The epithalamium, a lyric written and performed for a couple at their wedding ceremony, originated in ancient Greece with the earliest evidence of the form found in the fragments from Sappho’s seventh book in 600 BC. The form remains popular in contemporary poetry with traditional and nontraditional examples such as Jason Schneiderman’s “Stories About Love / Wedding Poem for Ada & Lucas” and poems by Alexandria Hall and Phillip B. Williams. This week, write your own version of an epithalamium. Whether it be for the future wedding of a loving couple you know or one that reflects on the institution of marriage, share your take on the ancient form.

Don’t let August slip past you: Submit to one or more of a dozen writing contests with a deadline of August 30 or August 31. Prizes include $3,000 and publication for a book of poetry; $1,000 and publication for a debut collection of poems, short stories, or essays; $1,000 and publication for a book of poetry by a writer over the age of 60; and more than $1,000, publication, and accommodations to give a reading at the Cork International Poetry Festival in Ireland for a poetry chapbook. All contests offer an award of $1,000 or more, and one has no entry fee. We wish you luck!

Aesthetica
Creative Writing Award
Two prizes of £2,500 (approximately $3,121) each and publication in Aesthetica Creative Writing Annual are given annually for a poem and a short story. In addition, the winner in poetry receives a membership to the Poetry Society in London, a six-week writing course from Curtis Brown Creative (a writing school led by authors and literary agents), a course from the arts organization Poetry School, and a subscription to Poetry London. The winner in short fiction receives a six-week writing course from Curtis Brown Creative and a consultation with the literary agency Redhammer Management. Both winners receive subscriptions to literary magazines Granta and Mslexia, as well as a five-day course from the London-based creative writing nonprofit Arvon. Deadline: August 31. Entry fee: $15.

Anthology Magazine
Short Story Competition
A prize of €1,000 (approximately $1,099) and publication in, plus a subscription to, Anthology Magazine will be given annually for a short story. Deadline: August 31. Entry fee: $20.

Black Lawrence Press
St. Lawrence Book Award
A prize of $1,000 and publication by Black Lawrence Press is given annually for a debut collection of poems, short stories, or essays. The editors and a panel of previous St. Lawrence Book Award winners will judge. Deadline: August 31. Entry fee: $28.

Grid Books
Off the Grid Poetry Prize
A prize of $1,000 and publication in print and audio formats by Grid Books is given annually for a poetry collection by a writer over the age of 60. Marianne Boruch will judge. Deadline: August 31. Entry fee: $25.

Gemini Magazine
Flash Fiction Contest
A prize of $1,000 and publication in Gemini Magazine is given annually for a short short story. The editors will judge. Deadline: August 31. Entry fee: $7.

Gulf Coast
Barthelme Prize for Short Prose
A prize of $1,000 and publication in Gulf Coast is given annually for a short work of prose. Deadline: August 31. Entry fee: $26.

Gulf Coast
Prize in Translation
A prize of $1,000 and publication in Gulf Coast is given in alternating years for a group of poems or a prose excerpt translated from any language into English. The 2023 prize will be given for a work of prose. Deadline: August 31. Entry fee: $13.

Journal of Experimental Fiction
Kenneth Patchen Award
A prize of $1,000 and publication by Journal of Experimental Fiction and JEF Books is given annually for an innovative novel. Carla M. Wilson will judge. Deadline: August 31. Entry fee: $25.

Munster Literature Centre
Fool for Poetry International Chapbook Competition
A prize of €1,000 (approximately $1,099); publication by Southword Editions, Munster Literature Centre’s publishing imprint; and 25 author copies is given annually for a poetry chapbook. The winner will also receive accommodations to give a reading at the Cork International Poetry Festival in 2024. Deadline: August 31. Entry fee: $27.

Omnidawn Publishing
Open Book Poetry Contest
A prize of $3,000, publication by Omnidawn Publishing, and 20 author copies is given annually for a poetry collection. Maw Shein Win will judge. Deadline: August 31. Entry fee: $35.

Talking Gourds
Fischer Prize
A prize of $1,000 is given annually for a single poem. The winner will also be invited to be a featured reader for a Bardic Trails online reading in 2024 and will receive a $100 honorarium for participating. Deborah Kay Kelly will judge. Deadline: August 30. Entry fee: $10.

Utica University
Eugene Paul Nassar Poetry Prize
A prize of $2,000 is given annually for a poetry collection published during the current year by a resident of upstate New York. The winner will also give a reading and teach a master class at Utica University in April 2024. Deadline: August 31. Entry fee: None.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

In his 1958 memoir, The House of Life, translated from the Italian by Angus Davidson, critic and scholar Mario Praz catalogues the objects found in the apartment in Rome where he resided for thirteen years. As an avid collector, Praz describes the furniture, pictures, and knickknacks he possesses, all of which have value in his eyes. Each object reveals more about his interior life as Praz connects them to the people he has met and loved. A rose embroidered on a sofa cover triggers the memory of his wife leaving him; he recalls wearing amber beads and an eyeglass when meeting renowned British designer William Morris’s daughter. Inspired by this unique work of literature, write a spatial autobiography of the objects in your home. Take your reader through a tour of your favorite things while weaving into your essay all the memories attached to them.

In his installment of our Ten Questions series, Jamel Brinkley talks about developing the characters of his short story collection Witness (Farrar, Straus and Giroux, 2023) who are faced with the ethics of being an observer or bystander in a changing New York City landscape. “The collection gathers characters who, in many cases, fail to perceive or fail to act,” he writes. “One challenge was to find ways around their perceptual limitations and deliver stories that were still vivid, sharp, true, and full of feeling.” This week write a story in which a character witnesses a conflict or accident. What does their ability, or inability, to act in the moment say about them?

“For $200: When inheritance begins // What is: in the womb / What is: decades before I announced my father dead / to me,” writes Taylor Byas in the poem “Jeopardy! (The Category Is Birthright),” which appears in her debut collection, I Done Clicked My Heels Three Times (Soft Skull Press, 2023). In this emotional poem, which follows the familiar format of the classic trivia game show referenced in the title, each stanza is framed with a dollar amount and clue in the form of an answer, followed by a list of potential responses in the form of questions. Try writing a poem that turns the format of your favorite game show into a poetic form. Whether you experiment with Wheel of Fortune, Pyramid, or Lingo, what limits of language can you reach when pushing your use of form?

As August rolls on, the last days of summer seem to move faster and faster. Late summer reminds us that the season is coming to an end and fall is just around the corner with shorter days and cooler temperatures. Poet and translator Jennifer Grotz summarizes it well in her poem “Late Summer,” as she writes: “Summer lingers, but it’s about ending. It’s about how things / redden and ripen and burst and come down.” What associations do you make with late summer? From taking a final dip in a lake to enjoying a late sunset during a picnic at the park, write an essay that meditates on a memorable late summer day. What is it about the interstice between seasons that is so evocative?

From lago in Shakespeare’s Othello to Darth Vader in the Star Wars franchise, some of literature and cinema’s most dynamic characters are villains. According to a 2020 research paper published in the journal Psychological Science, people may find fictional villains surprisingly likable because they identify with them. Fiction can act as a cognitive safety net, say researchers, allowing readers and viewers to compare themselves to a villainous character and engage with dark aspects of their personalities without questioning their morals. Who are some of your favorite villains? This week consider your dark side and write a story centered around a sympathetic antihero. Try to create a compelling backstory that connects and attracts readers to your character.

In Natasha Trethewey’s “Flounder,” which appears in her debut collection, Domestic Work (Graywolf Press, 2000), the speaker of the poem recalls a scene from her memories as a young girl fishing with her aunt. The aunt explains how to spot a flounder, “A flounder, she said, and you can tell / ’cause one of its sides is black. // The other side is white, she said.” The poem ends with a strong image that subtly casts an emotional parallel with the speaker seeing a connection between her mixed-race identity and the flounder: “I stood there watching that fish flip-flop, / switch sides with every jump,” writes Trethewey. Inspired by Trethewey’s precise use of an extended metaphor, write a poem in which you cast a parallel between an animal in the wild and yourself. What characteristics will you draw out?