Submissions are open for the 2021 Louise Meriwether First Book Prize, presented by the Feminist Press and TAYO Literary Magazine. “Granted to a manuscript that follows in the tradition of Meriwether’s Daddy Was a Number Runner, one of the first contemporary American novels featuring a young Black girl as the protagonist,” the prize honors a debut work of prose by a woman of color or a nonbinary author of color. The winning writer will receive $5,000 and publication of their book by the Feminist Press in the spring of 2021.

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To submit, email a work of fiction or narrative nonfiction between 30,000 to 80,000 words and a cover letter by June 30. There is no entry fee. Feminist Press executive director and publisher Jamia Wilson, TAYO Literary Magazine editor in chief Lis P. Sipin-Gabon, author and professor Bridgett M. Davis, and past prize winner Melissa Valentine will judge. Visit the website for complete guidelines.

Louise Meriwether is the author of several books and is also a journalist, antiwar activist, professor, and essayist. She has been a member of the Harlem Writers Guild since its beginning, and has won grants from the National Endowment for the Arts and the Mellon Foundation. Meriwether received a lifetime achievement award in 2016 from the Before Columbus Foundation. That same year Gale Brewer, the Manhattan borough president, declared May 8 to be Louise Meriwether Appreciation Day. In celebration of the impact of Meriwether’s literary career, the prize furthers her “legacy of telling much-needed stories that shift culture and inspire new writers.” Finalists for the first book prize will be notified in October of this year, and the winner will be announced in March 2021. Past prize winners include YZ Chin, Claudia D. Hernández, and Cassandra Lane.

“What’s in your guts, in your muscles, in your blood?” asks Sarah Bellamy in her Paris Review essay “Performing Whiteness” in which she uses her experience as a stage director to examine the ways in which racial trauma and sentiments are manifested in our physical bodies. “Bodies arrive written with racial scripts that inform the meaning of gesture, stillness, and movement onstage.” Write a personal essay in which you focus on the way you move your body in the world and how those physical gestures and subtle movements inform who you are. What kind of tension, freedom, joy, strength, or weakness do you feel? How can you connect those sensations with bodies throughout history that have resembled yours?

The New York Times’s recent “More Than a Meal” series featured essays by renowned writers about memorable meals experienced in restaurants at a time when reminiscing about dining out has been the restaurant goer’s solace. The meals described range from Ruth Reichl writing about a fancy restaurant in Paris, to Samantha Irby writing about the Cheesecake Factory, to Alexander Chee writing about waiting tables at a Theater District restaurant in Manhattan. Write a scene that takes place in a restaurant. Is this the first time your character has dined out in a long time, or does she frequent this establishment every week? What is revealed about her personality or state of mind through her interactions with others in the restaurant?

When’s the last time you took a really close look at an insect? In Aliens Among Us: Extraordinary Portraits of Ordinary Bugs (Liveright, 2020), photographer Daniel Kariko uses a scanning electron microscope and a stereo microscope to present extreme close-up photographs of insects—beetles, flies, centipedes, bees, wasps. Browse through some of Kariko’s photos, and write a poem inspired by the surprising details you discover in these portraits. Focus on reflecting texture, color, and the form and function of insect bodies into the fabric of your poem.

Close out the month by submitting to contests with deadlines of June 30 or July 1. These national and international awards are given for poetry, fiction, nonfiction, and hybrid work. All offer cash prizes ranging from $1,000 to as much as $100,000.

Autumn House Press Literary Prizes: Three prizes of $1,000 each and publication by Autumn House Press are given annually for a poetry collection, a book of fiction, and a book of creative nonfiction. Each winner also receives a $1,500 travel and publicity grant. Ilya Kaminsky will judge in poetry, Dan Chaon will judge in fiction, and Jaquira Díaz will judge in nonfiction. All entries are considered for publication. Deadline: June 30. Entry fee: $30.

Claremont Graduate University Kingsley & Kate Tufts Poetry Awards: The $100,000 Kingsley Tufts Poetry Award is given annually to honor a book of poetry by a midcareer U.S. poet. The winner spends one week in residence at Claremont Graduate University in California. The $10,000 Kate Tufts Discovery Award is given annually to honor a first book of poetry by “a poet of genuine promise.” Deadline: July 1. Entry fee: none.

Feminist Press/TAYO Literary Magazine Louise Meriwether First Book Prize: A prize of $5,000 and publication by the Feminist Press is given annually for a debut book of fiction or narrative nonfiction by a woman of color or a nonbinary writer of color. Deadline: June 30. Entry fee: none.

Finishing Line Press New Women’s Voices Chapbook Competition: A prize of $1,000 and publication by Finishing Line Press is given annually for a poetry chapbook by a woman who has not yet published a full-length collection. Leah Maines will judge. Deadline: June 30. Entry fee: $16.

Futurepoem Other Futures Award: A prize of $1,000, publication by Futurepoem, and 25 author copies will be given annually for a book of poetry, fiction, nonfiction, or hybrid-genre work. The editors will judge. Deadline: July 1. Entry fee: $28.

Hidden River Arts William Van Wert Memorial Fiction Award: A prize of $1,000 and publication in Hidden River Review of Arts & Letters is given annually for a short story or a novel excerpt. Deadline: June 30. Entry fee: $17.

Nuclear Age Peace Foundation Barbara Mandigo Kelly Peace Poetry Award: A prize of $1,000 and publication on the Nuclear Age Peace Foundation website is given annually for a single poem that explores “positive visions of peace and the human spirit.” Deadline: July 1. Entry fee: $15.

The Moth International Short Story Prize: A prize of €3,000 (approximately $3,364) is given annually for a short story. A prize of a weeklong retreat at Circle of Missé in Missé, France, with a €250 (approximately $281) travel stipend, and a prize of €1,000 (approximately $1,122) are also given. The winners will all be published in the Moth. Mark Haddon will judge. Deadline: June 30. Entry fee: €15 (approximately $17).

University of North Texas Press Katherine Anne Porter Prize: A prize of $1,000 and publication by University of North Texas Press is given annually for a collection of short fiction. Deadline: June 30. Entry fee: $25.

University of Pittsburgh Press Drue Heinz Literature Prize: A prize of $15,000 and publication by University of Pittsburgh Press is given annually for a collection of short fiction. Writers who have published at least one previous book of fiction or a minimum of three short stories or novellas in nationally distributed magazines or literary journals are eligible. Deadline: June 30. Entry fee: none.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Inside the Actors Studio, hosted for twenty-two seasons by the late James Lipton, began as a craft seminar for students of the Actors Studio Drama School at Pace University in New York. Now a well-known network television show, famous actors, writers, and directors are interviewed, and a questionnaire is submitted to the guest. This list of ten questions, meant to reveal deep truths about one’s psychology, includes: “What is your favorite curse word?” “What sound or noise do you hate?” and “If heaven exists, what would you like to hear God say when you arrive at the pearly gates?” Write an essay in which you explore one or more of these queries. Are there any misconceptions about yourself revealed in the process?

For what in your life do you feel most grateful? What is your most terrible memory? What, if anything, is too serious to be joked about? In a 1997 study in the Personality and Social Psychology Bulletin, psychologist Arthur Aron along with scholars Edward Melinat, Elaine N. Aron, Robert Darrin Vallone, and Renee J. Bator developed thirty-six questions that supposedly lead to accelerated intimacy between two strangers. Write a story in which two strangers stuck together for a set amount of time decide to ask each other some of these questions. Is it by accident? Does one of them have designs on the other? Do the questions succeed in breaking down emotional barriers or lead to unexpected consequences?

“If we study what we are attracted to, tease out the correspondences, follow the connections, and find the parallels, we make something new—something that speaks to a shared past and idiosyncratic present,” writes Emily LaBarge in a Bookforum review of Moyra Davey’s new essay collection, Index Cards (New Directions, 2020). Write a poem that revolves around a selection of everyday objects that you feel inexplicably drawn to, perhaps a particular pencil or spoon, a favorite mug or lamp, a preferred toothbrush or view from a window. What connections or parallels can you draw between them? How do they exist in harmony or tension with each other?