Deadline Approaches for the Derek Walcott Prize for Poetry

The inaugural Derek Walcott Prize for Poetry is open for submissions. Sponsored by Arrowsmith Press, in partnership with the Derek Walcott Festival and the Boston Playwrights’ Theatre, the award will be given for a poetry collection written by a living poet who is not a U.S. citizen. Books published anywhere in the world during the previous calendar year, in English or translated into English, are eligible. The winner will receive a cash prize of $1,000, a reading at the Boston Playwrights’ Theatre, the publication of a limited-edition broadside by Arrowsmith Press, and a weeklong residency at one of Walcott’s homes in either St. Lucia or Port-of-Spain, Trinidad. If the winning work is a translated book, the prize money will be shared between the translator and the poet.

Publishers may submit books published between January 1, 2019 and December 31, 2019 with a $20 entry fee by February 15. Multiple submissions are permitted, but each book requires a separate submission and fee. Visit the website for complete guidelines.

The winner of the prize will be announced in May and will be invited to give a reading in Boston in October 2020. Glyn Maxwell, the editor of Walcott’s Selected Poems and a friend of the late poet, will judge. The prize was established by Walcott’s family to honor his lifelong support of emerging writers.

Photo: Derek Walcott

Community Book Center: Opening Doors for Black Writers

For Black History Month, I will be writing about Black writers and institutions that have contributed to the Black literary experience in New Orleans. This first post is dedicated to Community Book Center.

When I walk into Community Book Center, I feel like I am stepping into my grandmother’s house. I’m usually greeted by the straight talk of Mama Jen (Jennifer). “Where yo ass been?” is usually her first question to me followed by, of course, a hug. It is the balance of realness and love that makes this place so special, not only for me but for so many Black writers in the city.

If you are a Black writer in New Orleans, it’s likely not every literary door is open to your work. At Community Book Center, the emphasis on community allows Black writers of all levels and genres an opportunity to promote and sell their books, and discover authors that make you feel represented and invited in.

Community Book Center is owned by Vera Warren Williams and is currently the only Black-owned bookstore left in New Orleans, to my knowledge. It has thrived for more than thirty years and survived Katrina, gentrification, and the ever-changing publishing industry.

Whenever I’m there, I feel a sense of pride because I don’t have to look for the African American section like in other bookstores—the entire store ignores the white gaze that Toni Morrison often spoke about. When I browse the shelves and see all the books for children, women, parents, and families that span the Black and African experience, I know that I am home. Thank you, Community Book Center!

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

More Than Meets the Eye

In “The Machines Are Coming, and They Write Really Bad Poetry (But Don’t Tell Them We Said So)” on Lit Hub, Dennis Tang writes about the results of using GPT-2, an artificial intelligence language program, to generate poetry in the style of Emily Dickinson, Shakespeare, Robert Frost, Maya Angelou, and Sylvia Plath. Phrases, snippets, and passages are submitted to the program, which then produces several lines of writing that attempt to mimic the original text’s style. Using the Talk to Transformer website, try feeding the program one or two sentences from a story you’ve written in the past and see what the machine generates. Then, go with the flow of AI and use its verse to continue the story in a new, unexpected direction. 

Literary Community Outside the Box: Part Five

This will be the last in my series of posts exploring the unique platforms that contribute to the literary community in Houston, which have included Nuestra Palabra: Latino Writers Having Their Say, the blogs and podcasts Dear Reader and Bootleg Like Jazz, and the ekphrastic series Words & Art. Today I want to let you know about the Afrofuturism Book Club.

Educator and Detroit native Jaison Oliver founded the Afrofuturism Book Club in 2016 with the hope of building community around a shared interest for fantasy and science and speculative fiction written from a Black perspective. The format is real chill. The group meets monthly to read and discuss short stories by authors like Chimamanda Ngozi Adichie, Octavia Butler, and Samuel Delany, as well as comic books, films, and television series. I haven’t had a chance to attend a meeting yet, but I know they are happening, because every time I see Jaison post about the book club, I want to kick myself for not attending.

I know from the last invitation I saw online, the book club covered the new HBO television series adaptation of Watchmen for their January meeting. Every month is something new to enjoy! Meetings are usually held at a cozy, local coffee shop and you can sign up to find out more.

Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Biodiversity

Marshes, rivers, forest, mountains, butterfly wings, fungi, fruits, flowers, birds, leaves, foxes, bears, wolves, and whales. The Biodiversity Heritage Library, billed as the “world’s largest open access digital library,” is a free archive of over fifty-seven million pages of sketches, illustrations, diagrams, studies, and research of life on Earth from the fifteenth century to the present. Browse through their Flickr gallery and choose a group of images that you find particularly intriguing, striking, curious, or beautiful. Write a poem that considers the life forms and ecosystems depicted in the illustrations and how they affect your imagination today.

Venue Check Again

It’s time to take another look at Detroit’s literary friendly venues. I hope that these recent discoveries of mine are useful to you, and be sure to check out their upcoming events.

ZAB Cultural Collective is a community-driven coworking space on Detroit’s East Side. ZAB is a cozy, artistic space that has hosted writing workshops and performances, and has open mic nights on the first Saturday of every month at 7:00 PM. They offer Wi-Fi, tables, and free coffee and tea for working writers and artists. The space doubles as a retail contemporary art gallery featuring a wide range of local and traveling artists.

Motown Museum in Detroit’s New Center area has been home to Motown Mic: The Spoken Word, a poetry slam series dedicated to the Motown legacy and the next generation of creative artists, for the past four years. The museum recently hosted a Martin Luther King, Jr. Day tribute performance by recent winners of the slam. In addition to the historic building, the museum is undergoing an expansion that will undoubtedly include additional performance space. Keep your eye out for this gem!

Eastern Market Brewing Co. is a craft brewery that opens its doors to an event called First Draughts every third Tuesday of the month, which is organized by Writing Workshops Detroit. The mission of First Draughts is to “bring writers out of the wilderness and into the community.” Writers meet other writers, talk literature, and share work. This is a great low stakes way to get involved with a tight-knit literary community.

If you find yourself at any of these venues, I would love to hear about your experience! You can also help spread good news about venues and literary events by tagging me on Twitter, @Detroitpworg, or listing them on our Literary Events Calendar.

Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

 

Deadline Approaches for Prize in Southern Poetry

Submissions are open for the 5th annual Prize in Southern Poetry, sponsored by the Atlanta restaurant White Oak Kitchen & Cocktails. The award is given for a poem written by a Southern writer on a given theme. This year’s theme is “shared spirit.” The winner will receive a cash prize of $1,500 and their poem will be featured on the restaurant’s Valentine’s Day menu on February 14 and 15, 2020. 

Submit a poem of up to 40 lines by February 7. Writers who reside in Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, Virginia, or West Virginia and who have published no more than one book are eligible. There is no entry fee. Visit the website for complete guidelines.

The winner of the competition will be announced on Valentine’s Day. The 2019 prize was awarded to Heather Elouej of Johnson City, Tennessee for her poem “Hindsight.”

True of Voice

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Can you imagine what the voice of a three-thousand-year-old mummy would sound like? Last week Scientific Reports published a study that describes engineering the voice of Nesyamun—an ancient Egyptian priest and scribe whose coffin’s hieroglyphs describe him as “true of voice”—by combining his 3D-printed mouth and throat with an artificial larynx and using speech synthesizing software. This week write a personal essay about the one long-ago sound you wish to hear, if you could engineer a way. Would you choose the voice of a loved one or important historical figure, the sounds of an extinct animal or bygone technology, or perhaps simply the everyday sounds of a different era?

Reach Out to Me

Many writers know me in New Orleans. I’ve served on literary boards and coordinated festival events, and now I am a Poets & Writers Literary Outreach Coordinator. So, what’s that? Through a grant from the Hearst Foundations, Poets & Writers launched a pilot initiative in 2019 called the United States of Writing in three cities: Detroit, Houston, and New Orleans. Each city has a literary outreach coordinator to help spread the word to writers about the resources Poets & Writers has to offer and to contribute to and strengthen our literary community.

Although my job is less than part-time, I am very busy trying to encourage writers to apply for Readings & Workshops mini-grants, which provide funds for literary events in New Orleans (as well as in Atlanta, Chicago, Detroit, Houston, Seattle, Tucson, Washington, D.C., all of California, and New York State). I try to attend as many literary events around the city as possible. Sometimes I make myself known, other times I’m in the back enjoying the event quietly. When I can’t get to an event, I try to make sure I tweet about it on Twitter, @NOLApworg, or post events on P&W’s Literary Events Calendar.

I enjoy reporting about literary events in New Orleans to the P&W staff and to you all through this blog. One thing is for sure: Literary scenes are not one-size-fits-all. Regional culture influences local literary scenes in cities across the country. Detroit is not Houston. Houston is not New Orleans—and you know what? That’s a good thing! Every city contributes to the national literary landscape, and I am committed to working in a way that is authentic to New Orleans.

My job is also to find out what I don’t know. So if you have a question, an event, or a recommendation, or if you want to organize a gathering in New Orleans, let me know. I’m here for you, New Orleans.

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

In Snippets

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“I have to learn that in presence, the rushed, the partial, is still a whole, an experiment in form. In collage, my snippets of repurposed texts, ideas, and observations are not connected seamlessly; I see their edges,” writes Celina Su on the Poetry Foundation’s Harriet blog in “A Collage in Progress,” a piece about her experience of the fragmentation of time and attention alongside new parenthood. “This allows me to cite, attribute, give credit to those who have contributed to my thinking.” Write a short story that consists of snippets that do not fit together seamlessly and feel rushed or partial. How does this collection of fragmented things shape your narrative?

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