When you picture sea otters, you might think immediately of the many photos and videos of fuzzy otters holding hands while floating in the water, but do these images of cuddly creatures represent their true character? In a 2013 Slate article titled “Sea Otters Are Jerks. So Are Dolphins, Penguins, and Other Adorable Animals,” the violent behavior of these animals and their instinctive modes in the wild are described in detail and contradict the cute and cuddly depictions humans often project onto them. Write a personal essay that explores the theme of deceptive appearances, perhaps drawing on experiences you’ve had in which you misjudged someone and found your first impression contradicted other facts. Or you might think back to a time when someone else made assumptions about you based on superficial traits. What social conditions or cultural expectations contributed to those first impressions?
Writing Prompts & Exercises
The Time Is Now
The Time Is Now offers three new and original writing prompts each week to help you stay committed to your writing practice throughout the year. We also curate a list of essential books on writing—both the newly published and the classics—that we recommend for guidance and inspiration. Whether you’re struggling with writer’s block, looking for a fresh topic, or just starting to write, our archive of writing prompts has what you need. Need a starter pack? Check out our Writing Prompts for Beginners.
Tuesdays: Poetry prompts
Wednesdays: Fiction prompts
Thursdays: Creative nonfiction prompts
Get immediate access to more than 2,000 writing prompts with the tool below:
In Michael Ondaatje’s 1992 Booker Prize–winning novel, The English Patient, four main characters—a young Canadian army nurse, an Indian Sikh working as a British military engineer, a thief, and the eponymous patient—find themselves at a bombed-out Italian villa toward the end of World War II. Through a convergence of sections that weave in and out of time, between the past and present, and told through the characters’ various points of view, the story comes into focus. Write a short story that takes place in a vivid locale where a small group of characters has converged. Experiment with telling the story from multiple perspectives, and alternating chronology. In Ondaatje’s novel, the nonlinear storytelling reflects the effects of war trauma—how might time in your story work on a thematic level?
“In colonial times, gardens were utilitarian. A cross between a grocery store and a pharmacy. In the gilded age, they became an entrance to high society, a place of conspicuous display,” narrates the main character in Paul Schrader’s 2022 film Master Gardener, a man with a secret past who works as the horticulturalist of an estate owned by a wealthy dowager. This week write a poem about a garden, perhaps a large and well-known one visited by tourists, a seasonal garden tended by family members that you frequented as a child, or one you pass occasionally on a neighborhood walk. You might explore the functions of the garden; list colors, shapes, textures, and smells; or make conjectures about its guiding aesthetics. What can a garden reveal about its gardener and the space in which it resides?
“When I say I have written from the beginning, I mean that all real writers write from the beginning, that the vocation, the obsession, is already there, and that the obsession derives from an intensity of feeling which normal life cannot accommodate,” said the late Irish author Edna O’Brien in a 1984 interview for the Paris Review’s Art of Fiction series. O’Brien, who died last Saturday at the age of ninety-three, was the author of a series of novels beginning with The Country Girls, which were internationally acclaimed but banned in Ireland. Her work included memoirs, biographies, and plays, many of which revolved around intimate stories of women’s experiences of love and loss. Write a lyric essay that responds to O’Brien’s sentiment about being drawn to writing from “an intensity of feeling.” Does writing serve in some sense as an outlet for expressing something that seemingly can’t fit into the strictures of normal life?
In 1996, scientists created the first clone of a mammal, a sheep named Dolly. Since 2015, a company based in Texas called ViaGen Pets has cloned hundreds of dogs, cats, and horses for tens of thousands of dollars each. Scientists have warned of the ethical issues of cloning—both in the ways in which the process requires the use of multiple animals (an egg donor and a surrogate carrier), and in the precedence it sets for humans. Write a short story in which a cloned animal plays an integral role in a plot twist. Is the animal’s cloned history kept hidden for some reason? What made this animal so exceptional to be cloned? Consider the complexity and emotions involved with your characters’ values and ethics in this decision.
In Divya Victor’s poem “Blood / Soil,” which appears in her collection Curb (Nightboat Books, 2021), she writes about Sureshbhai Patel, a man who had traveled from India to visit his son and infant grandson in Alabama and was assaulted by police for alleged suspicious behavior while taking a neighborhood stroll. As she describes the physical encounter, Victor includes Newton’s laws of motion and experiments with the visuals of typography and spacing in her incorporation of quotations to draw attention to movement and a sense of confrontation between bodies and language. Write a poem inspired by a news incident that feels resonant to you and provokes a strong emotion. Consider adding bits of science, research, or reported dialogue that might help create a more expansive, interpretive angle.
Pulitzer Prize–winning playwright Annie Baker, who made her feature film directorial debut with the coming-of-age drama Janet Planet, recently shared her inspirations for the film with the New York Times through a mood board. The artistic influences included fin-de-siècle painter Édouard Vuillard’s portraits of his mother; Maurice Pialat’s 1968 film about a foster child, L’enfance Nue; literature by Thomas Mann and Rainer Maria Rilke; and an album by Canadian jazz musician Beverly Glenn-Copeland. Write a lyric essay composed of short descriptions of creative works—perhaps similarly spanning visual and performing arts, music, and literature—that have served as inspiration to you over the years. What is special about each one, and what are the elements that draw them together?
This week, in preparation for the upcoming opening ceremony of the 2024 Summer Olympic Games in Paris, consider the Olympic creed: “The important thing in life is not the triumph, but the fight; the essential thing is not to have won, but to have fought well.” Write a short story that revolves around a competition of some sort—whether between friends, enemies, strangers, or within a liminal relationship of some kind. Decide between a contest of mental or physical abilities, or a battle of wills. Are there high stakes or is the contest seemingly inconsequential? Does all go as planned or is there a surprising upset? Think about your characters’ respective perspectives on the spirit of competition, and what constitutes as fighting fairly.
In the twentieth anniversary edition of Don’t Let Me Be Lonely: An American Lyric, Claudia Rankine writes in the preface about her use of the first-person voice “to bear witness to the witness” and provide emotion while maintaining an intimacy within the text. “Anybody could embody the first person and be our guide through the text,” writes Rankine. “For me, at the time, this was a liberating mechanism for getting at the ineffable affective disorder of the moment without disconnecting from the people affected by it.” Write a poem about an event currently unfolding in the world, either locally or on a global scale. Deploy the first-person “I” as a tool to guide the reader through what’s being witnessed. Are there multiple emotional truths at play? How can you give them shape?
“I have known brilliant writers who could size people up in minutes with alarming accuracy.... And yet for all their ability to understand people, to see them, to capture them as characters, these writers could not see themselves,” writes Literary Hub editor-in-chief Jonny Diamond in a piece reflecting on a recent op-ed written by the daughter of Nobel laureate Alice Munro, Andrea Skinner, about her mother’s failure to protect her from sexual abuse by her stepfather. Write a personal essay that traces your self-awareness through several phases of your life, contemplating on how your understanding and perception of yourself has transformed through the years. Can you reconcile the differing points of view that various people in your life hold about you? Are there blind spots that, even if you can’t or don’t want to articulate, you wish to acknowledge?
Ghosting, the social practice of suddenly cutting off communication without explanation by no longer accepting or responding to calls or messages, is often associated with dating but can also extend to other arenas of interpersonal communication and socializing, such as the interview process for a new job or with friends and family. Write a short story that revolves around two people, one of whom ghosts the other. What are the dynamics of communication that lead up to the ghosting, and what is the fallout? Are excuses made or is hindsight twenty-twenty? Consider how much of each party’s point of view to reveal prior to and after the ghosting.
In medieval European cathedrals, some of the panes of the beautiful stained glass windows are thicker at the bottom than at the top, creating misconceptions that the seemingly solid glass has melted over time. According to an article published in Scientific American, glass is an amorphous solid, a state that is neither solid nor liquid but something in between disproving the theory of melted glass. The differences in thickness of old glass windows is merely a product of the manufacturing process, giving them a melted look. This week write a poem inspired by the idea of something, or even someone, existing in an in-between state. Consider playing with the line breaks and white space of your page to mirror or contrast with your chosen subject.
In “The Bear IRL: My Manic Day in a Michelin-Starred Kitchen,” Vice writer Nick Thompson visits a Michelin-starred restaurant in London for a day to capture a glimpse of the behind-the-scenes operations of a high-level kitchen, like the ones portrayed on the popular TV series The Bear. Thompson speaks to one chef who echoes the repercussions of sacrificing a social life that are depicted in the award-winning show, mentioning missing out on birthdays and special occasions because of long hours and weekend work schedules. “It’s more like a sports team, where you’re trying to achieve something. That’s what drives you forward,” says the chef. Write an essay about a time in your past when you had to make a sacrifice in your personal life because of your job. Was there a payoff? What were the factors that ultimately pushed you to choose your job over your social life?
The Swimmer, a group exhibition of around one hundred works by dozens of artists at the Flag Art Foundation in New York City, is inspired by John Cheever’s short story of the same name, published in the New Yorker in 1964, in which his protagonist ventures to return home by swimming across his affluent neighbors’ backyard pools on a summer day. Curator Jonathan Rider selected and arranged the artworks to reflect the story’s themes of idealism, identity, class, failure and loss, and the instability of time and reality. This week write a short story that incorporates a swimming pool in some way. Whether an integral part of the plot or seen somewhere in the periphery, spend a bit of time describing its visual imagery, colors, light, and texture. Does it feel static or dynamic, vacant or crowded? Are there multiple interpretations for what functions the pool could serve?
In the 2023 film Past Lives, writer and director Celine Song explores the concept of inyeon through the main character Nora, a Korean American woman who navigates her relationships with two loves, her husband and her childhood best friend. “There is a word in Korean—inyeon. It means providence or fate. But it’s specifically about relationships between people,” says Nora to her husband when first meeting him. “It’s an inyeon if two strangers even walk by each other on the street and their clothes accidentally brush. Because it means there must have been something between them in their past lives. If two people get married, they say it’s because there have been 8,000 layers of inyeon over 8,000 lifetimes.” Write a poem that contemplates a connection of this type, a fated or destined encounter with another person, whether brief or long-lasting. What might you have meant to each other in a past life?
In an interview by Margaret Ross for the Art of Nonfiction series published in the Summer 2024 issue of the Paris Review, author and Harvard University professor Elaine Scarry says, “I see my writing on imagination and on war as continuous. Or rather, the two subjects are essentially locked in combat, because the act of inflicting injury or pain is really a willful aping of imagination, turning it upside down and appropriating it.” Write a lyric essay that braids together two subjects: Use the imagination or the artistic process as one topic, and then choose another subject that may seem “locked in combat” with your ideas around creativity, perhaps one more adjacent to pain or distress. What kind of truth can be coaxed to the surface when you think about the connections between them?
In the new horror film The Exorcism directed and cowritten by Joshua John Miller, Russell Crowe plays an actor who stars as a priest in a horror film, one that largely resembles the 1973 classic film The Exorcist, whose young priest was played by Miller’s father. This week take a page from this jumble of connections and nested narratives, and write a short story that contains within it another short story. The nested story could be something one of your characters is writing, or perhaps a story one of your characters comes across in a book. Decide whether to include some or all of the text of the nested story inside your larger story. You may want to play around with oppositional genres, such as humor and tragedy, or make use of similar plot points for an eerie effect.
Zillow Gone Wild is a popular Instagram account, and new HGTV reality TV show, that highlights particularly strange, curious, extreme, or otherwise unusual homes listed on the real estate website Zillow. Even for those who are not actively looking to buy or sell a home, the descriptions and photographs on these listings can serve as an inspiring portal, sparking a curiosity about how others express themselves through their homes, and how one’s own life could be different in a new environment with an idiosyncratic character of its own. Browse through some wild real estate listings online and write a persona poem from the point of view of an imagined inhabitant of the home of your choice. Consider what kind of assumptions or preconceived notions you might be bringing to the persona, and how you can upend expectations.
Are you shoe obsessed? Do you prioritize fashion over comfort, seeking out the latest trends, or do you hold tight to a long-held personal style? This week, look through old photos and your closet to jot down notes about the shoes you’ve worn over the years—sneakers, slip-ons, boots, flats, heels, flip-flops—and how the elements of texture, color, and function have impacted your choices. Write a personal essay that traces how your shoe priorities have evolved over the years, perhaps connecting some favorite past pairs to certain phases of your life—places you’ve lived, fads you’ve endured, jobs or hobbies you’ve had. Unpack the specific memories associated with how you were shoed.
In a 2012 interview for the Guardian, Hungarian author László Krasznahorkai explained his predilection for writing extremely long sentences that manage to endure for dozens of pages: “This characteristic, very classical, short sentence—at the end with a dot—this is artificial, this is only a custom, this is perhaps helpful for the reader, but for only one reason, that the readers in the last few thousand years have learned that a short sentence is easier to understand.” For Krasznahorkai, the long sentence extends beyond the desire to reflect the natural continuousness of human speech, but to also express the speaker’s existential drive, a seemingly overwhelming desire to communicate, to be empowered to say their piece. Write a short story that consists of a single sentence, using any punctuation you’d like but saving the period until the very end. How does this constraint affect your story’s themes?
“In the end, I suppose, defeat is inevitable, / the closing of something once delicately propped / open,” writes Dawn Lundy Martin in her poem “From Which the Thing Is Made,” which appears in her collection Instructions for the Lovers, out today from Nightboat. With each line of the poem, Martin dives deeper into the connection between the narrator and their mother, and how her absence is still felt in the body of the narrator. “Even I can’t let go, can’t sift her being (that part / of her that’s her) from my hands,” writes Martin. This week, start a poem with Martin’s first line: “In the end, I suppose, defeat is inevitable…” What memories and imagery come to mind when you think of defeat or of something closing?
This year’s summer solstice arrives in the Northern Hemisphere on June 20, marking it the longest day, and shortest night, of the year. And yet, no matter the exact number of daylight or nighttime hours measured out, any day can feel like a very long day, just as any night can end in the blink of an eye. Write a two-part lyric essay in which the first part details one long summer day you’ve experienced, and the second part focuses on one short summer night. For the day that seemed to last forever, did it drag on and on, producing exasperation, or did the hours ooze dreamily and pleasurably? For the night that whizzed by, was there nonstop action that was over before you knew it?
In an interview published in Salon, Rosemary Mosco, author of A Pocket Guide to Pigeon Watching: Getting to Know the World’s Most Misunderstood Bird (Workman Publishing, 2021), reflects on the historical connections between pigeons and people, and recounts a process of domestication, obsolescence, and abandonment. “The city pigeons around us…were domesticated by humans a really long time ago,” says Mosco. “They were really bred to be good at living near us. And then, we forgot, and now they keep hanging around us. And we’re like, ‘why are they here?’” Write a short story that involves an encounter or situation with a domesticated animal, whether a pet, livestock, or one wandering the streets. Think about the wild ancestors of this animal, and how they’ve become entwined with humans and civilization. How might you connect philosophical ideas around domestication with other larger themes of your story?
“We tend to treat odor in general as a sort of taboo,” writes Scott Sayare in a New York Times Magazine article about a woman who discovered she could smell Parkinson’s disease, in some cases over a dozen years before medical diagnosis. “Modern doctors are trained to diagnose by inspection, palpation, percussion and auscultation; ‘inhalation’ is not on the list, and social norms would discourage it if it were.” This week, focus your attention on your sense of smell as you go about your days, perhaps even ignoring social norms as you inhale all the odors around you. Then, write a poem that focuses solely, or primarily, on smell—perhaps juxtaposing scents that are in your everyday life now and those from a more distant past.
A Question of Belonging: Crónicas (Archipelago Books, 2024) by the Argentine writer Hebe Uhart, who died in 2018, translated from the Spanish by Anna Vilner, contains over two dozen crónicas—a form of narrative journalism popularized in Latin America that is characterized by short, informal musings about everyday topics and observations. In her introduction to the book, Mariana Enríquez notes Uhart’s lack of pretension in her chosen subjects, from what she observed around her to the locals with whom she conversed. “Her fascination with language is not limited to the spoken: She roams around cities and towns taking note of shop names, ads, and graffiti.…” Jot down intriguing or amusing fragments of language you see and hear as you go about your day, perhaps during your commute or while watching your favorite TV show. Write a series of short musings based on your observations, noting any humor or insights gleaned from contemporary language and what it reveals about our current times.