Poets & Writers Theater
Every day we share a new clip of interest to creative writers—author readings, book trailers, publishing panels, craft talks, and more. So grab some popcorn, filter the theater tags by keyword or genre, and explore our sizable archive of literary videos.
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In this video, the University of California in Berkeley celebrates their Arts Research Center’s 2023 Poetry & the Senses program with a reading by Indigenous writers and program facilitators Beth Piatote, Natalie Diaz, and Craig Santos Perez on the theme of reclamation. Perez’s new collection, Call This Mutiny: Uncollected Poems (Omnidawn, 2024), is featured in Page One in the July/August issue of Poets & Writers Magazine.
Tags: Poetry | Cross-Genre | UC Berkeley | Arts Research Center | Poetry & the Senses | Natalie Diaz | Beth Piatote | Craig Santos Perez | reading | Page One | July/August 2024 -
“The coyotes are on the beach / vacuuming tonight’s terrible light with their eyes,” reads Natalie Diaz from her poem “Colony” in this virtual reading and conversation for the Boudreaux Visiting Writer Series at the University of Southern California.
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“I don’t call it sleep anymore. / I’ll risk losing something new instead,” reads Natalie Diaz from her poem “From the Desire Field” in this Graywolf Press virtual event celebrating her collection Postcolonial Love Poem, for which she won the 2021 Pulitzer Prize in poetry.
Tags: Poetry | Natalie Diaz | Solmaz Sharif | Jeff Shotts | Fiona McCrae | Postcolonial Love Poem | Pulitzer Prize | Graywolf Press | 2021 -
“The rain will eventually come, or not. / Until then, we touch our bodies like wounds…” In this Mellon Foundation video, Natalie Diaz reads the title poem from her forthcoming collection, Postcolonial Love Poem (Graywolf Press, 2020). A Q&A with Diaz by Jacqueline Woodson appears in the March/April issue of Poets & Writers Magazine.
Tags: Poetry | Natalie Diaz | Postcolonial Love Poem | 2020 | Graywolf Press | Mellon Foundation | March/April 2020 -
“What streams of light might escape me and reveal / about the things I collect and hide...” This Motionpoems film directed by Tash Tung features Natalie Diaz’s poem “Cranes, Mafiosos and a Polaroid Camera,” which was first published in Spillway and will be included in her second collection, Postcolonial Love Poem, forthcoming from Graywolf Press in March 2020.
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“I am begging: Let me be lonely but not invisible.” This Motionpoems film directed by Mohammed Hammad features Natalie Diaz’s poem “American Arithmetic,” which appeared in the anthology Tales of Two Americas: Stories of Inequality in a Divided Nation (Penguin Books, 2017) edited by John Freeman.
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Authors and independent bookstore owners Louise Erdrich, owner of Birchbark Books & Native Arts, and Emma Straub, owner of Books Are Magic, offer their recommendations for summer reading including books by Natalie Diaz, Sarah Gerard, and Lesley Nneka Arimah.
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“Understand we have never seen an apple, so we are completely free from apples.” In this 2014 video of the first PEN DIY series event, Natalie Diaz breaks down five personal steps to writing about family, and discusses her poetry with Mike Albo.
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The author of When My Brother Was an Aztec (Copper Canyon Press, 2012) and one of the twelve debut poets selected by Rigoberto González to be featured in the current issue of the magazine, reads a poem on the PBS NewHour.
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The NewsHour's Jeffrey Brown recently spent some time with poet Natalie Diaz, author of the collection When My Brother Was an Aztec (Copper Canyon Press, 2012), who is working to preserve the rapidly disappearing Mojave language.
Tags: interview | PBS NewsHour | Jeffrey Brown | Copper Canyon Press | 2012 | Natalie Diaz | When My Brother Was an Aztec | Poetry