Australian author Gerald Murnane talks about being drawn to the “bewildering and at the same time satisfying feeling” of getting lost in familiar places in an interview in the Winter 2024 issue of the Paris Review. “I can very readily get myself lost in strange country towns or on back roads,” Murnane says, “knowing all the time where I am, that there’s no threat to my safety, that I can navigate myself home eventually.” Write a poem that explores the state of being lost, whether from a memory of a childhood incident, visiting a town, walking a new route, or perhaps from simply feeling lost in a chaotic or difficult situation. Amidst the bewilderment, are you able to find something you enjoy about being lost?

Have you ever conducted an oral history interview? There are many reasons for recording one, from documenting family stories to reporting the experiences of survivors of tragedies and storing knowledge and perspectives of a particular region or culture. Try your hand at documenting personal reflections by turning to a friend, acquaintance, or family member and conduct a short interview with them, selecting a particular element of their life that you would be curious to know more about and that they wouldn’t mind sharing. You might browse your local library’s oral history projects, maps, and photographs for ideas. Afterward, write a personal essay about the experience. How did preparing the questions and asking someone to share their stories affect the dynamic of your relationship?

The phrase “for love nor money” is used when referring to an impossibility of persuading someone to do something, that they will not even do it for love or money. This week take inspiration from this idea of ineffective incentives and write a short story in which your main character insists there is something they would never do. Consider your character’s past and what has led them to this conviction. What happens if the circumstances shift for your character and love or money hangs in the balance? Do they hold true to their stance and resist all temptation?

According to the Oxford English Corpus, a text corpus of twenty-first-century English with over two billion words collected from online and print sources produced by Anglophone countries, time, person, year, way, and day are the top five most common nouns in the English language. Browse through lists of the most common words, whether nouns, verbs, adjectives, prepositions, pronouns, or articles. Instead of making use of unusual language, write a poem that revolves around playing with the most common ones. Experiment with how you might be able to manipulate unconventional repetition, syntax, spacing, or grammar to express fresh and unexpected meanings.

In “Eat, Memory,” an essay published by Harper’s Magazine in 2017, author David Wong Louie, who passed away a year after its publication, wrote about his experiences enduring years of treatment for throat cancer. Radiation, chemotherapy, a gastrostomy feeding tube, and laryngectomy surgery all affected his lifelong love for eating food and drinking, and he discovered how his memories of time spent with family and friends were deeply tied to communal dining. Write a lyric essay composed of short vignettes of memories you have that are tied to food—whether preparing and cooking meals, celebrating while eating out at a restaurant, buying produce at the market, or recalling phases of favorite snacks shared with friends. Taken together, how do these memories reveal a larger portrait of how you’ve enjoyed or been nourished by time spent around food?

“Power tends to corrupt and absolute power corrupts absolutely,” wrote English Liberal historian and moralist Lord Acton in an 1887 letter to scholar and ecclesiastic Mandell Creighton about his concerns for political and religious leaders. This week write a short story that chronicles a character’s turn toward corruption after gaining a degree of power. You might decide to revolve the narrative around a lighthearted scenario with some humor, in which the corruption that results has relatively inconsequential stakes. Or you might set up a situation in which your character gains access or control over a significant position of authority, resulting in criminal behavior with far-reaching ripple effects. How do other characters respond to the newfound power of your main character?

In a recent video, Maggie Millner, Yale Review senior editor and author of Couplets: A Love Story (Farrar, Straus and Giroux, 2023), speaks about her favorite love poems, including June Jordan’s short poem “Resolution #1,003,” which she says “illustrates the way that love between two people can inspire a politics, a kind of political vision.” Spend some time thinking about the relationships in your life and who might inspire in you a sort of political vision. Write a poem that captures how to “love who loves me” and “stay indifferent to indifference,” as Jordan writes in her poem. How might the circumstances, breadth, and boundaries of your adoration for someone be political?

In a recent New York Times Magazine interview, Dr. Anna Lembke, a Stanford psychiatrist who studies a variety of addictions from substance abuse to social media, talks about her speculative theory about contemporary society and narcissism. “Our culture is demanding that we focus on ourselves so much that what it’s creating is this deep need to escape ourselves,” she says. Take a break from self-actualization and write an essay that focuses on a close friend or loved one to create a lyrical profile of sorts. If you instinctively relate your observations and memories back to yourself, correct course and try to place the focus as much as possible on someone else. What emerges as a result?

“I don’t like you, but I love you / Seems that I’m always thinking of you” begins the 1962 hit song “You’ve Really Got a Hold on Me,” written by Smokey Robinson and performed by The Miracles. What does the speaker mean by this seemingly contradictory sentiment of loving, but not liking? Write a short story in which the narrative revolves around a character who feels similarly—loving, but not liking another character. It may be a childhood friend with a deep, lifelong bond whom the protagonist is on the outs with or a romantic interest who isn’t measuring up in some way. Depending on the story’s point of view, you might experiment with inner monologue, dialogue, or pay close attention to the physical communication between your characters to gesture toward the emotions at play.

Did you know that the word robust comes from the Latin word robur meaning “oak tree?” Merriam-Webster’s “12 Words Whose History Will Surprise You” provides the fascinating etymological history of words such as boudoir, phlegm, amethyst, and assassin, essentially mini lessons demonstrating an English word’s linguistic origins from an assortment of languages, including Medieval Latin, Greek, Arabic, French, and Middle English. Jot down a list of some of your favorite nouns, verbs, and adjectives, and look up their origin stories. (Tip: Merriam-Webster often lists a word’s etymology in the “Word History” section.) Write a poem inspired by this newly discovered and intriguing story behind the language, incorporating past iterations of the word into your verse.