“Start with loss. Lose everything. Then lose it all again,” writes John Murillo in his poem “Variations on a Theme by Elizabeth Bishop,” which appears in his collection Kontemporary Amerikan Poetry (Four Way Books, 2020), in which he directly quotes from and expands upon Elizabeth Bishop’s poem “One Art.” Using his own perspective, Murillo explores the theme of loss and uses intimate life details to make each event feel distinct, sometimes measuring one against the other as Bishop does in her poem. He writes: “Measure a father’s coffin against a cousin’s / crashing T-cells. Kiss your sister through prison glass.” This week, write a poem that directly responds to a favorite poem of yours. Try writing a variation of a line or directly quoting from the poem to get started.

There is still time to submit to Diode Editions’ poetry book contest! Offered annually for a full-length manuscript, the competition awards the winner with a prize of $1,500, publication by Diode Editions, and 20 author copies of the published collection. The winner will also have select poems from their book published in Diode Poetry Journal.

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To submit, e-mail a manuscript of 55 to 100 pages to Diode Editions with a receipt of payment of the $20 reading fee by September 30. Hybrid works, prose poetry, translations, and collaborative works are eligible. Visit the website for complete guidelines.

An independent press based in Doha, Qatar, and Richmond, Virginia, Diode Editions was founded by editor in chief Patty Paine in 2012 as an extension of Diode Poetry Journal. The press publishes full-length poetry collections, chapbooks, and poetry-related nonfiction works. Diode’s mission is “to beautifully craft our books, and to fanatically support our authors.”

In the anthology Nonwhite and Woman: 131 Micro Essays on Being in the World (Woodhall Press, 2022) edited by Darien Hsu Gee and Carla Crujido, which is featured in the September/October issue of Poets & Writers Magazine, writers express the many facets of being a woman of color in poems and essays, all of which are three hundred words or less. The pieces navigate topics ranging from immigration, colorism, and financial struggles to family, food, and friendship. Inspired by these themes, write a micro essay that illustrates how your identity affects the way you move in the world. What creative approaches will you use to compress your thoughts into three hundred words or less?

In a recent thread on Twitter, author Rebecca Makkai begins a discussion on words that make prose awkward in fiction, starting with the use of “as” in a sentence such as: “‘Hey there,’ I said as I got up as I turned on the lights.’” Other awkward words Makkai lists include “temporal hinge words” like “after” and “while,” the overuse of “that” in a sentence, and the use of gerunds, especially as dialogue modifiers. The last tip Makkai offers is a useful one: “I promise you, if you control + F through your work just on the words ‘as’ and ‘that’ and take out 90% of them, you’ll be so happy.” Try using this advice to revise a draft of a short story you’re working on. Remove some of the narrative devices listed in Makkai’s tweets and see how the rhythm of your story’s language changes.

“Up late scrolling / for distraction, love, hope, / I discovered skew dice. // In the promotional video / you see only a mathematician’s hands, / like the hands of god,” writes Catherine Barnett in “2020,” a poem published in the Academy of American Poets’ Poem-a-Day series. As a way of illustrating the loneliness felt during the early days of the pandemic, the poem focuses on the central image of skew dice, a set of irregularly shaped dice that are mirror images of each other. Write a poem that revolves around one central object. Try to be detailed about its uses and origins. Let the poem guide what the image of this object represents for you.

In this week’s installment of our Craft Capsules series, Nuar Alsadir taps into her experience as a psychoanalyst and psychotherapist, arguing that “the most direct way for others to connect with your writing is by connecting with the emotion you feel in relation to the work.” Alsadir shares a lesson she learned while attending clown school as research for her book Animal Joy: A Book of Laughter and Resuscitation (Graywolf Press, 2022). As a woman on stage described her love of eating chicken feet, the class laughed “because we could sense the enjoyment she felt as she imaginatively enacted the process on stage.” This week, write an essay in which you describe an activity that truly gives you pleasure. Allow the genuine emotion you experience to guide the language of the essay.

In an essay published in our September/October 2022 issue, Valeria Luiselli writes about her selection process as guest editor of The Best Short Stories 2022: The O. Henry Prize Winners, the latest installment of the anthology series. Luiselli speaks about the significance of the prize changing the “American author” rule to accepting all English-language writers appearing in North American publications regardless of citizenship, as well as work in translation, and how this opens up “the unknowable, the unpredictable, and the strange” within these short stories. She writes: “That is precisely what good stories feel like: Within the setting of complete familiarity, the flowering of the extraneous.” Inspired by this description, write a short story that follows an unpredictable path. Try, as Luiselli describes, to draw out extraneous outcomes from familiar circumstances.

In a world run by technology, now more than ever, it can be rewarding to unplug, go outside, and look to the natural scenery around you. In Louise Glück’s poem “Sunrise,” the narrator reflects on the still, beautiful landscape in the hills and the ways in which nature is always there, persisting, even through life’s ups and downs. “And if you missed a day, there was always the next, / and if you missed a year, it didn’t matter, / the hills weren’t going anywhere, / the thyme and rosemary kept coming back, / the sun kept rising, the bushes kept bearing fruit,” writes Glück. Write a poem inspired by the beauty and perpetuity of the natural world that surrounds you. Think about the simplicity of a blade of grass or a flower petal, and how every detail is a life of its own.