This week I want to introduce you to Ink Well, a Houston-based podcast that I cohost which interviews established and emerging writers from across the United States. Presented by Tintero Projects and Inprint, the two organizations collaborate to make suggestions for writers to interview, Inprint provides the recording space and the producer, Tintero Projects founders Jasminne and yours truly cohost and interview guests, and ta-da, you get a podcast series, which is currently in its third year.

With the series, we hope to find ways to showcase international, national, and regional voices talking about the writing landscape. We especially want to feature writers of color and Southern voices from the Gulf Coast to offer them an opportunity to share their work and thoughts on writing.

Our inaugural episode welcomed poet Analicia Sotelo, whose debut poetry collection, Virgin, was selected by Ross Gay as the first winner of the Jake Adam York Prize. Since then guests have included Ching-In Chen, Rigoberto González, Daniel Peña, Samanta Schweblin, and Carmen Giménez Smith.

If you’re looking for something to occupy you on a long commute and want to hear brilliant voices talking about all things literary, give Ink Well a listen. I hope you’ll be introduced to some new inspiring voices.

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Several years ago, New York Public Library staff discovered a box filled with file cards of written questions submitted to librarians from the 1940s to 1980s, many of which have been collected in the book Peculiar Questions and Practical Answers: A Little Book of Whimsy and Wisdom From the Files of the New York Public Library (St. Martin’s Griffin, 2019). Questions include: “What does it mean when you’re being chased by an elephant?” and “Can you give me the name of a book that dramatizes bedbugs?” and “What time does a bluebird sing?” Write a poem inspired by one of these curiously strange questions. Does your poem provide a practical answer, or avoid one altogether leading instead to more imaginative questions?

This week I had the opportunity to speak with Jassmine Parks, a native Detroit writer and slam poetry champion who found a home in the city’s creative community and has since gone on to perform her work nationally. Her introduction to the literary world came from a beloved venue, Artist Village Detroit.

“My altar call to the lit scene in Detroit occurred at an open mic at Artist Village,” says Jassmine. “At the time I was writing poetry just to heal from generations of trauma and my therapist suggested that I attend and possibly perform at an open mic.”

Artist Village is also the venue where I attended my first writing workshop and fell in love with poetry. My writing was heavily influenced by the poets, musicians, and painters that I met there.

Jassmine spent two years as a member of the Detroit Poetry Slam Team and is now working with youth poets as a mentor for InsideOut’s Citywide Poets program. “I feel rejuvenated and inspired when creating new work,” she says. “The students I teach are resilient and have so much to say.”

Lastly, we spoke about what might be missing from Detroit’s literary world. “I would like to see a literary council in the city, something like a Justice League, a combination of multi-disciplined writers across generations and experiences that comes together to bridge the gap between opportunities and writers,” says Jassmine. “A hub to unify and mobilize the writers within the city of Detroit.”

As Poets & Writers’ first literary outreach coordinator in Detroit, I feel that we are beginning to address these needs. I, along with Lupe Mendez and Kelly Harris, the coordinators in Houston and New Orleans, are spreading the word about the resources P&W has to offer writers, and the Readings & Workshops mini-grants that are available. These efforts are all a way to bring writers a bit closer to each other and I am excited to be a part of this new initiative.

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With a new month swiftly approaching, the time is right to submit to these contests, all of which have a closing date of October 31 or November 1. These poetry, fiction, and nonfiction awards include opportunities to attend residencies in Italy and Oregon. Each offers a prize of $1,000 or more; one prize has an estimated value of over $6,000.

Tucson Festival of Books Literary Awards: Three prizes of $1,000 each are given annually for works of poetry, fiction, and creative nonfiction. The winners will also be invited to take part in a panel discussion at the annual Tucson Festival of Books and attend a workshop on the University of Arizona campus in March 2020. Deadline: October 31. Entry fee: $20.

Red Hen Press Benjamin Saltman Poetry Award: A prize of $3,000, publication by Red Hen Press, and a four-week residency at PLAYA in Summer Lake, Oregon, is given annually for a poetry collection. Allison Joseph will judge. Deadline: October 31. Entry fee: $25.

Poetry Society of the United Kingdom National Poetry Competition: A prize of £5,000 (approximately $6,430) and publication on the Poetry Society of the United Kingdom website is given annually for a poem. A second-place prize of £2,000 (approximately $2,570) and a third-place prize of £1,000 (approximately $1,290) are also given. The winners will also be published in Poetry Review and invited to read at festivals in the United Kingdom. Poems written in English by poets from any country are eligible. Mona Arshi, Helen Mort, and Maurice Riordan will judge. Deadline: October 31. Entry fee: $9. 

Academy of American Poets Walt Whitman Award: A prize of $5,000, publication by Graywolf Press, and a six-week residency at the Civitella Ranieri Center in Umbria, Italy, is given annually for a poetry collection by a poet who has not published a book of poems in a standard edition. The winning book will also be distributed to 5,000 members of the Academy of American Poets. Harryette Mullen will judge. Deadline: November 1. Entry fee: $35.

Briar Cliff Review Writing Contests: Three prizes of $1,000 each and publication in Briar Cliff Review are given annually for a poem, a short story, and an essay. The editors will judge. Deadline: November 1. Entry fee: $20, which includes a copy of the prize issue. 

Autumn House Press Poetry Chapbook Prize: A prize of $1,000 and publication by Autumn House Press is given annually for a poetry chapbook. Gerry LaFemina will judge. Deadline: November 1. Entry fee: $20. 

Fiction Collective Two Ronald Sukenick Innovative Fiction Contest: A prize of $1,500 and publication by Fiction Collective Two is given annually for a novel, short story collection, novella, or novella collection. U.S. writers who have not previously published a book with Fiction Collective Two are eligible. Sarah Blackman will judge. Deadline: November 1. Entry fee: $25.

Cutthroat Writing Awards: Three prizes of $1,200 each and publication in Cutthroat are given annually for a group of poems, a short story, and an essay. Deadline: November 1. Entry fee: $20.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Last week Science journal published a study with the DNA analyses of graves and found objects from prehistoric German households that demonstrates wealth disparities in inhabitants not previously seen. The findings include indications that under the same roof, there were family members who passed down inherited wealth, unrelated individuals not buried with wealth, and nonlocal women who maintained or married into wealth. Consider the beloved and functional items in your home and write a personal essay that examines how these objects express social complexity or class status. How might you be remembered based on your possessions?

Earlier this month the transcription of a long-lost chapter from The Tale of Genji was found in a storeroom in the Tokyo home of a descendant of a feudal lord. Often called the world’s first novel, the eleventh-century masterpiece written by Murasaki Shikibu recounts the love life of a fictional prince named Genji. In the recently discovered chapter, the prince meets his future wife, Murasaki, who shares the same name as the book’s author. Write a new chapter from a story or novel you know well. What occurs in this portion of the story that might fill in some gaps or offer a new discovery? How does it fit in with, or transform, the meaning of the original text? 

Who says bookstores are losing popularity? In New Orleans, independent bookstores continue to thrive, bringing in local and national writers for literary events and avid readers. Here are some of my favorite places to buy local.

The Community Book Center is, currently, the only Black-owned bookstore in New Orleans. Mama Jen and Mama Vera are the beloved owners. Known as the social hub of the Seventh Ward, be prepared to debate about the latest local and national issues while perusing and buying books. They keep it real here.

Blue Cypress Books is located on happening Oak Street. I always enjoy their window displays because I discover books I previously didn’t know existed. They buy, sell, and trade quality secondhand books, offer a large selection of children’s books, and host monthly book club meetings. It is definitely worth a stop inside.

Octavia Books is located uptown on Octavia Street. If you’re going for an author reading, get there early for a seat. For sure their calendar of events will have a writer you want to hear read. Octavia Books also cosponsors The Reading Life, a locally-produced literary radio show with host Susan Larson on WWNO Public Radio.

The Garden District Book Shop is located around the corner from the famous Commander’s Palace restaurant. Purchase a book and hang out in the beautiful atrium area of the historic “Rink” in the beautiful Garden District, or catch a reading with an author in the shop.

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Good day mi gente. October has been a busy month for Houston writers. I wanted to take a moment to give a shout-out to the Houston Poetry Fest. The thirty-fourth annual event was held at the University of Houston–Downtown campus over three days, from October 11–13, with readings, panel discussions, and lectures. Featured guest poets included Gayle Bell, Sharon Klander, Alex Lemon, Kevin Prufer, and Michael D. Snediker, who read from their work. Joining them at the readings were “juried poets,” who are selected by judges through a submission process.

In addition to the main event, satellite readings were also held before and after the festival dates in the city, offering writers and attendees more opportunities to participate in the literary festivities. The satellite readings included a “Salute to LGBTQ+ Poets,” a Sylvia Plath tribute, bilingual events, and a youth poetry slam. Although I wasn’t able to attend this year, it is great to see the Houston Poetry Fest expanding and still going strong.

What is documentary poetry? In “Where Poetry Meets Journalism” in the November/December issue of Poets & Writers Magazine, documentary poetry, also known as docupoetry, is described as “socially engaged poetry that often uses nonliterary texts—news reports, legal documents, and transcribed oral histories.” Select a piece of journalism that particularly catches your eye or imagination, and then search for nonliterary texts around the same topic or theme. Write a docupoem that chronicles a story or experience by combining these found texts with your own observations and language.