“I can consider many things that fill me up with writing—my sense of place and personal history, the uncountable wonderful books that have come before me, the love of language and all its sounds—but in the end I simply come to the act itself, to working. I am in love with the work. I work mostly in a small, skylit studio, messy with paper and books. I work on the keyboard and in notebooks, large and tiny. I work in the long hours of the night, when I am alone and it’s quiet, drinking immoderate amounts of coffee and guarded from the shadows by a loyal and somewhat feral cat. I never have to worry about subject or inspiration because I love the labor for itself. It is meditative and redemptive and brings forth what is best in me, and it is its own inimitable, unparalleled reward.”
—Frank X. Gaspar, author of Stealing Fatima (Counterpoint, 2009)
Find details about every creative writing competition—including poetry contests, short story competitions, essay contests, awards for novels, grants for translators, and more—that we’ve published in the Grants & Awards section of Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it in the Writing Contests database, the most trusted resource for legitimate writing contests available anywhere.
Comments
Victoria Patterson replied on Permalink
Love this!
Love this!
carlosqueiros replied on Permalink
Highly recommended
Reading Stealing Fatima now, savoring its rich sentences, making sure not to let their nuances escape me. The elements he mentions above (sense of place, personal history, love of language) are on full display, yet subtle. As a fellow Luso-American, I'm filled with urgulho (pride) and as a fledgling fiction writer, this work (like Gaspar's evocative poetry) has given me something to aspire to. Like all great art, I hope it encourages more from this silent minority.
Um abraço forte para o Frank Gaspar.