Live Events Return to New Orleans

Now that many are getting vaccinated and New Orleans has its lowest number of COVID-19 cases since last year, I am expecting to see more in-person events happening in the city.

Arts and culture are the pulse of New Orleans and its economy. Many writers and artists have struggled during the pandemic, but this summer will usher in more outdoor events to showcase and support their work. In addition, the New Orleans Book Festival, the Louisiana Book Festival, and the New Orleans Words & Music Festival are just a few literary events that have recently announced dates for live events in the fall that you can plan to attend in person. In the meantime, you can always stop by a local bookstore to give them an economic boost and support your favorite authors. See the Literary Places database for bookstores to order books from or visit.

The pandemic showed us how technology can close the gap of social distancing and offer access to incredible virtual programming. We will likely see a combination of in-person and virtual events in the future, but I’m sure many of us are looking forward to taking part in live events, whether on a stage or in the audience. Whatever your comfort level may be for socializing, there are always plenty of ways to enjoy writing and support the literary community. Check out the Literary Events Calendar for upcoming readings, workshops, and other literary events.

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

Where Are You Going?

Last week, Nobel Prize winner Bob Dylan’s eightieth birthday was celebrated across the world and on social media, and many fans shared their favorite songs from his illustrious repertoire. The singer-songwriter has also inspired many famous writers, including Joyce Carol Oates, whose story “Where Are You Going, Where Have You Been?” is dedicated to Dylan. This week, write a story inspired by a singer or a songwriter. Is there a particular song or are there lyrics you’re drawn to, or is it just the aura of the artist that inspires your story?

Owls

“Whatever comes to pass: you know your time, / my bird, you put on your veil / and fly through the mist to me,” writes Ingeborg Bachmann in her poem “My Bird,” translated from the German by Mark Anderson and published in the Summer 1984 issue of the Paris Review. In the poem, twilight passes into dawn as the narrator follows the owl through its many nightly transformations and their relationship is described by Bachmann in uncommon and evocative ways, such as “my nighttime ally,” “my ice-gray shoulder companion,” and “my weapon.” This week, write a poem about a bird that you think of as a companion. Try addressing the bird directly as Bachmann does in her poem.

Deadline Extended for Reese’s Book Club LitUp Fellowship

The submission deadline for LitUp, a new fellowship program administered by Reese’s Book Club, has been extended to June 13. Conceived to champion underrepresented voices, LitUp is open to diverse writers who identify as women, who do not have an agent, and who have not yet published a book. The five fellows selected for the program’s first cohort will receive an all-expenses-paid five-day writer’s retreat, a three-month mentorship with an established author, and marketing support from Reese’s Book Club.

Using only the online submission system, submit a full-length adult or young adult fiction manuscript featuring a woman protagonist, a synopsis of up to 750 words, and a series of personal statements by June 13. There is no application fee. The inaugural class of fellows will be announced at the end of the year or in early 2022. Visit the website for complete guidelines, including details about eligibility and LitUp’s definition of diversity.

Reese’s Book Club is curated by actor and producer Reese Witherspoon and features books with “a woman at the center of the story.” In addition to providing a reading community to its members, the book club also gives back via The Readership, billed as its “pay it forward platform.” The Readership, which seeks to “advance diverse voices, promote literacy, and make book joy available to all,” helps power LitUp.

Shelf Life

5.27.21

On Elle.com’s books column Shelf Life, Ling Ma, author of Severance (Picador, 2019), answers a questionnaire about her favorite books, including the one that made her weep (A Sorrow Beyond Dreams by Peter Handke), the one she would pass on to a kid (Jesus’s Son by Denis Johnson), and the one she considers literary comfort food (Kitchen by Banana Yoshimoto, among others). This week, answer the questionnaire for yourself, then write an essay that focuses on one of these questions and the book you recommended. What was happening in your life when you read this book and why are you still so deeply connected to it?

Motown Spoken Word Artist of the Year: Kyle Mack

Last week I wrote about the finalists for the Motown Mic spoken word competition. This week I had the chance to connect with the 2021 Motown Spoken Word Artist of the Year, Kyle Mack. Born and raised in Novi, Michigan, he began exploring the city of Detroit after meeting his now fiancée, Ashley Adams. Adams is a poet who goes under the stage name Galaxy and Mack credits her for inspiring him to enter the contest. “I owe all the thanks to her because if it wasn’t for her pushing me to finish and submit my poem, especially when I was doubting myself, none of this would have been possible,” says Mack.

What’s even more impressive is that Mack’s winning poem is also the first spoken word poem he’s ever written. Mack is a musician and rapper (you can find his music on Spotify and Apple Music), and this was a new venture for his artistry. Mack eloquently reflected on the differences between these two genres: “To me, I feel spoken word is more raw compared to music. With music, you always have a beat or background instruments. With spoken word there is just your voice.”

For Mack, participating in the Motown Mic spoken word competition exemplifies how pushing yourself forward to try something new can be a great experience. “The competition allowed me to step outside of my comfort zone and indulge in a different form of art that I’ve always wanted to indulge in,” says Mack. It is often said that poetry and music go hand in hand. Mack has shown how these genres can connect and transition between each other.

As for the future, Mack has an album called Catholic School Bastard coming out on July 23. He is looking forward to sharing his artistry and performing once venues begin opening up. You can watch an interview with Mack on Motown Museum’s Facebook page.

Photo: Kyle Mack, winner of the 2021 Motown Mic Spoken Word Competition.
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Pilgrimage

5.26.21

“It seems to me that people undertake pilgrimages because they’re stuck; they’re in some kind of situation in their life, or their mind, where they don’t want to be the person they are, and they don’t know how to change that unless they change everything,” says Anne Carson in this conversation with her partner and collaborator Robert Currie and poet Sara Elkamel on the poetry and prose of pilgrimage and stasis that was recently published on Literary Hub. “Oddly enough, it’s a kind of freedom that is also a sort of bondage, because when you undertake a pilgrimage, you’re bound to everything about the road.” Write a story with a character who seeks change and undertakes a pilgrimage. How will the protagonist be challenged by the landscape surrounding them?

Graduation

5.25.21

The months of May and June mark the time when most schools and universities celebrate graduations, and poetry is oftentimes relied upon for commencement speeches and congratulatory messages to express feelings of hope and possibility. From Robert Frost’s “The Road Not Taken” to Langston Hughes’s “Dreams,” poets offer timeless, thoughtful, and even funny responses applicable to this unique transition in a person’s life. Write a poem for a graduate that expresses your advice or some words of wisdom. For inspiration, browse the poems for graduation resource page from the Academy of American Poets.

Upcoming Contest Deadlines

Writers of all stripes will find opportunities in the last contests of May and the first of June. With deadlines of May 30, May 31, or June 1, these opportunities include a prize for undergraduate fiction writers, several contests awarding book publication, and grants supporting the translation of book-length works of poetry and prose. All offer a cash award of $1,000 or more and three charge no entry fee.

American Short Fiction Halifax Ranch Fiction Prize: A prize of $2,500 and publication in American Short Fiction is given annually for a short story. Deadline: June 1. Entry fee: $20.

Anhinga Press Prize for Poetry: A prize of $2,000, publication by Anhinga Press, and 25 author copies is given annually for a poetry collection. Ellen Bass will judge. Deadline: May 31. Entry fee: $25 ($28 for electronic submissions).

BOA Editions Short Fiction Prize: A prize of $1,000 and publication by BOA Editions is given annually for a short story collection. Peter Conners will judge. Deadline: May 31. Entry fee: $25.

Boulevard Emerging Poets Contest: A prize of $1,000 and publication in Boulevard is given annually for a group of poems by a poet who has not published a poetry collection with a nationally distributed press. The editors will judge. Deadline: June 1. Entry fee: $16.

Bridport Arts Centre Bridport Prizes: Two prizes of £5,000 (approximately $6,871) each and publication in the Bridport Prize anthology are given annually for a poem and a short story. Two second-place prizes of £1,000 (approximately $1,375) each and publication are given in each category. A prize of £1,000 (approximately $1,375) and publication is also given for a work of flash fiction. Raymond Antrobus will judge in poetry and Robert McCrum will judge in fiction and flash fiction. Deadline: May 31. Entry fee: £10 (approximately $14) for poetry, £12 (approximately $17) for fiction, and £9 (approximately $12) for flash fiction.

Center for Fiction New York City Emerging Writer Fellowship: Nine fellowships of $5,000 each and a one-year membership to the Center for Fiction in New York City are given annually to fiction writers living in New York City who have not yet published a book of fiction. Winners also have the opportunity to meet with editors and agents who represent new writers, and have access to the center’s writing space, the Writers Studio, for one year. Students who will be enrolled in a degree-granting program during the fellowship period, or who are currently under contract with a publisher for a work of fiction, are ineligible. Deadline: May 30. Application fee: none.

Elixir Press Fiction Award: A prize of $2,000, publication by Elixir Press, and 25 author copies is given annually for a short story collection or a novel. Ann Harleman will judge. Deadline: May 31. Entry fee: $40.

Milkweed Editions Max Ritvo Poetry Prize: A prize of $10,000 and publication by Milkweed Editions is given annually to a U.S. poet for a debut poetry collection. Henri Cole will judge. Deadline: May 31. Entry fee: $25.

PEN America PEN/Heim Translation Fund Grants: Ten grants of $3,000 each are given annually to support the translation of book-length works of poetry, fiction, and creative nonfiction that have not previously appeared in English or have appeared only in an “outdated or otherwise flawed translation.” An additional $5,000 grant, the PEN Grant for the English Translation of Italian Literature, will be given to support the translation of a book of fiction or nonfiction from Italian into English. Manuscripts with up to two translators are eligible. Deadline: June 1. Entry fee: none.

Salamander Fiction Prize: A prize of $1,000 and publication in Salamander is given annually for a short story. Yiyun Li will judge. Deadline: June 1. Entry fee: $15.

Southern Poetry Review Guy Owen Prize: A prize of $1,000 and publication in Southern Poetry Review is given annually for a single poem. Deadline: May 31. Entry fee: $20.

Stony Brook Southampton Undergraduate Short Fiction Prize: A prize of $1,000 is given annually for a short story by a college student. The winner also receives a full scholarship to attend the Southampton Writers Conference in summer 2022, and their winning work will be considered for publication in Southampton Review. Deadline: June 1. Entry fee: none.

University of Georgia Press Flannery O’Connor Award for Short Fiction: A prize of $1,000 and publication by University of Georgia Press is given annually for a collection of short fiction. Deadline: May 31. Entry fee: $30. 

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Fatherhood

5.20.21

In his essay “What My Korean Father Taught Me About Defending Myself in America,” published in GQ, Alexander Chee writes about his father’s adventurous life as a tae kwon do champion and community organizer in Maine, looking back on his father’s life as a way of learning how to protect himself and speak out about racism, and in particular, attacks against Asian Americans. “My father’s advice, about fighting being the last resort, has given me another lesson: You turn yourself into the weapon when you strike someone else—in the end, another way to erase yourself—and so you do that last.” Write an essay about a skill you learned as a child from which you can glean lessons as an adult.

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