Page One: Where New and Noteworthy Books Begin

by
Staff
From the May/June 2018 issue of
Poets & Writers Magazine

With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including How to Write an Autobiographical Novel by Alexander Chee.

“By some concoction of sugar, prescription painkillers, rancor, and cocaine, my father, Gregory Pardlo, Sr., began killing himself after my parents separated in 2007.” Air Traffic: A Memoir of Ambition and Manhood in America (Knopf, April 2018) by Gregory Pardlo. Third book, first memoir. Agent: Rob McQuilkin. Editor: Maria Goldverg. Publicist: Jessica Purcell.

“I am running late for the airport, trying to catch a cab on my street corner.” Look Alive Out There (MCD Books, April 2018) by Sloane Crosley. Fourth book, third essay collection. Agent: Jay Mandel. Editor: Sean McDonald. Publicists: Jeff Seroy and Kimberly Burns.

“Between Hanoi and Sapa there are clean slabs of rice fields / and no two brick houses in a row.” Eye Level (Graywolf Press, April 2018) by Jenny Xie. First book, poetry collection. Agent: None. Editor: Jeff Shotts. Publicist: Caroline Nitz.

“I spent the summer I turned fifteen on an exchange program in Tuxtla Gutiérrez, the capital of the state of Chiapas, in Mexico, some three hundred miles north of the Guatemalan Border.” How to Write an Autobiographical Novel (Mariner Books, April 2018) by Alexander Chee. Third book, first essay collection. Agent: Jin Auh. Editor: Naomi Gibbs. Publicist: Michelle Triant.

“Strangers are building a new house next door.” Negative Space (New Directions, April 2018) by Luljeta Lleshanaku, translated from the Albanian by Ani Gjika. Eleventh book, poetry collection. Agent: None. Editor: Jeffrey Yang. Publicist: Mieke Chew.

“Tucker had been walking for six hours through early morning ground fog that rose in shimmering waves.” Country Dark (Grove Press, April 2018) by Chris Offutt. Seventh book, second novel. Agent: Nicole Aragi. Editor: Amy Hundley. Publicist: John Mark Boling.

“Riley wore blue contact lenses and bleached his hair—which he worked with gel and a blow-dryer and a flatiron some mornings into Sonic the Hedgehog spikes so stiff you could prick your finger on them, and sometimes into a wispy side-swooped bob with long bangs—and he was black.” Heads of the Colored People (37 INK, April 2018) by Nafissa Thompson-Spires. First book, story collection. Agent: Anna Stein. Editor: Dawn Davis. Publicist: Yona Deshommes.

“The book lied.” That Kind of Mother (Ecco, May 2018) by Rumaan Alam. Second book, novel. Agent: Julie Barer. Editor: Megan Lynch. Publicist: Sonya Cheuse.

“It’s a love story, the famous violinist had said, and even though Jana knew it was not, those were the words that knocked around her brain when she began to play on stage.” The Ensemble (Riverhead Books, May 2018) by Aja Gabel. First book, novel. Agent: Andrea Morrison. Editor: Laura Perciasepe. Publicist: Liz Hohenadel.

“Frenching with a mouthful of M&M’s dunno if I feel polluted / or into it—the lights go low across the multiplex Temple of // canoodling and Junk food” Junk (Tin House Books, May 2018) by Tommy Pico. Third book, poetry collection. Agent: None. Editor: Tony Perez. Publicist: Sabrina Wise.

“When I was five years old, back when my old man was still sort of around, I watched a promotional video for Disneyland that my mom got in the free box of VHS tapes at the library.” Lawn Boy (Algonquin Books, April 2018) by Jonathan Evison. Fifth book, novel. Agent: Mollie Glick. Editor: Chuck Adams. Publicist: Brooke Csuka.

“There is a hole.” The Dream of Reason (Copper Canyon Press, April 2018) by Jenny George. First book, poetry collection. Agent: None. Editor: Michael Wiegers. Publicist: Laura Buccieri.

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