytelling has had in your life. Consider how storytelling has changed for you as the years have passed, and try to reckon, as Hustvedt does, with the complicated nature of envisioning what is to come.

Resolutions

The Time Is Now
12.29.21

Go to the gym. Read more books. Save more money. Eat better. Wake up earlier. New Year’s resolutions begin as good intentions meant to introduce positive change in one’s life, but of course they can be difficult to sustain. Often characterized by vowing to continue healthy practices, change an undesired trait, or accomplish a new goal, resolutions bring with them hope but often turn to disappointment as these once-a-year aspirations fade with each passing day of the new year. Write a story about a character who is at a crossroads and makes an urgent resolution to change their ways. What are the circumstances that necessitate a need for change? How does your character go about accomplishing—or failing to meet—this pressing goal?

Wild Centuries

The Time Is Now
12.28.21

“You are a hundred wild centuries // And fifteen, bringing with you / In every breath and in every step // Everyone who has come before you,” writes Alberto Ríos in his poem “A House Called Tomorrow,” in which he challenges readers to consider their place in building a better world. In the poem, fitting for the new year, Ríos writes about the weight of the past, then sounds a hopeful note: “Look back only for as long as you must, / Then go forward into the history you will make.” Write a poem about your relationship to the past—your connection to the “wild centuries” of history as well as your own personal past, from early childhood to recent years marked by the private and public transformations of time. Try to include your own revelations along with the inspiration that propels you forward into a new tomorrow.

Nochebuena

The Time Is Now
12.23.21

In American movies like the 1983 classic A Christmas Story, the children are sent off to bed on Christmas Eve with everything leading up to the magic of the morning of the twenty-fifth when the family wakes up to open presents under the tree. On the other hand, the Feast of the Seven Fishes and Nochebuena are celebrated on December 24 with families enjoying copious feasts, music, dancing, and cocktails. Write an essay inspired by a memorable Christmas Eve, whether it was quiet or festive. Was there merriment or anticipation in the air?

Child’s Play

The Time Is Now
12.22.21

In a 2009 interview for Newsweek, renowned children’s book writer Maurice Sendak is asked the following question: “What makes a good kids’ story?” At first Sendak dismisses the question saying that he just writes the books, but then remembers the experience of hearing stories told by his parents when he was a child with his siblings. “My parents were immigrants and they didn’t know that they should clean the stories up for us. So we heard horrible, horrible stories, and we loved them, we absolutely loved them.” This week, write a short story inspired by a particularly gruesome or frightening story you heard as a child. Whether by word of mouth or from a book, how will you adapt your terrifying tale to the plot line of a short story?

Inventions

The Time Is Now
12.21.21

“I once thought I was / my own geometry, / my own geocentric planet,” writes Paul Tran in their poem “Copernicus,” one in a series of poems titled after inventors and scientific concepts. In many of the poems, the theory or invention is used as a metaphor for a given speaker’s emotional struggle, such as in “Hypothesis,” in which Tran writes: “I could survive knowing / that not everything has a reason” and in the first lines of “Galileo”: “I thought I could stop / time by taking apart / the clock.” This week, write a poem named after an inventor or theory. How can you personalize a scientific subject and cast it through a lyrical light?

Upcoming Contest Deadlines

G&A: The Contest Blog
12.17.21

Finish this second pandemic year on a high note by submitting to a writing contest! These twenty grants and awards close on December 31 and include five contests with no entry fee. All but one offer a cash prize of $1,000 or more.

Ashland Creek Press Siskiyou Prize for Environmental Literature: A prize of $1,000 is given biennially for an unpublished or published book of fiction or creative nonfiction that focuses on the environment, animal protection, ecology, or wildlife. The winner also receives a two-week residency at the Sitka Center for Art and Ecology, located on the central Oregon coast. Deb Olin Unferth will judge. All unpublished entries are considered for publication. Entry fee: $25.

Before Columbus Foundation American Book Awards: Awards are given annually for books published in the United States during the previous year to recognize “outstanding literary achievement from the entire spectrum of America’s diverse literary community.” Entry fee: None.

Black Caucus of the American Library Association Literary Awards: Four prizes of $1,000 each are given annually for a poetry collection, a first novel, a book of fiction, and a book of nonfiction (including creative nonfiction) by African American writers published in the United States in the previous year. The awards honor books that depict the “cultural, historical, and sociopolitical aspects of the Black Diaspora.” Entry fee: None.

Boulevard Short Fiction Contest for Emerging Writers: A prize of $1,500 and publication in Boulevard is given annually for a short story by a writer who has not published a nationally distributed book. The editors will judge. All entries are considered for publication. Entry fee: $16 (includes subscription).

Burnside Review Press Book Award: A prize of $1,000, publication by Burnside Review Press, and 10 author copies is given annually for a poetry collection. Sommer Browning will judge. All entries are considered for publication. Entry fee: $25 (includes a title from the press’s catalogue).

Center for Book Arts Letterpress Poetry Chapbook Competition: A prize of $500 and letterpress publication by the Center for Book Arts is given annually for a poetry chapbook. The winner will also receive 10 copies of their chapbook and an additional $500 to give a reading with the contest judge at the Center for Book Arts in New York City in fall 2022, and a free weeklong residency at the Millay Colony for the Arts in Austerlitz, New York, for their Wintertide Rustic Retreat. Mei-mei Berssenbrugge will judge. Entry fee: $30.

Cleveland Foundation Anisfield-Wolf Book Awards: Three to four prizes of $10,000 each are given annually for a poetry collection, a book of fiction, and a book of nonfiction (including creative nonfiction) published during the previous year that “contribute to our understanding of racism and appreciation of cultural diversity.” Rita Dove, Henry Louis Gates Jr., Joyce Carol Oates, Simon Pinker, and Steven Schama will judge. Entry fee: none.

Crosswinds Poetry Contest: A prize of $1,000 and publication in Crosswinds is given annually for a single poem. Chard deNiord will judge. All entries are considered for publication. Entry fee: $20.

Florida Review Jeanne Leiby Memorial Chapbook Contest: A prize of $1,000 and publication by Florida Review is given annually for a chapbook of short fiction, short nonfiction, or graphic narrative. All entries are considered for publication. Entry fee: $25.

Griffin Trust for Excellence in Poetry Griffin Poetry Prize: Two prizes of $65,000 CAD (approximately $51,912) each are given annually for poetry collections published during the previous year by a Canadian poet or translator and by an international poet or translator. Finalists in each category receive $10,000 CAD (approximately $7,987) for their participation in the Griffin Poetry Prize Shortlist Readings held in Toronto. Entry fee: None.

Hub City Press C. Michael Curtis Short Story Book Prize: A prize of $5,000 and publication by Hub City Press is given biennially for a short story collection. Writers who have published no more than one book and who currently live in Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, Virginia, or West Virginia are eligible. Kevin Wilson will judge. Entry fee: $25.

Kallisto Gaia Press Acacia Fiction Prize: A prize of $1,200 and publication by Kallisto Gaia Press will be given annually for a collection of short works of fiction. Entry fee: $25 (includes a copy of the winning collection).

Kallisto Gaia Press Saguaro Poetry Prize: A prize of $1,200 and publication by Kallisto Gaia Press will be given annually for a poetry chapbook. Entry fee: $25 (includes a copy of the winning chapbook).

LitMag Virginia Woolf Award for Short Fiction: A prize of $2,500 and publication in LitMag is given annually for a short story. The winner will have their work reviewed by agents from Bankoff Collaborative, the Bent Agency, Brandt & Hochman, Folio Literary Management, InkWell Management, Sobel Weber Associates, and Triangle House Literary. The editors will judge. All entries are considered for publication. Entry fee: $20.

Livingston Press Tartt Fiction Award: A prize of $1,000, publication by Livingston Press, and 100 author copies is given annually for a first collection of short stories by a U.S. citizen. All entries are considered for publication. Entry fee: None.

Moth Poetry Prize: A prize of €6,000 (approximately $7,032) and publication in the Moth is given annually for a single poem. Three runner-up prizes of €1,000 (approximately $1,172) each are also given. The four shortlisted poets, including the winner, will also be invited to read at an awards ceremony at the Poetry Ireland festival in Dublin in spring 2022. Warsan Shire will judge. Entry fee: €15 (approximately $18) per poem.

Poetry Society of America Alice Fay di Castagnola Award: A prize of $1,000 and publication on the Poetry Society of America website will be given annually for a group of poems from a manuscript-in-progress. Major Jackson will judge. Entry fee: $15.

Poetry Society of America Robert H. Winner Memorial Award: A prize of $2,500 and publication on the Poetry Society of America website is given annually to a poet over 40 who has published no more than one book. Traci Brimhall will judge. Entry fee: $15.

Press 53 Award for Short Fiction: A prize of $1,000, publication by Press 53, and 50 author copies is given annually for a story collection. Claire V. Foxx will judge. Entry fee: $30.

Tupelo Press Dorset Prize: A prize of $3,000 and publication by Tupelo Press is given annually for a poetry collection. The winner also receives a weeklong residency at the Massachusetts Museum of Contemporary Art. All entries are considered for publication. Entry fee: $30.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Action!

The Time Is Now
12.16.21

In James Baldwin’s The Devil Finds Work, a book-length essay in which he recounts watching influential films and critiques racial politics through the lens of American cinema, he begins with an early memory of watching the 1931 film Dance, Fools, Dance: “Joan Crawford’s straight, narrow, and lonely back. We are following her through the corridors of a moving train.” Baldwin continues with this recollection of when he was seven years old and how he became “fascinated by the movement on, and of, the screen, that movement which is something like the heaving and swelling of the sea.” Write an essay that begins with an early, formative memory of watching a movie. Was there a specific scene or actor from the film that influenced your sensibilities?

Confession

The Time Is Now
12.15.21

“That woman who killed the fish unfortunately is me,” begins the title story of Clarice Lispector’s collection of children’s stories, The Woman Who Killed the Fish, translated from the Portuguese by Benjamin Moser in a new edition forthcoming from New Directions in July. “If It were my fault, I’d own up to you, since I don’t lie to boys and girls.” Taking inspiration from Lispector’s story, write a story that starts with a major confession from the narrator. How will the story progress after this shocking revelation?

Growing and Growing

The Time Is Now
12.14.21

Aracelis Girmay’s poem “Elegy,” from her second poetry collection, Kingdom Animalia (BOA Editions, 2011), begins with a question: “What to do with this knowledge that our living is not guaranteed?” The poem’s speaker finds hope in the natural world as a way of answering this existential question: “Perhaps one day you touch the young branch / of something beautiful. & it grows & grows.” Write a poem that seeks to answer what it means to be impermanent. What do you wish to leave behind?

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