The Student Life

8.18.22

For many the end of summer brings forth memories of transition, as a new school year is set to begin. Every year, especially during the formative time of late childhood through adolescence, students return from their summer vacations changed, having used the freedom of the time away to explore changing friendships, interests, and core beliefs. What recollections do you have of the end of summer and the beginning of the school year? Catalogue as many back-to-school memories as possible, from kindergarten through high school, perhaps using old photographs to guide you. What patterns and transformations do you come across? Using this list as a structure, write an essay charting this time in your life.

Harvest Moon

8.17.22

The beginning of the fall season is marked in late September by the autumnal equinox, which signals the shortening of days and lengthening of nights, and by the harvest moon. Although dependence on the moon has waned in modern society, farmers once looked to the bright, early moonlight to help harvest their summer crops. In many East Asian and Southeast Asian countries, including Cambodia, China, Japan, Korea, and Vietnam, the harvest moon is still honored through annual celebrations that include moon gazing, eating moon-shaped desserts, and lighting lanterns. Inspired by this rich history, write a story in which a protagonist relies on the harvest moon. How will you build the stakes for a story that depends on a lunar phenomenon?

Language Accrual

8.16.22

In Jenny Xie’s poem “Memory Soldier,” which appears in her second collection, The Rupture Tense (Graywolf Press, 2022), the poet chronicles the life of Li Zhensheng, a photojournalist who documented the Chinese Cultural Revolution of the 1960s and 1970s. In the eight-page poem, Xie weaves back and forth from biographical information to spare descriptions of Zhensheng’s stark photographs, creating a rich reading experience that honors the life and work of the unflinching artist. “Li’s camera can capture distance in a face,” writes Xie. “It can materialize a person’s doubt, so transparent is his lens.” Write a poem in sections that considers the life and impact of an artist you admire. Whether through an essayistic prose form or lineated stanzas, how does the technique of accruing language inform your understanding of the chosen subject?

Upcoming Contest Deadlines

Savor the last weeks of summer by submitting to contests with a deadline of August 31 or September 1! These competitions include opportunities for poets over the age of 60 and translators of poetry or prose from a Nordic language into English. Awards include $10,000 for a short story collection or novel as well as a six-week residency in Umbria, Italy. All contests offer a cash prize of $1,000 or more and two are free to enter. Best of luck, writers!

Academy for Teachers
Stories Out of School Flash Fiction Contest

A prize of $1,000 and publication in A Public Space will be given annually for a work of flash fiction about teachers and school, in which the protagonist or narrator is a K–12 teacher. Daniel Handler will judge. Deadline: September 1. Entry fee: none.

Academy of American Poets
First Book Award

A prize of $5,000, publication by Graywolf Press, and a six-week residency at the Civitella Ranieri Center in Umbria, Italy, is given annually for a poetry collection by a poet who has not published a book of poems in a standard edition. The winning book will also be distributed to over 5,000 members of the Academy of American Poets. Eduardo C. Corral will judge. Deadline: September 1. Entry fee: $35.

American-Scandinavian Foundation
Translation Awards

A prize of $2,500 and publication of an excerpt in Scandinavian Review is given annually for an English translation of a work of poetry, fiction, or creative nonfiction written in a Nordic language (Danish, Faroese, Finnish, Greenlandic, Icelandic, Norwegian, Sami, or Swedish). A prize of $2,000 and publication is also awarded to a translator whose literary translations from a Nordic language have not previously been published. Translations of works by 20th- and 21st-century Nordic authors that have not been published in English are eligible. Deadline: September 1. Entry fee: none. 

Black Lawrence Press
St. Lawrence Book Award

A prize of $1,000 and publication by Black Lawrence Press is given annually for a debut collection of poems, short stories, or essays. The editors will judge. Deadline: August 31. Entry fee: $27.

Grid Books
Off the Grid Poetry Prize

A prize of $1,000 and publication by Grid Books is given annually for a poetry collection by a writer over the age of 60. Garrett Hongo will judge. Deadline: August 31. Entry fee: $25.

Gulf Coast
Prize in Translation

A prize of $1,000 and publication in Gulf Coast is given in alternating years for a group of poems or a prose excerpt translated from any language into English. The 2022 prize will be given for poetry. Daniel Borzutzky will judge. Deadline: August 31. Entry fee: $20, which includes a subscription to Gulf Coast, or $10, which includes a half-year subscription.

Munster Literature Centre
Fool for Poetry International Chapbook Competition

A prize of €1,000 (approximately $1,089) and publication by the Munster Literature Centre is given annually for a poetry chapbook. The winner will also receive accommodations to give a reading at the Cork International Poetry Festival in 2023. All entries are considered for publication. Deadline: August 31. Entry fee: €25 (approximately $27).

Talking Gourds
Fischer Prize

A prize of $1,000 is given annually for a single poem. The winner will also be featured in a Bardic Trails online reading in 2023 and will receive a $100 honorarium for participating. Anna Scotti will judge. Deadline: August 31. Entry fee: $10 ($25 for three poems).

University of New Orleans Press
Lab Prize

A prize of $10,000 and publication by University of New Orleans Press is given annually for a short story collection or novel. Deadline: August 31. Entry fee: $28.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

A Confessional

8.11.22

“The confessional booth felt like every other confessional booth I’d ever been in. The wood of the bench was so dark and uniformly grained that it looked fake, and the once-plush cushion atop it was now dingy and flat,” writes Isaac Fitzgerald in his memoir, Dirtbag, Massachusetts: A Confessional (Bloomsbury, 2022), in which he recounts the experience of confessing his sins to a priest when he was twelve at a church in Boston. In the passage, Fitzgerald both describes the physicality of the experience—the breath of the priest filling the confessional, hearing his disembodied voice—and maintains the intimacy of the first-person perspective, making the memory itself read like a confession. This week write a personal essay in the form of a confession. Does writing in this perspective change your narrative voice?

Summer Snapshots

8.10.22

In an article for the New York Times for Kids special section for July, Josh Ocampo interviews sixty-eight kids over the course of three summer days on Coney Island in Brooklyn. The iconic neighborhood is best known for its festive boardwalk along the beach, annual hot dog eating contest, and amusement parks, home of the Wonder Wheel and the Cyclone roller coaster. The article features quirky, silly, and sometimes serious responses to what they’ve experienced at the classic New York spot, such as taking their dog on the Ferris wheel, wearing a hat instead of sunscreen on their face, and how seagulls steal their hot dogs. Consider writing a story from the point of view of a kid spending the summer at a popular amusement park or beach boardwalk. What fleeting dramas take place during this hot and vigorous season?

Autotomy

“When in danger the sea-cucumber divides itself in two: / one self it surrenders for devouring by the world, / with the second it makes good its escape,” writes Wisława Szymborska in “Autotomy,” which appears in her collection Map: Collected and Last Poems (Houghton Mifflin Harcourt, 2015), translated from the Polish by Clare Cavanagh and Stanisław Barańczak. In the poem, Szymborska reflects on the creature’s process of autotomy, casting off a part of the body while under threat, through the lens of survival and mortality. She writes: “It splits violently into perdition and salvation, / into fine and reward, into what was and what will be.” Write a poem inspired by an animal’s unique behavior, perhaps the molting of a snake or the colorful courtship habits of a bowerbird. What does this behavior symbolize for you?

Submissions Open for the Masters Review Short Story Award for New Writers

The Masters Review is still accepting submissions for the Short Story Award for New Writers! Offered twice yearly for a short work of fiction by an emerging writer, the winner of this summer’s contest will receive a prize of $3,000 and publication in the Masters Review. In addition, the winning story will be sent to agents Victoria Cappello (Bent Agency), Sarah Fuentes (Fletcher & Company), Andrea Morrison (Writers House), Heather Schroder (Compass Talent), and Nat Sobel (Sobel Weber Associates) for review. Writers who have not published a book or who have published a book with a circulation of less than 5,000 are eligible to apply. All stories will be considered for publication.

Using only the online submission system, submit a short story of up to 6,000 words with a $20 entry fee by August 28. Chelsea Bieker, novelist and author of the short story collection Heartbroke, will judge. Visit the website for complete guidelines.

The mission of the Masters Review is to champion emerging writers, and they encourage all who apply to their Short Story Award to “dazzle us, take chances, and be bold.” Though the review focuses on literary fiction, there is no stylistic or topical preference for stories submitted. Writers will receive a response to their submissions by the end of November and the winner will be announced by the end of December. Past winners have received agency representation from Sarah Fuentes (Fletcher Company) and Victoria Marini (Irene Goodman Literary Agency), and one even went on to publish their short story collection with Grove Atlantic.   The mission of the Masters Review is to champion emerging writers, and they encourage all who apply to their Short Story Award to “dazzle us, take chances, and be bold.” Though the review focuses on literary fiction, there is no stylistic or topical preference for stories submitted. Writers will receive a response to their submissions by the end of November and the winner will be announced by the end of December. Past winners have received agency representation from Sarah Fuentes (Fletcher & Company) and Victoria Marini (Irene Goodman Literary Agency), and one even went on to publish their short story collection with Grove Atlantic.   

Ancient Trees

In an article for Atlas Obscura, Eden Arielle Gordon writes about the work of dendrochronologists dating the oldest tree in the world. Jonathan Barichivich is a Chilean scientist and grandson of a park ranger who discovered the Alerce Milenario, a Patagonian cypress in Chile’s Alerce Costero National Park. Barichivich’s careful calculations estimate the Alerce Milenario to be 5,474 years old, which would mean the cypress lived through several of the world’s most transformative events, including the development of writing, clocks, and the hydrogen bomb. Write a personal essay inspired by the discovery of this ancient tree. What would it mean to be over 5,000 years old? How would you reflect on the ways the world has changed?

Particulars

In an essay excerpt published on Literary Hub, which appears in Wonderlands: Essays on the Life of Literature (Graywolf Press, 2022), Charles Baxter writes about an exercise he would assign to his students in which they are asked to compile ten facts about one of their characters, encouraging them to consider “particularized details.” He writes: “For example, you can say, ‘She likes chocolate,’ but almost everybody likes chocolate. It’s better to say, ‘The only chocolate she will eat is imported from Mozambique.’” Try out this exercise and compile ten things you know about a new, invented character. Then, write a short story with this character at the core. How do these details inform the personality and actions of your protagonist?

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