The Question

9.30.21

Catapult’s column “How’s the Writing Going?” by Sari Botton features writers in conversation about their process and what they’re working on, offering insight and tips for writer’s block and other challenges. The column focuses on the one question “no writer wants to be asked—but which every writer wants to ask others.” Write an essay about how your writing is going. Consider the question at large and answer it in terms of how your writing process has evolved over time. What have you learned along the way?

Breaking Form

9.29.21

In an interview for the VS podcast with hosts Franny Choi and Danez Smith, poet Cyrée Jarelle Johnson discusses the appeal of poetic forms and his relationship to breaking them. “If the form is broken, it’s broken for a reason,” says Johnson. Write a short story in which the form of a traditional narrative is somehow broken. Whether by choosing an unexpected point of view, or by defying the conventions of a particular character’s archetype, challenge the expectations of the reader and break the form, as Johnson says, “for a reason.”

Morning Routine

9.28.21

In her poem “Taking Out the Trash,” the late poet Kamilah Aisha Moon, who died at the age of forty-eight last week, takes a seemingly mundane task and makes the activity profound. Through detailed, sensory descriptions of routine movements such as “I shimmy the large kitchen bag from / the steel canister, careful not to spill / what’s inside,” Moon walks the reader through the meditative, deliberate actions of her morning routine, bringing attention to the role her body has in everyday actions and the presence of one’s mortality throughout the day. Write a poem about a daily chore or everyday task that brings attention to your body. Try, as Moon does in her poem, to take time describing the movements of your body.

Upcoming Contest Deadlines

Book prizes abound this month! If you are at work on a full-length manuscript, consider submitting to one of the following contests, which all close on September 30. One contest is exclusively open to women poets over 40 who have not yet published a book in any genre. There is also one essay contest and a prize for an individual poem.

Boulevard Nonfiction Contest for Emerging Writers: A prize of $1,000 and publication in Boulevard is given annually for an essay by a writer who has not published a full-length book in any genre with a nationally distributed press. The editors will judge. All entries are considered for publication. Entry fee: $16 (includes subscription).

California State University in Fresno Philip Levine Prize for Poetry: A prize of $2,000 and publication by Anhinga Press is given annually for a poetry collection. Carmen Giménez Smith will judge. Entry fee: $22 ($25 for electronic submissions).

Carlow University Patricia Dobler Poetry Award: A prize valued at $2,000 is given annually to a woman poet over 40 who has not published a book in any genre. The winner receives $1,000, publication in Voices From the Attic, and travel and lodging to give a reading with the contest judge at Carlow University. Lee Ann Roripaugh will judge. Entry fee: $20.

Dzanc Books Prizes: Three cash prizes and publication are given for a novel ($5,000), a story collection ($2,500), and a nonfiction book ($1,500). Nina Shope, David Tromblay, and Anne Valente will judge for the novel prize. Entry fee: $25.

Ghost Story Supernatural Fiction Award: A prize of $1,500, publication on the Ghost Story website and in the Ghost Story print anthology, 21st Century Ghost Stories, is given twice yearly for a short story with a supernatural or magic realism theme. Lesley Bannatyne will judge. Entry fee: $20.

Red Hen Press Fiction Award: A prize of $1,000 and publication by Red Hen Press is given biennially for a short story collection or a novel. Aimee Liu will judge. Entry fee: $25.

University of Arkansas Press Miller Williams Poetry Prize: A prize of $5,000 and publication by University of Arkansas Press is given annually for a poetry collection. Patricia Smith will judge. Entry fee: $28.

University of Iowa Press Short Fiction Awards: Two awards of publication by University of Iowa Press are given annually for first collections of short fiction. Entry fee: None.

University of Massachusetts Press Juniper Prizes: Five prizes of $1,000 each and publication by University of Massachusetts Press are given annually for a first poetry collection, a poetry collection by an author who has previously published a book, a short story collection, a novel, and a book of creative nonfiction. The creative writing faculty at the University of Massachusetts in Amherst will judge. Entry fee: $30.

Winning Writers Tom Howard/Margaret Reid Poetry Contest: Two prizes of $3,000 each and publication on the Winning Writers website are given annually for a poem in any style and a poem that either rhymes or is written in a traditional style. Soma Mei Sheng Frazier and Vernon Keeve III will judge. Entry fee: $15.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Overlooked

9.23.21

In an article for the New Republic’s Critical Mass, Jo Livingstone discusses artist Judy Chicago’s new memoir, The Flowering: The Autobiography of Judy Chicago (Thames & Hudson, 2021), and critics’ rejection of her overlooked body of work. Best known for her controversial piece “The Dinner Party,” Chicago includes in her book details of misogyny, racism, and other prejudices that affect the legacy of an artist. Write an essay inspired by a writer or artist whose body of work is often overlooked. What draws you to this artist and why do you think their work is not as recognized?

Real Estate

9.22.21

A rare townhouse in New York City’s Greenwich Village that was once the home of several artists in its storied history, including poet Edna St. Vincent Millay, cartoonist William Steig and his wife’s sister, anthropologist Margaret Mead, was recently featured in the New York Post. Often called the narrowest home in the city because it is less than ten feet wide, the space was originally an alleyway to a brewery in the 1840s. Write a story inspired by an historic piece of real estate in which your protagonist lives in the former home of a famous figure. How does this history influence your protagonist?

Garden Path

9.21.21

A garden-path sentence is a grammatically correct sentence that can appear nonsensical because of its syntax and the way it forces the reader to discern its meaning. In essence, the reader is led down the garden path by the sentence. Examples include “The horse raced past the barn fell,” “The man who hunts ducks out on weekends,” and “The raft floated down the river sank.” Write a poem using a garden-path sentence. What grammatical trick will you use for an unexpected portrayal? Try using the title to your advantage.

Deadline Approaches for the Juniper Prizes

Submissions are open for this year’s Juniper Prizes. Five prizes are awarded annually for a debut poetry collection, a poetry collection by an author who has published previously, a short story collection, a novel, and a book of creative nonfiction. Each prize offers a cash award of $1,000 and publication by the University of Massachusetts Press.  

Using only the online submission system, submit a poetry manuscript of 50 to 70 pages, a story collection or novel of 150 to 350 pages, or a memoir, biography, essay collection, or book of narrative nonfiction of 150 to 300 pages with a $30 entry fee by September 30. The creative writing faculty at the University of Massachusetts in Amherst will judge. The winners will be announced in April of next year. Visit the website for complete guidelines.

Inspired by Fort Juniper, the name of the house that poet Robert Francis built by hand in the woods of Amherst, and in honor of Francis’s written work, the Juniper Prize for Poetry began in 1975. In 2004 the Jupiter Prize for Fiction was added to the award lineup, and in 2018 the prize for creative nonfiction was included. Previous winners of the Juniper Prizes include poets Lucille Clifton, Richard Jackson, and Susan Leslie Moore; fiction writers Wayne Karlin and Lynn Lurie; and nonfiction writer Jennifer De Leon. The 2022 winners will be published in the spring of 2023.

 

Politeness

9.16.21

“We hate embarrassing ourselves so much, we do all sorts of things to avoid embarrassment—​and at all costs,” writes Vanessa Bohns about the constructs of politeness in an excerpt from her new book, You Have More Influence Than You Think: How We Underestimate Our Power of Persuasion, and Why It Matters (Norton, 2021), published on Literary Hub. “Approximately 5,000 people die from choking every year in part because they stand up and leave the table—​rather than ask their tablemates for help—​out of a fear of, you got it, embarrassment.” Write an essay on politeness and your thoughts about social embarrassment. Has there been a time when you suffered consequences for your politeness?

The Lovers

9.15.21

“He said he wanted to set me on fire like a cigarette—he inhaled me with vigor, indulgence, and did so really, really carelessly,” writes Brontez Purnell in his short story “The Boyfriends,” in which titled sections include “Boyfriend 2.0 / The Firefighter,” “Boyfriend #33 / The Hairdresser,” and “Boyfriend #77 / The Chef.” The story, which is featured in Purnell’s collection 100 Boyfriends (MCD x FSG Originals, 2021), consists of quick scenes that have brief conclusions and convincing details, altogether creating a feeling for a particular time in the speaker’s life. Write a story consisting of brief scenes that recount time spent with either one or several lovers. What do these scenes reveal about your protagonist?

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