Deadline Approaches for the Moth International Short Story Prize

Submissions are open for the Moth International Short Story Prize. Organized by the editors of the celebrated Irish literary magazine the Moth, the annual contest fetes its winner with publication in the Irish Times and a prize of €3,000 (approximately $3,217). Additional prizes of a weeklong retreat at Circle of Misse in Missé, France, with an open-ended travel stipend, and a prize of €1,000 (approximately $1,072) are also given. This year’s contest will be judged by Ottessa Moshfegh.

Submit a story of up to 3,000 words with a €15 (approximately $16) entry fee by June 30. Visit the website for the required entry form and complete guidelines.

Established in 2010 by Rebecca O’Connor and Will Govan, the Moth is a quarterly print literary magazine of poetry, fiction, and visual art, publishing established luminaries alongside emerging writers from around the world. Last fall, the editors announced that the Moth would cease publication in June 2023 as they moved on to new projects but that the journal’s several literary contests would continue, with increased monetary prizes for winners. Previous recipients of the short story prize include Owen Booth, Colin Crummey, and Caoilinn Hughes, who said of winning: “This seal of approval is superglue for the sanity!” Good luck, writers, and may any victories to come be similarly affirming—and as bolstering as the Moth has been to its community.

Image: The cover of the final issue of the Moth.

Best Friends Forever

National Best Friend Day is an unofficial holiday celebrated on June 8 in the United States and Canada. The holiday has no official designation nor any real origin; in fact, according to a 2015 Washington Post article, this hashtag holiday likely began with the website EarthCalendar.net, which takes submissions to catalog “lesser-known holidays.” National Best Friend Day eventually caught the eye of morning TV shows, flower delivery services, and even the American Kennel Club which helped bring it to the mainstream. In honor of this invented holiday, write an essay about the best friends who have come into your life. From your childhood recess buddy to your work bestie, try to communicate what makes each one distinctly special.

Survival Drama

In the television series Yellowjackets, members of a high school girls’ soccer team survive a plane crash in the remote Canadian wilderness and descend into savage clans to stay alive. The dark coming-of-age drama, which incorporates everything from romantic entanglements to cannibalism, brings to mind fictionalized and real-life survival stories such as William Golding’s novel Lord of the Flies and the 1972 Andes flight disaster. This week write a short story in which a group of people is forced to survive in a strange and wild place. What dramas arise when the limits of human endurance are tested?

Music and Memory

In January Gill O’Neil’s poem “What’s Love Got to Do With It,” published in the Fall 2022 issue of Rattle, the poet writes about watching the late Tina Turner sing her iconic song in a music video on MTV. “And when Tina sings I’ve been taking on / a new direction directly to the camera, / defiant, her lips glazed a tumultuous red, / she takes her hand and adjusts her / honey brown bangs out of her eyes,” writes O’Neil. This “sweeping gesture” makes a lasting impression on O’Neil as she connects the song’s message to her own experiences with love, recalling the struggles in her parents’ marriage and her own. Consider the lasting impact music has had on your life and title a poem with lyrics from your favorite song. Use these words as a jumping-off point to the memories that come with it.

Firecracker Awards Finalists Announced

Congratulations to the finalists of the ninth annual Firecracker Awards for Independently Published Literature from the Community of Literary Magazines and Presses (CLMP). The awards celebrate the best independently published books of fiction, creative nonfiction, and poetry as well as the best literary magazines in the categories of debut and general excellence. 

CLMP will announce the winners during a virtual awards ceremony on June 22 at 6:00 PM EST. Each winner in the books category will receive $1,000 to $2,000 for the press and $1,000 for the author or translator. The magazine winners will each receive $1,000. The publishers of winning books receive a free one-year membership to CLMP, and magazine winners receive a one-year CLMP member subscription to Submittable. All winners are included in a national publicity campaign. Good luck, everyone!

FICTION

Brother Alive by Zain Khalid
Grove Atlantic, July 2022

God’s Children Are Little Broken Things by Arinze Ifeakandu
A Public Space Books, June 2022

Stories of a Life by Nataliya Meshchaninova, translated by Fiona Bell
Deep Vellum, February 2022

Violets by Kyung-sook Shin, translated by Anton Hur
Feminist Press, April 2022

When I Sing, Mountains Dance by Irene Solà, translated by Mara Faye Lethem
Graywolf Press, March 2022

CREATIVE NONFICTION

Brown Neon by Raquel Gutiérrez
Coffee House Press, June 2022

Conversations with Birds by Priyanka Kumar
Milkweed Editions, November 2022

Imminent Domains: Reckoning with the Anthropocene by Alessandra Naccarato
Book*hug Press, October 2022

O by Tammy Nguyen
Ugly Duckling Presse, April 2022

Optic Subwoof by Douglas Kearney
Wave Books, November 2022

POETRY

Customs by Solmaz Sharif
Graywolf Press, March 2022

Look at This Blue by Allison Adelle Hedge Coke
Coffee House Press, March 2022

Maafa by Harmony Holiday
Fence Books, April 2022

The Rupture Tense by Jenny Xie
Graywolf Press, September 2022

Togetherness by Wo Chan
Nightboat Books, September 2022

MAGAZINES/BEST DEBUT

128 Lit

The Ampersand Review of Writing & Publishing

Lampblack

LIBER: A Feminist Review

Lines & Breaks

MAGAZINES/GENERAL EXCELLENCE

The Arkansas International

Ecotone

Ninth Letter

Orion

Oxford American
 

 

 

Animation

In “Once Upon a Dream,” the first essay in The Male Gazed: On Hunks, Heartthrobs, and What Pop Culture Taught Me About (Desiring) Men, published in May by Catapult, Manuel Betancourt recounts the complicated feelings and moments of self-reflection that he experienced as an impressionable eight-year-old watching Disney’s classic animated 1959 film Sleeping Beauty. More captivated at first by Princess Aurora and her woodland creatures, Betancourt examines how gazing at Prince Phillip’s “slim, alluring body” startled him. “This was the first of many instances in which the silvery images on-screen kindled a growing realization that maybe I wasn’t like other boys,” he writes. Can you remember watching an animated film or television show that startled you into a new realization about yourself? Write an essay that reflects on the ways in which a particular cartoon character struck a chord with you.

Experience

5.31.23

“The trouble with life (the novelist will feel) is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite,” writes the late Martin Amis in his memoir Experience (Hyperion, 2000) about seeing the parallels between real life and fiction, and making those connections in his writing. “The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it’s always the same beginning; and the same ending.” This week, inspired by Amis’s process, adapt dialogue from your own life into a short story. Compare what really happened with how you write it in fiction. Can you learn anything from life’s seemingly predictable patterns?

Remix

5.30.23

In Monica Youn’s essay “Generative Revision: Beyond the Zero-Sum Game,” published in the Spring 2023 issue of the Sewanee Review, the poet argues for a revision practice that offers “expansions, alternatives, subversions, and offspring that enrich the original work” rather than replacing or subtracting parts of a first draft. In this generative revision practice, a detail can be expanded in a different version or new poem altogether as Youn explains with two poems by C. D. Wright, “What No One Could Have Told Them” and “Detail from What No One Could Have Told Them.” Youn writes how in the latter poem Wright is “expanding the scope slightly, offering a bit more context, a glimpse of the setting.” Inspired by this technique, write a new poem that focuses on a single detail from an older poem of yours. How can you expand the scope?

Upcoming Contest Deadlines

If you’re not at the beach this Memorial Day, why not apply to some writing contests with a June 1 deadline? There is no entry fee for three generous awards: the Bard Fiction prize, which comes with $30,000 and a one-semester appointment as a writer-in-residence at Bard College; PEN America’s PEN/Heim Translation Fund Grants, which offer awards of up to $4,000 to support the translation of book-length works; PEN America’s PEN/Jean Stein Grants for Literary Oral History, which offer awards of $15,000 to two nonfiction works-in-progress that “use oral history to illuminate an event, individual, place, or movement.” All other contests offer a cash award of $1,000 or more and publication. Good luck, writers!

American Short Fiction
Halifax Ranch Fiction Prize

A prize of $2,500 and publication in American Short Fiction is given annually for a short story. The winner also receives a weeklong, all-expenses-paid writing retreat at the Tasajillo Residency in Kyle, Texas. Entry fee: $20.

Bard College
Bard Fiction Prize

A prize of $30,000 and a one-semester appointment as writer-in-residence at Bard College is given annually to a U.S. fiction writer under the age of 40. The recipient must give at least one public lecture and meet informally with students but is not expected to teach traditional courses. Entry fee: None.

Boulevard
Emerging Poets Contest

A prize of $1,000 and publication in Boulevard is given annually for a group of poems by a poet who has not published a poetry collection with a nationally distributed press. The editors will judge. Entry fee: $18.

PEN America
PEN/Heim Translation Fund Grants

Ten grants between $3,000 and $4,000 each are given annually to support the translation of book-length works of poetry, fiction, and creative nonfiction that have not previously appeared in English or have appeared only in an “outdated or otherwise flawed translation.” An additional $5,000 grant, the PEN Grant for the English Translation of Italian Literature, is given to support the translation of a book of fiction or nonfiction from Italian into English. Manuscripts with up to two translators are eligible. Entry fee: None.

PEN America
PEN/Jean Stein Grants for Literary Oral History

Two grants of $15,000 are given annually for nonfiction works-in-progress that “use oral history to illuminate an event, individual, place, or movement.” Entry fee: None.

Salamander
Fiction Prize

A prize of $1,000 and publication in Salamander is given annually for a short story. Kirstin Valdez Quade will judge. Entry fee: $15

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

Tall Tales

5.25.23

When travelers arrive at the Denver International Airport, they are greeted by a thirty-two-foot-tall sculpture of an electric blue steed with neon eyes and pulsing veins, locally known as Bluecifer. For over ten years, the notorious sculpture has sparked rumors and tall tales about the airport, including that a humanoid reptilian race lives under the facility and hundreds of miles of tunnels beneath the airport lead to subterranean survival bunkers. This week, write an essay about a sculpture or a place that has inspired tall tales. Do you believe any of the stories?

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