In the New York Times Anatomy of a Scene video series, a director talks through one scene of their film and speaks to all the behind-the-camera action, planning, and unexpected occurrences that allowed for this sequence to take shape. Write a voice-driven poem where you narrate a scene from any film that moves you emotionally and creatively. Perhaps this scene is connected to a memory or experience of your own, or you notice something subtle in an actor’s performance. What is brimming beneath the surface of this visual? What can you share about this moment in the film that another viewer may not catch?

Recently I touched base with local writer and educator Deonte Osayande, a lifelong Detroiter. Deonte has been a part of the Detroit literary community as a poet, host, and coach for over ten years (see more about his work in his Poets & Writers Directory profile). When I asked him where he first connected with the literary world, Deonte says, “I attended an open mic as a student, and I knew I had to learn more about it.”

Deonte has since become an internationally recognized poet, a published writer, and is a professor of English at Wayne County Community College District. In addition to his writing career, Deonte has coached both youth and adults in regional poetry slam teams through to national competition. After all of the performances, edits, publications, and travel, Deonte says, “it’s just more than that. I’ve learned how to be more deliberate with the words I use and I’ve learned how to teach others the same.”

I love this response because it reminds us that whether we are writing metaphors on bathroom walls or publishing our second full-length novel, words offer writers so much more. There is always “something more” than just stringing words together on paper—we learn intentionality. We discover how we process. We become better communicators. “I still exist as a writer because I have to, I wouldn’t be who I am without expressing my thoughts in such a way,” says Deonte.

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Submissions are open for the Rose Post Creative Nonfiction Competition. Sponsored by the North Carolina Writers’ Network (NCWN), the annual competition seeks “lasting nonfiction that is outside the realm of conventional journalism and has relevance to North Carolinians.” Many forms of nonfiction writing are accepted, including cultural criticism, reviews, profiles, interviews, travel articles, and historical or place-based pieces. The first prize winner will receive a $1,000 cash prize and be considered for publication in Ecotone. Second and third place winners will receive $300 and $200 respectively.

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Submit a nonfiction manuscript of up to 2,000 words with a $12 entry fee by January 15. NCWN members pay $10. Randall Kenan will judge. Writers who are legal residents of North Carolina or members of the NCWN are eligible. Winners will be announced in March 2020. Visit the website for complete guidelines.

Founded in the mid-1980s, the NCWN “connects, promotes, and serves” the writers of North Carolina and has administered the Rose Post Creative Nonfiction Contest since 2008. In addition to awarding more than $4,000 every year through its contests, the NCWN offers editing services and online classes, and hosts various community events. The contest’s most recent winner is Pam Van Dyke, who won the 2019 award for her essay “ABC to XYZ.”

After the death of a close relative, Itaru Sasaki installed a phone booth in his backyard garden in the coastal town of Otsuchi, a glass enclosure where he could speak into a disconnected rotary phone as a way of processing his grief. After the 2011 tsunami in Japan, Sasaki opened his kaze no denwa, roughly translated into “wind phone,” to other community members mourning loved ones. Write a personal essay in the form of a letter or communication to someone no longer in your life. What would you choose to share about your own life and current updates? What feelings, emotions, or sentiments would you want to reiterate to the other person, whether for the hundredth time or for the first time?

It’s the holiday season and time for giving. If you’re considering what to give to the writer or booklover in your life, here are a few ideas.

Independent bookstore gift cards: I’ve never met a writer or reader who didn’t love a gift card from a local bookstore. There are always independent bookstores that could use shoppers and you never know what author might be giving a reading or signing a book while you’re there. Not only is a gift card a great present, you’ll be supporting small businesses and literary artists. A few of my favorites in New Orleans are Blue Cypress Books, Community Book Center, Faulkner House Books, Garden District Book Shop, Octavia Books, and Tubby & Coo’s Mid-City Book Shop. You can also check out the Literary Places database for bookstores near you.

Buy a book from a small press: There are so many small presses putting out incredible work from emerging and established writers who may not be on the big best sellers lists. Get their books into the hands of a friend. Some small presses operating out of New Orleans are Lavender Ink, Trembling Pillow Press, and University of New Orleans Press. The Small Presses database also has a list of wonderful publishers to choose from.

Donate to a literary organization: For something outside of the box, consider donating to a literary organization in the name of a friend or family member as a gift. These nonprofits are instrumental in creating support systems and opportunities for local writers, including fellowships, retreats, and workshops. Some organizations to consider in New Orleans are 826 New Orleans (which has chapters in other cities), Antenna, and One Book One New Orleans.

Take a friend out to a literary event: Maybe you have a friend who’s never been to a poetry reading or you’ve been meaning to take someone to your favorite reading series. What better time than now to introduce new writers to a good friend and create more community as a way of giving back? The Literary Events Calendar is a great place to start to find an event near you.

Random act of kindness: Is there a writer you like or follow online? Give them a big shout-out on Facebook, Twitter, or Instagram. Give the gift of recommendation. Let your networks know who’s on your literary radar and why. You’d be surprised how helpful this can be to a writer in your community and beyond.

In the December 2019 issue of National Geographic magazine, photographer Corey Arnold writes about an expedition last winter to change the batteries in the radio collar of a black bear in Utah’s Bryce Canyon National Park that he assumed would be hibernating. The bear turned out to be awake, which made the adventure more adventurous than expected. Write a short story in which your main character is operating under the assumption that an upcoming activity will be safe, but at a crucial moment discovers that danger is lurking. How do you ramp up the sense of anxiety and tension? Does your protagonist respond calmly or with panic when confronted with a sudden terror?

“Often discussions of persona poetry focus on its potential for cultivating empathy, inhabiting another’s perspective, but I have always felt that, inevitably, one circles back upon oneself,” writes Jennifer S. Cheng in Literary Hub about her second collection, Moon: Letters, Maps, Poems (Tarpaulin Sky Press, 2018). “Persona poetry is often compared to wearing a mask, but to me it is like speaking into a shell.” In her book, Cheng writes a series of persona poems in the voice of Chang’E, the woman who floats up to the moon in Chinese folktales. Think of a mythical figure or other fictionalized character who resonates with you, and write a short series of poems that explores this person’s inner self. Allow your own voice to intermingle and draw you toward imagining where your identities might overlap.

There are so many writers in Detroit that I am discovering. This week I want to share a conversation I recently had with local poet and editor Jeni De La O.

Jeni founded Relato:Detroit, a bilingual community storytelling series, and Poems in the Park, an acoustic poetry reading series in historic Lafayette Park. A first-generation Cuban American who grew up in Miami, Jeni came to writing from humble beginnings. “My mom grabbed some scraps of fabric from a dress she’d made me, cut up a cereal box and went at it with her hot glue gun to make me a journal,” she says about what drove her to write as a youngster.

Jeni moved from Miami to Detroit about ten years ago. “When I got to Detroit, the people felt like home, and that feeling of home lets you breathe,” says Jeni. “This city puts life and movement and connection into your writing in a way I haven’t felt or seen elsewhere.” Some of her favorite venues and events in Detroit include the Secret Society of Twisted Storytellers, the Brain Candy series held at Green Brain Comics, and the East Side Reading Series

I asked Jeni if she could put out a call to action to Detroit writers, what would it be? In chorus with many of the local writers I have spoken with, Jeni suggested a large gathering of literary artists or a citywide poetry festival. I truly think that there are already writers beginning to lay the groundwork for something of that magnitude in years to come. I am glad to have a voice and to highlight voices in this growing conversation.

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As we enter the last month of 2019, the time is right to submit to contests with a deadline of December 15. These poetry, fiction, and nonfiction awards include opportunities to attend a residency in upstate New York and to have your work reviewed by a literary agency. Most offer a prize of $1,000 or more. 

Center for Book Arts Letterpress Poetry Chapbook Competition: A prize of $500 and letterpress publication by the Center for Book Arts is given annually for a poetry chapbook. The winner will also receive an additional $500 to give a reading with the contest judge at the Center for Book Arts in New York City in fall 2020, and a weeklong residency at the Winter Shakers program at the Millay Colony for the Arts in Austerlitz, New York. Entry fee: $30.

Commonwealth Club of California Book Awards: Five prizes are given annually for a poetry collection, a book of fiction, a first book of fiction, a book of creative nonfiction, and a book of fiction or nonfiction that relates to California published during the previous year. Books written by authors residing in California are eligible. Entry fee: none.

F(r)iction Short Story Contest: A prize of $1,000 is given three times a year for a short story. Entry fee: $15.

LitMag Virginia Woolf Award for Short Fiction: A prize of $3,500 and publication in LitMag is given annually for a short story. A second-place prize of $1,000 will also be given. The winners will have their work reviewed by Sobel Weber Associates literary agency. The editors will judge. Entry fee: $20. 

Mid-American Review Poetry and Fiction Contests: Two prizes of $1,000 each and publication in Mid-American Review are given annually for a poem (the James Wright Poetry Award) and a short story (the Sherwood Anderson Fiction Award). Entry fee: $10. 

Silverfish Review Press Gerald Cable Book Award: A prize of $1,000, publication by Silverfish Review Press, and 25 author copies is given annually for a first poetry collection. Entry fee: $25, which includes a copy of the winning book.

Willow Books Literature Awards: Two prizes of $1,000 each and publication by Willow Books are given annually for a book of fiction and a book of creative nonfiction by writers of color. Entry fee: $25.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.