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Write an essay about your relationship to food. Consider the following questions: Do you see food as merely sustenance or as emotional comfort? What is your favorite meal and why? Were you a picky eater as a kid? Which foods do you detest and why?
Last night at the National Book Foundation gala in New York City, novelist Louise Erdrich was named the recipient of the 2012 National Book Award in fiction. Erdrich, whose latest novel is The Round House (Harper, 2012), will receive $10,000.
This is the first National Book Award for Erdrich, 58, who over the past thirty years has authored fourteen novels and a short story collection, three books of nonfiction, and three poetry collections. The Round House, the second installment in a trilogy, follows an Ojibwe boy as he seeks to avenge his mother's rape. Erdrich, who is part Ojibwe, dedicated her award last night to "the grace and endurance of native people."
"This is a book about a huge case of injustice ongoing on reservations," she added. "Thank you for giving it a wider audience."
In nonfiction, Katherine Boo took the prize for her debut, Beyond the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity (Random House, 2012). David Ferry, whose latest collection is Bewilderment: New Poems and Translations (University of Chicago Press, 2012), won the award in poetry. William Alexander won in the young people’s literature category for his young adult novel Goblin Secrets (Margaret K. McElderry, 2012). Each winner receives $10,000.
The awards were given amid recent discussions among publishers and the National Book Foundation that the annual award—one of the most prestigious literary prizes in the United States, second perhaps only to the Pulitzer—had become too insular, and was in need of expanding its image and scope. Finalists in fiction included such names as Dave Eggers and Junot Diaz; the finalists in nonfiction included Robert Caro's Lyndon Johnson series and the late Anthony Shadid's lauded memoir House of Stone (Houghton Mifflin Harcourt, 2012). Honorary prizes were also given to author Elmore Leonard and longtime New York Times publisher and chairman Arthur O. Sulzberger Jr.
Established in 1950, the National Book Awards are given annually for works of poetry, fiction, and nonfiction published in the previous year. For more information, visit the National Book Foundation website.
Write a scene for a story in which one character finds an intimate inscription in his or her partner's book. Who is it from? What does it mean? When was it written? And how does the first character find out the answers to these questions?
On November 13, 1797, poets William Wordsworth and Samuel Taylor Coleridge took a walk together in The Quantock Hills in Somerset, England, and came up with the idea of writing what would become Coleridge's famous poem "The Rime of the Ancient Mariner." In honor of this anniversary, find time for a thirty-minute walk today, ideally in a natural setting. Afterward, freewrite for ten minutes, then use those notes to compose a poem.
Write an essay about the five things that scare you the most. Structure it with numbered section headings that include each thing, such as 1. Fire, 2. Death, 3. Failure, etc.
In his essay “Don’t Look Back” (Poets & Writers Magazine, November/December 2012), fiction writer Benjamin Percy argues against including backstory when writing short stories. “It’s almost always unnecessary," Percy writes. "A reader intuits the history of a character by observing that character act in the present.” Choose a story you’ve written and delete all of the backstory that you’ve included. Then revise it by describing the main character and having that description convey the backstory instead.
Select one of your poems that needs revision and transform it into a physical object, such as an imaginary map, a collage, a drawing, or a shadow box (for inspiration, check out Joseph Cornell’s shadow boxes).
Due to the recent effects of Hurricane Sandy, Ohio University Press has extended the deadline for the Hollis Summers Poetry Prize to November 15. The annual competition, which awards a $1,000 cash prize and publication by Ohio University Press, is given for a poetry collection.
Poets may submit previously unpublished manuscripts of sixty to ninety-five pages, along with a $25 entry fee, to Ohio University Press, 19 Circle Drive, The Ridges, Athens, Ohio 45701. The competition is open to poets who have published a full-length collection and those who have not. For more information and complete submission guidelines, visit the Ohio University Press website.
The annual prize is named for the poet Hollis Summers, who taught at Ohio University for many years and frequently wrote about the city of Athens in his poems.
Poet Nick Norwood won last year’s prize for his third full-length collection, Gravel & Hawk, published this past April by Ohio University Press. In the podcast below from the PBS NewsHour program “Art Beat,” hear Nick read the poem “A.M.” from his winning collection.
Bard College has announced that author Brian Conn will be the recipient of the 2013 Bard Fiction Prize. Conn will receive a $30,000 cash award and a residency at Bard College during the spring 2013 semester. Conn received the prize for his debut book, The Fixed Stars, an experimental science fiction novel published by Fiction Collective 2 in 2010. As a writer-in-residence at Bard, located in Annandale-on-Hudson, New York, Conn will meet with students, give public readings, and continue to write.
“What won the respect of the Bard Fiction Prize judges was the remarkable way the weird, perplexing bleakness of the imagined society is firmly held in place by a narrative style at once bewildered and lucid—it has the air of a kind of deadpan tragedy, of the sort Kafka scared us with, and made us yearn for more," wrote the Bard Fiction Prize committee in a statement. “The Bard Fiction Prize has been anxious to celebrate innovation in the novel—and in Conn’s The Fixed Stars we found a perfect match of inventive fable with disquietingly radical storytelling. The prose sparkles with unique images, and the narrative itself is wonderful, at times wondrous even, and a highly original formal work, full of life.”
Conn’s fiction has appeared in both genre magazines and literary magazines, and The Fixed Stars was named one of Amazon’s ten best science fiction and fantasy books of 2010. In 2008, Conn cofounded the fiction journal Birkensnake at Brown University.
Established in 2001, the Bard Fiction Prize is given annually to an emerging writer under the age of forty for a work of innovative fiction. Last year Benjamin Hale received the prize for his novel The Evolution of Bruno Littlemore (Twelve, 2011). The deadline for the 2014 prize is July 15, 2013. Visit the Bard website for guidelines.
Poet and cultural geographer Eric Magrane writes about his recent P&W-supported reading in Tucson for the POG: Poetry in Action reading series. POG also announced the Tumamoc Hill Writing project at this event, which will gather Tucson writers to explore Tumamoc Hill, a long term ecological research site and a natural and cultural treasure in the heart of Tucson. You can see Magrane’s interview with Paul Mirocha, artist in residence at Tumamoc and his co-presenter at this event, on Magrane’s Proximities blog on art, science, and environment, which he writes for the University of Arizona’s Institute of the Environment. Find Magrane’s Various Instructions for the Practice of Poetic Field Research here.
What happens when we engage the spaces between poetry and science, between art and geography, between place and philosophy? What happens when all those categories get mixed up? I’d call the new arrangements that emerge a hybrid poetic geography, in which different fields of thought and knowledge collapse into each other.
A recent reading that I gave for the experimental poetics series POG: Poetry in Action revolved around these questions. As part of my reading, I surveyed the audience. While I read sections of my poem Symbiosis-Nothing Separate-Lyric Earth, I asked the audience to respond to a survey that I designed for the event. I’d like to share a few of the questions and responses: What is the difference between poetry and science?
live wine // I have no idea. // poetry doesn’t prove? // one looks from the inside and the other looks from the outside // nothing // the beat // the observer // use of words to describe the process // prediction // science <--- language ---> poetry // weather // Lichen = algae + fungus; Lichen = poetry + science // everything but “E” // tools
I culled these responses above completely on my own whim. In other words, the results are not generalizable and are completely subjective. (Subjectivity is another question, and exploring where subject-object duality breaks down is crucial to explorations of poetry and science. Poetry, I believe, can be a method to rigorously collapse subject and object in a way that’s different from the rigor of science.)
The following quantitatively details the responses to a single question from all thirty-seven completed surveys. (Responses that occurred twice are coded with a 2 x.)
What is the first nonhuman species that comes to mind?
Bird (redbird) // 2 x Snake // 2 x Amoeba // Roses // 2 x Aardvark // Rocks // Bear // 2 x Birds // Stool // Cat // Sea anemone // 2 x Cats // Cypress tree // Robots // Worm // Lemur // Porcupine // Stone people // Crow // Pig // Man and Woman // Palo verde // Rabbit // Nematodes // Liquidamber // Feline // Lizard // Half the people I see on the street // Scissor-tailed flycatcher // Lizards – but I had a gecko // Mesquite // Birds, Dogs a close second
I was very surprised that two people responded both for amoebas and aardvarks! I was struck also by the number of responses that stepped outside of a traditional definition of species to include other matter (Rocks, Stool, Robots, Stone people, Liquidamber). I attribute this to the creative audience and to the embedded vibrant materiality of poetry.
Photo: Eric Magrane reads with Lyric Earth. Credit: Samuel Ace.
Support for Readings/Workshops events in Tucson is provided by an endowment established with generous contributions from the Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.
