“Most pennies produced by the U.S. Mint are given out as change but never spent; this creates an incessant demand for new pennies to replace them,” writes Caity Weaver in an article published in the New York Times Magazine about the wasteful production of pennies. “A conservative estimate holds that there are 240 billion pennies lying around the United States…enough to hand two pennies to every bewildered human born since the dawn of man.” Write a short story that imagines a different life for the copper-plated coin, perhaps a universe in which all dormant pennies are suddenly used or an attempt to collect and dispose of them is put into place. What would propel your characters to care about the worth of a penny?
Writing Prompts & Exercises
The Time Is Now
The Time Is Now offers three new and original writing prompts each week to help you stay committed to your writing practice throughout the year. We also curate a list of essential books on writing—both the newly published and the classics—that we recommend for guidance and inspiration. Whether you’re struggling with writer’s block, looking for a fresh topic, or just starting to write, our archive of writing prompts has what you need. Need a starter pack? Check out our Writing Prompts for Beginners.
Tuesdays: Poetry prompts
Wednesdays: Fiction prompts
Thursdays: Creative nonfiction prompts
Get immediate access to more than 2,000 writing prompts with the tool below:
The French expression, à la rentrée, literally means “at the return” and can be translated as “see you in the fall” to refer to the time of year when students return back to school after the summer break and vacationers return to the city and to work after out-of-town trips—a time to start anew feeling reenergized with a refreshed and rested perspective on everyday routines. Think about the projects, personal goals, or relationships that you’d like to approach with a fresh start this autumn season. To celebrate la rentrée, write a poem that revolves around a familiar relationship, duty, or obligation. How might it be approached from a different angle or seen in a new light?
“The writing comes not with the then and then and then of narrative time driven by the hierarchy of information that plot demands, but with the and and and and and of parataxis. Everything is equal all together and all at once,” writes Jennifer Kabat in her debut memoir, The Eighth Moon: A Memoir of Belonging and Rebellion (Milkweed Editions, 2024), which combines the author’s musings on her relocation to the rural Catskills in New York with historical documents and research about the Anti-Rent War between tenant farmers and landowners that took place in the region in the early nineteenth century. Take a deep dive into a historical event that took place where you live and write an essay that attempts to bridge your own experiences and memories of your locale with the past. Inspired by Kabat, experiment with alternating back and forth through different time periods, point of view, and verb tense for a sense of simultaneity.
French director and screenwriter Tran Anh Hung’s Oscar-nominated film The Taste of Things, adapted from a 1924 novel by Swiss author Marcel Rouff, opens with a scene that takes place in the ground-floor kitchen of a late-nineteenth-century estate in France. The scene, which lasts for nearly forty minutes and contains little dialogue, consists primarily of shots of a chef and his cooks preparing a sumptuous feast as they maneuver around one another, handling and arranging various ingredients for each dish. The camera zooms in on the pots and pans, and precise sounds of sizzling, sauteing, crackling, rinsing, stirring, bubbling, and steaming are captured. Write a scene or portion of a short story that focuses in on the sounds of a particular room in your setting. When you subtract human voices, does a chronicle of meticulous details emerge?
Can what was once lost still be found? The Search for Lost Birds, a global partnership between the American Bird Conservancy, Re:wild, and BirdLife International, was founded in 2021 to shed a light on species of birds that are deemed “lost,” meaning that there has been no documented evidence of them in over a decade, but that they may still exist. Researchers from the organization recently published a paper in the journal Frontiers in Ecology and the Environment citing over one hundred “lost” bird species with the majority in danger of extinction. Jot down a list of items that have been lost to you over the years, perhaps including both physical objects and intangible things, and compose a poem that incorporates your list. How might you play with the order of items, punctuation, line breaks, sound, and rhythm to express the experience of loss?
How do best pals become worst enemies? In the television fantasy drama series House of the Dragon, created by Ryan Condal and George R. R. Martin, childhood best friends Rhaenyra Targaryen and Alicent Hightower become mortal enemies, each at the head of a household vying for the power to rule the Seven Kingdoms. Compose a personal essay that ruminates on a complicated friendship or relationship you’ve had that has transformed significantly over time. Was there one catalyzing incident or many gradual shifts that caused your relationship to change direction? Consider the ways in which the relationship changed in parallel, or in contradiction, to how each of you have evolved as individuals.
In the documentary Yintah, directors Jennifer Wickham, Brenda Michell, and Michael Toledano chronicle how Wet’suwet’en First Nation have been fighting to protect their unceded territory in northern British Columbia for decades, most recently in protests and blockades against pipeline developments. The film spanning more than a decade of conflict captures the spirit of Wet’suwet’en resistance in the face of Canadian government policies and police invasions, and their fight for the survival of the land itself. Write a short story that revolves around a group of people who are beset upon by unjust policies, and explore the values and priorities of each side. How do strengths, weaknesses, advantages, and disadvantages play out?
In the 1960s, a string of songs about crying hit the air waves, from Roy Orbison’s “Crying,” to “Big Girls Don’t Cry” by The Four Seasons, to Lesley Gore’s song that begins with, “It’s my party, and I’ll cry if I want to.” Crying has carried on as a theme in popular songs throughout the decades with Prince’s 1984 ballad “When Doves Cry,” Aerosmith’s 1993 hit “Cryin’” and The Weeknd’s 2020 song “Save Your Tears.” This week, take a cue from tunes about shedding tears and write a poem that incorporates crying in some way, whether about sorrow or joy, letting the waterworks flow or attempting to hold them back. Consider using unique diction or imagery to put a fresh spin on conventional tropes. What can you say about crying that hasn’t been said before?
In Stories Are Weapons: Psychological Warfare and the American Mind, published by W. W. Norton in June, author and journalist Annalee Newitz chronicles the ways storytelling can be wielded as a manipulative tool to further political agendas and steer cultural perspective, through advertising, influence campaigns, and mass media. In the first chapter Newitz discusses how Sigmund Freud’s theories help sell products: “Advertisers began to study psychology to figure out ways to manipulate the unconscious minds of consumers,” she writes. “They would lure consumers in with emotional appeals or by associating a product with some political ideal like freedom.” Write a personal essay about a time when you were persuaded by a narrative—whether it be a story told to you by a friend, foe, colleague, family member, or even an advertisement. Were you able to separate from your unconscious mind and gain a fuller perspective on the situation?
Is it science fiction or simply the state of advanced, contemporary science? Hiromi Kawakami’s latest novel, Under the Eye of the Big Bird, forthcoming from Soft Skull Press in September and translated from the Japanese by Asa Yoneda, takes place thousands of years in the future when humans are near extinction. Children are created in factories from the cells of animals including cows, dolphins, horses, and mice. Kawakami’s magical realism blends scientific advancements with real-life phenomena such as population aging, as well as the existing technologies of cloning and xenotransplantation. Using an idea or a concept derived from scientific studies or your own research, write a speculative fiction story that builds on existing technology to achieve the fantastic. In your invented future what fundamental issues of ethics, traditions, and mortality arise?
William Carlos Williams’s multi-volume, mid-twentieth-century poem Paterson is purportedly inspired by the works of his contemporaries: James Joyce’s Ulysses, Ezra Pound’s The Cantos, T. S. Eliot’s The Waste Land, and Hart Crane’s The Bridge. Through his subject—the former mill town of Paterson, New Jersey—Williams provides a voice for American industrial communities. A launching pad for other artists’ work, the book inspired Jim Jarmusch’s 2016 film Paterson, about a bus driver and poet named Paterson in the city of the same name, and Robert Fitterman’s book Creve Coeur (Winter Editions, 2024), set in the segregated suburbs of his eponymous Missouri hometown—an illustration of contemporary America that mirrors the structure of Williams’s postwar epic. Write a poem that draws on specific observations of your neighborhood to express a wider perspective on life in the twenty-first century. Incorporate street names, local landmarks, and history as well as tidbits of everyday conversation.
When you picture sea otters, you might think immediately of the many photos and videos of fuzzy otters holding hands while floating in the water, but do these images of cuddly creatures represent their true character? In a 2013 Slate article titled “Sea Otters Are Jerks. So Are Dolphins, Penguins, and Other Adorable Animals,” the violent behavior of these animals and their instinctive modes in the wild are described in detail and contradict the cute and cuddly depictions humans often project onto them. Write a personal essay that explores the theme of deceptive appearances, perhaps drawing on experiences you’ve had in which you misjudged someone and found your first impression contradicted other facts. Or you might think back to a time when someone else made assumptions about you based on superficial traits. What social conditions or cultural expectations contributed to those first impressions?
In Michael Ondaatje’s 1992 Booker Prize–winning novel, The English Patient, four main characters—a young Canadian army nurse, an Indian Sikh working as a British military engineer, a thief, and the eponymous patient—find themselves at a bombed-out Italian villa toward the end of World War II. Through a convergence of sections that weave in and out of time, between the past and present, and told through the characters’ various points of view, the story comes into focus. Write a short story that takes place in a vivid locale where a small group of characters has converged. Experiment with telling the story from multiple perspectives, and alternating chronology. In Ondaatje’s novel, the nonlinear storytelling reflects the effects of war trauma—how might time in your story work on a thematic level?
“In colonial times, gardens were utilitarian. A cross between a grocery store and a pharmacy. In the gilded age, they became an entrance to high society, a place of conspicuous display,” narrates the main character in Paul Schrader’s 2022 film Master Gardener, a man with a secret past who works as the horticulturalist of an estate owned by a wealthy dowager. This week write a poem about a garden, perhaps a large and well-known one visited by tourists, a seasonal garden tended by family members that you frequented as a child, or one you pass occasionally on a neighborhood walk. You might explore the functions of the garden; list colors, shapes, textures, and smells; or make conjectures about its guiding aesthetics. What can a garden reveal about its gardener and the space in which it resides?
“When I say I have written from the beginning, I mean that all real writers write from the beginning, that the vocation, the obsession, is already there, and that the obsession derives from an intensity of feeling which normal life cannot accommodate,” said the late Irish author Edna O’Brien in a 1984 interview for the Paris Review’s Art of Fiction series. O’Brien, who died last Saturday at the age of ninety-three, was the author of a series of novels beginning with The Country Girls, which were internationally acclaimed but banned in Ireland. Her work included memoirs, biographies, and plays, many of which revolved around intimate stories of women’s experiences of love and loss. Write a lyric essay that responds to O’Brien’s sentiment about being drawn to writing from “an intensity of feeling.” Does writing serve in some sense as an outlet for expressing something that seemingly can’t fit into the strictures of normal life?
In 1996, scientists created the first clone of a mammal, a sheep named Dolly. Since 2015, a company based in Texas called ViaGen Pets has cloned hundreds of dogs, cats, and horses for tens of thousands of dollars each. Scientists have warned of the ethical issues of cloning—both in the ways in which the process requires the use of multiple animals (an egg donor and a surrogate carrier), and in the precedence it sets for humans. Write a short story in which a cloned animal plays an integral role in a plot twist. Is the animal’s cloned history kept hidden for some reason? What made this animal so exceptional to be cloned? Consider the complexity and emotions involved with your characters’ values and ethics in this decision.
In Divya Victor’s poem “Blood / Soil,” which appears in her collection Curb (Nightboat Books, 2021), she writes about Sureshbhai Patel, a man who had traveled from India to visit his son and infant grandson in Alabama and was assaulted by police for alleged suspicious behavior while taking a neighborhood stroll. As she describes the physical encounter, Victor includes Newton’s laws of motion and experiments with the visuals of typography and spacing in her incorporation of quotations to draw attention to movement and a sense of confrontation between bodies and language. Write a poem inspired by a news incident that feels resonant to you and provokes a strong emotion. Consider adding bits of science, research, or reported dialogue that might help create a more expansive, interpretive angle.
Pulitzer Prize–winning playwright Annie Baker, who made her feature film directorial debut with the coming-of-age drama Janet Planet, recently shared her inspirations for the film with the New York Times through a mood board. The artistic influences included fin-de-siècle painter Édouard Vuillard’s portraits of his mother; Maurice Pialat’s 1968 film about a foster child, L’enfance Nue; literature by Thomas Mann and Rainer Maria Rilke; and an album by Canadian jazz musician Beverly Glenn-Copeland. Write a lyric essay composed of short descriptions of creative works—perhaps similarly spanning visual and performing arts, music, and literature—that have served as inspiration to you over the years. What is special about each one, and what are the elements that draw them together?
This week, in preparation for the upcoming opening ceremony of the 2024 Summer Olympic Games in Paris, consider the Olympic creed: “The important thing in life is not the triumph, but the fight; the essential thing is not to have won, but to have fought well.” Write a short story that revolves around a competition of some sort—whether between friends, enemies, strangers, or within a liminal relationship of some kind. Decide between a contest of mental or physical abilities, or a battle of wills. Are there high stakes or is the contest seemingly inconsequential? Does all go as planned or is there a surprising upset? Think about your characters’ respective perspectives on the spirit of competition, and what constitutes as fighting fairly.
In the twentieth anniversary edition of Don’t Let Me Be Lonely: An American Lyric, Claudia Rankine writes in the preface about her use of the first-person voice “to bear witness to the witness” and provide emotion while maintaining an intimacy within the text. “Anybody could embody the first person and be our guide through the text,” writes Rankine. “For me, at the time, this was a liberating mechanism for getting at the ineffable affective disorder of the moment without disconnecting from the people affected by it.” Write a poem about an event currently unfolding in the world, either locally or on a global scale. Deploy the first-person “I” as a tool to guide the reader through what’s being witnessed. Are there multiple emotional truths at play? How can you give them shape?
“I have known brilliant writers who could size people up in minutes with alarming accuracy.... And yet for all their ability to understand people, to see them, to capture them as characters, these writers could not see themselves,” writes Literary Hub editor-in-chief Jonny Diamond in a piece reflecting on a recent op-ed written by the daughter of Nobel laureate Alice Munro, Andrea Skinner, about her mother’s failure to protect her from sexual abuse by her stepfather. Write a personal essay that traces your self-awareness through several phases of your life, contemplating on how your understanding and perception of yourself has transformed through the years. Can you reconcile the differing points of view that various people in your life hold about you? Are there blind spots that, even if you can’t or don’t want to articulate, you wish to acknowledge?
Ghosting, the social practice of suddenly cutting off communication without explanation by no longer accepting or responding to calls or messages, is often associated with dating but can also extend to other arenas of interpersonal communication and socializing, such as the interview process for a new job or with friends and family. Write a short story that revolves around two people, one of whom ghosts the other. What are the dynamics of communication that lead up to the ghosting, and what is the fallout? Are excuses made or is hindsight twenty-twenty? Consider how much of each party’s point of view to reveal prior to and after the ghosting.
In medieval European cathedrals, some of the panes of the beautiful stained glass windows are thicker at the bottom than at the top, creating misconceptions that the seemingly solid glass has melted over time. According to an article published in Scientific American, glass is an amorphous solid, a state that is neither solid nor liquid but something in between disproving the theory of melted glass. The differences in thickness of old glass windows is merely a product of the manufacturing process, giving them a melted look. This week write a poem inspired by the idea of something, or even someone, existing in an in-between state. Consider playing with the line breaks and white space of your page to mirror or contrast with your chosen subject.
In “The Bear IRL: My Manic Day in a Michelin-Starred Kitchen,” Vice writer Nick Thompson visits a Michelin-starred restaurant in London for a day to capture a glimpse of the behind-the-scenes operations of a high-level kitchen, like the ones portrayed on the popular TV series The Bear. Thompson speaks to one chef who echoes the repercussions of sacrificing a social life that are depicted in the award-winning show, mentioning missing out on birthdays and special occasions because of long hours and weekend work schedules. “It’s more like a sports team, where you’re trying to achieve something. That’s what drives you forward,” says the chef. Write an essay about a time in your past when you had to make a sacrifice in your personal life because of your job. Was there a payoff? What were the factors that ultimately pushed you to choose your job over your social life?
The Swimmer, a group exhibition of around one hundred works by dozens of artists at the Flag Art Foundation in New York City, is inspired by John Cheever’s short story of the same name, published in the New Yorker in 1964, in which his protagonist ventures to return home by swimming across his affluent neighbors’ backyard pools on a summer day. Curator Jonathan Rider selected and arranged the artworks to reflect the story’s themes of idealism, identity, class, failure and loss, and the instability of time and reality. This week write a short story that incorporates a swimming pool in some way. Whether an integral part of the plot or seen somewhere in the periphery, spend a bit of time describing its visual imagery, colors, light, and texture. Does it feel static or dynamic, vacant or crowded? Are there multiple interpretations for what functions the pool could serve?