Nine to Five

In a reading list published on Electric Literature, Elizabeth Gonzalez James, author of Mona at Sea (Santa Fe Writers Project, 2021), recommends stories about struggling under capitalism, such as Temporary by Hilary Leichter, The Fallback Plan by Leigh Stein, and And Then I Got Fired: One Transqueer’s Reflections on Grief, Unemployment & Inappropriate Jokes About Death by J Mase III. In introducing these books, Gonzalez James writes that “unemployment doesn’t actually make for great fiction” and that she is all the more impressed when writers express the experience well. Write an essay in which you discuss a time you struggled with employment. Peruse the list for ideas on how to do this in fresh and surprising ways.

How Houston Leads the Way: A Finale

Hey gente, happy summer! This will be my last post on this blog as the literary outreach coordinator in Houston. It’s been a pleasure sharing news and highlights over the last two years, and calling attention to all the ways that Houston is a major literary city. Things are always happening in the Bayou City and here are a few more folks and events to mention.

All the Books
I wanted to take a moment to talk about some Houstonians who have books coming out in the near future. Ayokunle Falomo’s collection AFRICANAMERICAN’T and Tamara Al-Qaisi-Coleman’s collection The Raven, the Bayou and the Willow will be published by FlowerSong Press, due out sometime in 2022. J. Estanislao Lopez’s debut collection, We Borrowed Gentleness, is forthcoming from Alice James Books in October 2022, and lastly (and as a way to welcome a new Houstonian to her new town) I’m happy to share that Ariana Brown’s debut collection, We Are Owed, will be released from Grieveland Press in July.

More Reading
Shout-out to powerhouse essayist Icess Fernandez Rojas as she interrogates and speaks truth to power about the lack of Black representation in Latinx Hollywood and offers an analysis of the new film, In the Heights, in her essay “When They Forget About Us… Again” published in Sofrito For Your Soul.

Live Events
I am excited to see all the things Houston has to offer as readings are starting to come back in front of live audiences. Last Saturday, Write About Now held their first live event since the pandemic called “Mics + Murals,” a collaborative reading with live painting and music copresented by the Station Museum of Contemporary Art.

One foot in front of the other and let’s walk together to see where the words take us.

Write About Now Mics + Murals event at the Station Museum of Contemporary Art in Houston.
 
Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Occupy

6.30.21

In an article for Literary Hub, Angela Rose Brussel documents the protests of the summer of 2020, among which included protesters gathering and camping out for a month in front of City Hall in New York City in an effort to change the city’s budget. She describes how the demonstrations slowly became less about complaints, and more about celebration: “The summer of 2020 was a fusion of the two, making manifest not only the direct politics of rage, but of joy.” This week, inspired by the article and its photographs, write a story in which protests take place and infuse not only rage, but hope and joy into your characters.

Routine Things

6.29.21

Pulitzer Prize–winning poet Stephen Dunn died on his eighty-second birthday on June 24. Over the weekend many fans and readers shared memories and favorite poems on social media, collectively mourning the loss of this major literary figure. One such poem of Dunn’s is “The Routine Things Around the House,” which tackles the difficult subject of grieving a mother through a memory of when he was twelve and asked his mother if he could see her breasts. “She took me into her room / without embarrassment or coyness / and I stared at them, / afraid to ask for more,” writes Dunn. “This poem / is dedicated to where / we stopped, to the incompleteness / that was sufficient.” This week, write an elegy that focuses on a memory that would be considered uncommon or surprising. See where it takes you.

Upcoming Contest Deadlines

The final contests of the month of June feature a wealth of opportunities for poets and fiction writers to win book or chapbook publication. Other awards include a position as a writer-in-residence at Bard College and a retreat in Missé, France. All of these contests offer a prize of $1,000 or more and have a deadline of June 30. Good luck, writers!

Bard College Fiction Prize—A prize of $30,000 and a one-semester appointment as writer-in-residence at Bard College is given annually to a U.S. fiction writer under the age of 40. The recipient must give at least one public lecture and meet informally with students but is not expected to teach traditional courses. Entry fee: none.

Barrow Street Press Book Prize—A prize of $1,500 and publication by Barrow Street Press is given annually for a poetry collection. A. Van Jordan will judge. Entry fee: $25 ($28 for electronic submissions).

Bauhan Publishing May Sarton New Hampshire Poetry Prize—A prize of $1,000, publication by Bauhan Publishing, and 50 author copies is given annually for a poetry collection. Meg Kearney will judge. Entry fee: $30.

Cider Press Review Editors’ Prize Book Award—A prize of $1,000, publication by Cider Press Review, and 25 author copies is given annually for a poetry collection. The editors will judge. Entry fee: $26.

Finishing Line Press New Women’s Voices Chapbook Competition—A prize of $1,500 and publication by Finishing Line Press is given annually for a poetry chapbook by a writer who identifies as a woman and has not yet published a full-length collection. Leah Huete de Maines will judge. Entry fee: $15. 

Griffin Trust for Excellence in Poetry Griffin Poetry Prize—Two prizes of CAD $65,000 (approximately $51,078) each are given annually for poetry collections by a Canadian poet or translator and by an international poet or translator published during the previous year. Finalists receive CAD $10,000 (approximately $7,860) each for their participation in the shortlisted authors event to be held in Toronto. Ilya Kaminsky, Aleš Šteger, and Souvankham Thammavongsa will judge. Publishers make all submissions for the contest. The deadline for books published between January 1 and June 30 is June 30. The deadline for books published during the second half of the year is December 31. Entry fee: none.

Hidden River Arts William Van Wert Memorial Fiction Award—A prize of $1,000 is given annually for a short story or a novel excerpt. Entry fee: $17.

Lascaux Review Prize in Flash Fiction—A prize of $1,000 and publication in Lascaux Review online and in print is given annually for a work of flash fiction. Previously published stories are eligible. Entry fee: $15.

Los Angeles Review Literary Awards—Four prizes of $1,000 each and publication in Los Angeles Review are given annually for a poem, a short story, a short short story, and an essay. Francesca Bell will judge in poetry, Reema Rajbanshi will judge in fiction, Lara Ehrlich will judge in flash fiction, and Beth Gilstrap will judge in creative nonfiction. Entry fee: $20.

The Moth International Short Story Prize—A prize of €3,000 (approximately $3,623) is given annually for a short story. A prize of a weeklong retreat at Circle of Missé in Missé, France, with a €250 (approximately $301) travel stipend, and a prize of €1,000 (approximately $1,208) are also given. Entry fee: €15 (approximately $18). 

New American Press Fiction Prize—A prize of $1,500, publication by New American Press, and 25 author copies is given annually for a book of fiction. Kristen Arnett will judge. Entry fee: $25.

Nowhere Magazine Travel Writing Contest—A prize of $1,000 and publication in Nowhere Magazine is given twice yearly for a poem, a short story, or an essay that “possesses a powerful sense of people, place, and time.” Unpublished and published pieces that have not previously been chosen as a contest winner are eligible. Porter Fox will judge. Entry fee: $20.

Omnidawn Publishing Poetry Chapbook Prize—A prize of $1,000, publication by Omnidawn Publishing, and 100 author copies is given annually for a poetry chapbook. Rae Armantrout will judge. Entry fee: $18. 


Twyckenham Notes Joe Bolton Poetry Award—A prize of $1,000 and publication in Twyckenham Notes will be given annually for a poem or group of poems. The editors will judge. Entry fee: $20.

University of North Texas Press Katherine Anne Porter Prize—A prize of $1,000 and publication by University of North Texas Press is given annually for a collection of short fiction. Entry fee: $25.

University of Pittsburgh Press Drue Heinz Literature Prize—A prize of $15,000 and publication by University of Pittsburgh Press is given annually for a collection of short fiction. Writers who have published at least one previous book of fiction or a minimum of three short stories or novellas in nationally distributed magazines or literary journals are eligible. Entry fee: none.

Winning Writers North Street Book Prize—A grand prize of $5,000 and seven additional prizes of $1,000 each given annually for self-published books of poetry, fiction, genre fiction, creative nonfiction, children’s literature, graphic narrative, and art books. The winners will each also receive publication of an excerpt on the Winning Writers website; a marketing consultation with author and publishing consultant Carolyn Howard-Johnson; $300 in credit at BookBaby, a distributor for self-published authors; and free advertising in the Winning Writers e-mail newsletter. Ellen LaFleche and Jendi Reiter will judge. Entry fee: $65.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

My Library

6.24.21

In an article published by the Millions, Louisa Ermelino, editor-at-large at Publishers Weekly, writes about Anthony Doerr’s highly anticipated forthcoming novel, Cloud Cuckoo Land (Scribner, 2021). Doerr says that the book is “a love letter to libraries and books” dedicated to librarians, and that through the novel, he wanted to dramatize the power of books. “Each character falls in love with this text as it moves through history, and each becomes a steward for the text,” he says. Write an essay about your relationship with a particular library and how it made an impact on you as a writer and reader.

Two-Year Reflection: Detroit

It’s impossible to sum up everything that has blossomed since taking on the role of literary outreach coordinator (LOC) in Detroit in April of 2019. Onboarding at the offices of Poets & Writers in New York City seems like a distant point along an intricate timeline layered with colorful stories and discoveries. In this role, I have seen the literary community of Detroit grow and transform with support from the United States of Writing initiative. One huge highlight was the Project Grants for BIPOC Writers. These grants have opened a world of opportunity for local writers to engage with communities, whether in-person or virtually, through writing workshops, readings, and discussions.

Another highlight: The Detroit Writers Circle workshops that acted as informational and inspirational spaces, allowing me to put my own facilitation skills on the forefront. These activities paired with visits to many venues and organizers have made this an experience that I will be drawing from for years to come. There are also spaces like Room Project and Detroit Writing Room that helped enhance our efforts to connect with writers, and the countless individual artists and writers I have met and gotten to know better along the way.

As we end this season of exploration and growth, my LOC work will be taking a planned hiatus. How has it been two-plus years already? How were we able to grow even in a pandemic? How did we remain focused in the midst of police brutality and political unrest? It’s because our focus is the community. We couldn’t have done any of this without you.

I keep asking myself what was the best part of it all? What really recharged me were the interviews with writers that were included in this blog. The opportunity to lift up the amazing literary talent coming out of Detroit is something that is close to my heart, and I appreciate the opportunity to have done so through this blog. There are a wealth of writers who I still haven’t had the chance to connect with, and that makes me even more excited: to know there is still more work to be done and more talent to lift up. I’ve enjoyed my time as literary outreach coordinator and thank all of you!

If you’d like to find out more about mini-grants for writers, read more about the Readings & Workshops program and their guidelines.

Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

The Loneliest Number

6.23.21

“My first book was a memoir, so I wanted to write my second book about something outside myself completely—something universal. What was more universal than loneliness?” writes Kristen Radtke in “The Loneliness Project: My Journey Through American Loneliness,” an essay featured in the July/August issue of Poets & Writers Magazine. In the essay, Radtke talks about the process and challenges in writing her graphic nonfiction book Seek You: A Journey Through American Loneliness, forthcoming from Pantheon in July. Write a story in which a protagonist grapples with loneliness. How will you communicate this universal feeling in a specific way?

Father’s Day

6.22.21

In many countries, Father’s Day was observed this past Sunday, an occasion in which fatherhood is celebrated and reflected upon. Over the centuries, poets have explored and honored their relationships with their fathers in poems such as “Those Winter Sundays” by Robert Hayden, “Yesterday” by W. S. Merwin, and “My Father. A Tree.” by Tina Chang. This week, write a poem dedicated to a father figure in your life. Try writing it from the perspective of a child as an added challenge.

Being Among

6.17.21

“I went to Bolivia assuming I would have connections with Indigenous Bolivians because of our shared identity as Indigenous people,” writes Ursula Pike in the preface to her memoir, An Indian Among Los Indígenas: A Native Travel Memoir, published in March by Heyday Books, recounting the years she served as a Peace Corps volunteer in Bolivia. In the memoir, Pike, a member of the Karuk Tribe, questions her role as someone who experienced colonialism firsthand and follows “in the footsteps of Western colonizers and missionaries who had also claimed they were there to help.” Pike’s travel narrative upends the canon of white authors of the genre, helping the reader to examine the overlapping tensions of colonialism across cultures. Write an essay about a trip that helped you realize your complicity in a social issue. Think about the perspective of the spectator inherent to the travel narrative as you consider the conflict in the essay.

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