Submissions are open for the 2020 Macaron Prize. Sponsored by the literary magazine Cagibi, the annual contest awards four prizes of $1,000 and publication in the magazine’s annual print issue. Nick Flynn, Andre Dubus III, Jill Bialosky, and Emily Flake will judge in the categories of poetry, fiction, nonfiction, and cartoon respectively. 

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Using only the online submission system, submit up to three poems, a short story or an essay of up to 4,000 words, or a single-panel cartoon or a comic of up to 12 pages with a $20 entry fee by January 20. Visit the website for complete guidelines.

Cagibi was founded in 2017 by editors Sylvia Bertrand and Christopher X. Shade. Titled after a French word connoting a storeroom or cubby hole, the journal aims to offer a “shelter, no matter how tiny, that allows for big imaginings to take shape.” Cagibi publishes quarterly issues online, as well as a print annual that anthologizes those issues. It particularly seeks international literature, translation, and poetry and prose “in which character conflict, ultimately story, is tied to place.”

“A person is not just one text but rather an infinite series of texts, none of which could be considered the original,” writes Alejandro Zambra in his Believer magazine essay “Translating a Person.” “A book is, in the best of cases, the text that a person once was or wanted to be, but of course it’s a multiple testament, ambiguous and full of nuances.” Think of someone you have been close to for a long time and the different phases you have known of this person’s life. Write a personal essay that attempts to “translate” this person by following one particular thread. Try using a numbered format as Zambra does in his essay to separate scenes or moments of this life.

“‘To approach snow too closely is to forget what it is,’ said the girl who cried snowflakes,” begins Shelley Jackson’s “Snow,” an ephemeral project and “story in progress, weather permitting,” which is featured in the January/February issue of Poets & Writers Magazine. The story is  written in the snow in Jackson’s Brooklyn neighborhood, one word at a time, and then photographed and shared on Instagram. Taking inspiration from the ephemerality intrinsic to this project’s format, write a flash fiction story in which each word is composed on a surface—perhaps drawn in dust, penciled on a piece of scrap paper, marked on a whiteboard, or spelled out with pebbles or twigs. How do form and function intertwine with the idea of impermanence in your story?

“The light / that points / the way // in the fog. / The light / in the fog // that thickens / and reveals / the fog’s // cold breath. / The fog / as well.” Jeffrey Thomson’s poem “What is Poetry? Part 2,” selected by Naomi Shihab Nye for the New York Times, locates possibilities for poetry everywhere, from all angles, in all subjects. Think of an image from your memory and write a poem that finds resonance as you dig deeper into the details. What happens when you explore an unexpected perspective of this memory? What new facets can you uncover?

The first deadlines of the year for fiction, nonfiction, poetry, and translation contests have arrived. With a deadline of either January 14 or January 15, these awards include two residencies in rural Texas and financial support to pursue a creative project in a desert environment; all feature a prize of $1,000 or more.    

Asheville Poetry Review William Matthews Poetry Prize: A prize of $1,000 and publication in Asheville Poetry Review is given annually for a single poem. The winner is also invited to read at Malaprop’s Bookstore in Asheville, North Carolina. Ilya Kaminsky will judge. All entries are considered for publication. Deadline: January 15. Entry fee: $20. 

Australian Book Review Calibre Essay Prize: A prize of $5,000 AUD (approximately $3,392) is given annually for an essay. A second-place prize of $2,500 AUD (approximately $1,696) will also be given. The winners will be published in Australian Book Review. J. M. Coetzee, Lisa Gorton, and Peter Rose will judge. Deadline: January 15. Entry fee: $25 AUD (approximately $17).

BkMk Press Ciardi/Chandra Prizes: Two prizes of $1,000 each and publication by BkMk Press are given annually for a poetry collection and a short story collection. Deadline: January 15. Entry fee: $25 ($30 for electronic submissions).

Colorado Review Colorado Prize for Poetry: A prize of $2,000 and publication by the Center for Literary Publishing is given annually for a poetry collection. Kiki Petrosino will judge. Deadline: January 14. Entry fee: $25 ($28 for online submissions).

Ellen Meloy Fund Desert Writers Award: A prize of $5,000 is given annually to enable a creative nonfiction writer “whose work reflects the spirit and passions for the desert embodied in Ellen Meloy’s writing” to spend creative time in a desert environment. Deadline: January 15. Entry fee: $15.

French-American Foundation Translation Prizes: Two prizes of $10,000 each are given annually for translations from French into English of a book of fiction and a book of nonfiction (including creative nonfiction) published during the previous year. A jury of translators and literary professionals will judge. Deadline: January 14. Entry fee: none. 

Literal Latté Fiction Award: A prize of $1,000 and publication in Literal Latté is given annually for a short story. All entries are considered for publication. Deadline: January 15. Entry fee: $10. 

National Endowment for the Arts Translation Fellowships: Grants of $12,500 and $25,000 each are given annually to translators of poetry and prose from any language into English. Deadline: January 15. Entry fee: none. 

New American Press Poetry Prize: A prize of $1,200 and publication by New American Press is given annually for a book of poetry. Corey Van Landingham will judge. Deadline: January 15. Entry fee: $20.

Nowhere Magazine Travel Writing Contest: A prize of $1,000 and publication in Nowhere Magazine is given twice yearly for a poem, a short story, or an essay that “possesses a powerful sense of place.” Porter Fox will judge. All entries are considered for publication. Deadline: January 14. Entry fee: $25.

Public Poetry Contest: A prize of $1,000, publication in an anthology, and an invitation to give a reading in Houston is given annually for a single poem on a theme. This year’s theme is “Wicked Wit.” Deadline: January 15. Entry fee: $15 to submit up two poems ($25 to submit three).

University of Notre Dame Andrés Montoya Poetry Prize: A prize of $1,000 and publication by University of Notre Dame Press is given biennially for a debut poetry collection by a Latinx poet residing in the United States. John Murillo will judge. Deadline: January 15. Entry fee: none. 

University of Texas in Austin Dobie Paisano Fellowships: Two residencies, cosponsored by the Texas Institute of Letters, at a rural retreat west of Austin are given annually to writers who are native Texans, who have lived in Texas for at least three years, or who have published significant work with a Texas subject. The six-month Jesse H. Jones Writing Fellowship is given to a writer in any stage of his or her career and includes a grant of $18,000. The four-month Ralph A. Johnston Memorial Fellowship is given to a writer who has demonstrated “publishing and critical success” and includes a grant of $24,000. Deadline: January 15. Entry fee: $20 ($30 to enter both competitions).

WOMR/WFMR Community Radio Joe Gouveia Outermost Poetry Contest: A prize of $1,000 is given annually for a single poem. Marge Piercy will judge. Deadline: January 14. Entry fee: $15.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

When a new year begins, we often think of new beginnings or about trying new things. But is there any value in doing the same thing over and over again? In “The Unexpected Joy of Repeat Experiences” in the New York Times, Leah Fessler writes about the tendency for novelty to wear off and champions the pleasure that can be found in repeating the same experiences again and again. This week, when you’re tempted to try something new, make an effort to partake in an activity that you’ve already done before—perhaps eating a meal you’ve prepared before, rewatching a movie, walking in a familiar neighborhood, or looking at a favorite painting in a museum. Write an essay that explores what you discover the second (or third) time around.