Genre: Creative Nonfiction

Upcoming Contest Deadlines for Prose Writers

Prose writers! If you have a story, essay, novel, or memoir ready to submit, below are ten writing contests to consider. Each contest offers a prize of at least $1,000 and has a deadline of Wednesday, January 31.

Balcones Center for Creative Writing Fiction Prize: A prize of $1,500 is given annually for a book of fiction published during the previous year. Entry fee: $30

Black Lawrence Press Big Moose Prize: A prize of $1,000, publication by Black Lawrence Press, and 10 author copies is given annually for a novel. Entry fee: $25

Chattahoochee Review Lamar York Prizes: Two prizes of $1,000 each and publication in Chattahoochee Review are given annually for a short story and an essay. Entry fee: $18

Crazyhorse Literary Prizes: Two prizes of $2,000 each and publication in Crazyhorse are given annually for a short story and an essay. Entry fee: $20

Fish Publishing Short Memoir Prize: A prize of €1,000 (approximately $1,180) and publication in the Fish Publishing anthology is given annually for a short memoir. Entry fee: $19

Iowa Review Awards: Two prizes of $1,500 each and publication in Iowa Review are given annually for a story and an essay. Entry fee: $20

New Millennium Writings New Millennium Awards: Three prizes of $1,000 each and publication in New Millennium Writings are given twice yearly for a short story, a work of flash fiction, and a work of creative nonfiction. Entry fee: $20

Ohioana Library Association Walter Rumsey Marvin Grant: A prize of $1,000 is given annually to an Ohio fiction writer or creative nonfiction writer age 30 or under who has not published a book. Writers born in Ohio or who have lived in Ohio for a minimum of five years are eligible. No entry fee.

Winter Anthology Writing Contest: A prize of $1,000 and publication in Winter Anthology is given annually for a group of poems, a story, or an essay. Entry fee: $11

Writers at Work Writing Competition: Two prizes of publication in Quarterly West are given annually for a short story or novel excerpt and an essay or memoir excerpt. The winners also choose to receive either $1,000 or tuition to attend the Writers at Work Conference in Alta, Utah, in June. Writers who have not published a book in the genre in which they are applying are eligible. Entry fee: $20

Visit the contest websites for complete guidelines, and check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction.

ROOSTERGNN Artist Residency

ROOSTERGNN Global News Network (RGNN) offers residencies of at least ten days to poets, fiction writers, and creative nonfiction writers year-round in Madrid, Spain, and during the summer in Havana and Trinidad, Cuba. Residents in Spain will be provided with lodging in private apartments in central Madrid; residents in Cuba will be provided with lodging with a Cuban host family. The cost to attend the residency is €950 to €1,200. Need-based scholarships of €100 are available. Submit a writing sample of any length, a project proposal, and a résumé or curriculum vitae.

Type: 
RESIDENCY
Ignore Event Date Field?: 
yes
Event Date: 
December 28, 2024
Rolling Admissions: 
yes
Application Deadline: 
December 28, 2024
Financial Aid?: 
no
Financial Aid Application Deadline: 
December 28, 2024
Free Admission: 
no
Contact Information: 

ROOSTERGNN Artist Residency, Calle Juan Bravo 58-60 Madrid, Spain.

Contact City: 
Madrid, Spain, and Havana and Trinidad
Country: 
CU
Add Image: 

Hateship, Friendship, Courtship, Loveship, Marriage

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Cultures around the world have always developed rituals and traditions to act as guides through all types and stages of interpersonal relationships. Taking inspiration from “Hateship, Friendship, Courtship, Loveship, Marriage,” the title story from the 2001 collection by Alice Munro, choose one of these words and think of a personal habit, routine, or ritual you have developed or participated in as part of a relationship. You might think about or research historical or modern friendship rituals involving bracelets and necklaces, or secret passwords and handshakes. You might find inspiration in considering romance and courtship traditions involving chastity belts, love potions, gentlemen callers—even arranged marriages. Write a short personal essay that delves deep into your experiences and memories, exploring the social conventions and restrictions involved in your navigation of that relationship. 

Breaking Down Our Barriers: A Q&A With Jim Daniels, Founder of the Martin Luther King, Jr. Day Writing Awards

Since 1999 the annual Martin Luther King, Jr. Day Writing Awards program has provided an outlet for young people to express their complex experiences with race and diversity through writing. Based at Carnegie Mellon University (CMU) in Pittsburgh, the awards are open annually to high school and college students in the Pittsburgh area or any remote CMU location. Jim Daniels, founder and director of the awards, is of the belief that “the process of writing itself can help young people explore and break down issues of differences in their lives.” In advance of Martin Luther King, Jr. Day—and the nineteenth annual MLK Day Writing Awards ceremony—on January 15, Poets & Writers spoke with Daniels about the establishment of the program, the importance of providing a platform for young people to discuss issues of diversity, and the impact that the awards have had on young writers’ lives and careers.

How did the MLK Day Writing Awards begin? What goals did you hope to achieve by establishing this program?

In graduate school back in 1980, I took a course from James Baldwin, in which he challenged us to examine our own experience with race more honestly. As a white kid who grew up on the edge of Detroit, I wasn’t up to the challenge, but never forgot it. In 1995 I edited the anthology Letters to America: Contemporary American Poetry on Race (Wayne State University Press). Both that anthology and the MLK Day Writing Awards are attempts to respond to Baldwin’s challenge. With Letters to America, I wanted to bring a diverse group of poets together to talk about what so often divides us in this country. When Carnegie Mellon University sought to establish campus-wide events for Martin Luther King, Jr. Day, I decided to try and do something similar with high school and college students, and the University gave me, and continues to give me, its support. We ask for personal narratives on race—not “Martin Luther King was a great man” or “Racism is bad” essays. Not angry screeds either. One of the key beliefs of the awards is that through telling each other our complex, nuanced stories, and listening to each other’s stories, we can break down some of the barriers between us, break some of the silence. For young people finding their way into the world, this can be particularly difficult and challenging, so we hope to provide a safe space for their voices to be heard.

What is offered as part of the prize? How many winners are selected each year?

The awards are $200, $100, and $50, for first, second, and third place. We also give a number of honorable mentions and select the best entry from each school to be recognized at our awards ceremony. In addition to the cash prizes, students are invited to read their work at the on-campus ceremony on MLK Day, and the entries are published in a chapbook that’s available at the ceremony. We try and extend the reach of the awards beyond the day itself, and winners are often invited to participate in additional readings and discussions in and out of the Pittsburgh community throughout the year. We also visit schools to do workshops to promote writing on race and difference. The list of schools from which students submit continues to grow. Currently we don’t have the resources to expand it to a national competition, but I encourage anyone who might want to start something similar in their community to contact me. Our website also includes videos and chapbooks of previous award winners.

In addition to publishing the annual chapbook of winners’ work, you recently edited the anthology, Challenges to the Dream:  The Best of the Martin Luther King, Jr. Day Writing Awards (Carnegie Mellon Press, 2017). What was the impetus to create the anthology and how do you feel it will help accomplish the goals of the program and its future?

I work with a very talented, committed team here at Carnegie Mellon on the awards, and we felt that the fine writing being done over the years should be preserved and made available to a larger audience. We’re hoping the anthology will help accomplish that. These voices deserve to be heard again and again. In addition, these issues are often hard to talk about in the classroom, and we hope the anthology might make that a little easier to do. We also want to reach a national audience with this work and perhaps inspire other communities to get involved. In fact, in conjunction with the publication of the anthology, we produced an online study guide so that teachers anywhere can use the work in the anthology for discussion and writing prompts.

Have you witnessed any unforeseen successes of the awards over the past two decades?

I think that seeing their stories recognized and celebrated has made a difference for some of the winners going forward. When we published the anthology last fall, we hosted a reading to celebrate it at City of Asylum in Pittsburgh, and a dozen contributors to the anthology read to an overflow crowd—one former winner brought her three children—and I felt a great sense of community in the room. Many of the contributors from previous years have made social justice issues part of their adult lives and careers. 

When is the next round of submissions and how can students enter their work? 

We open submissions each Fall, and the deadline is usually right before Thanksgiving. Students can enter their work online via Submittable, where they will find complete submission guidelines.

 

(Photo: 2017 MLK Writing Award–winners and honorees)

Colson Whitehead on Rejections

Caption: 

“I became a writer once I realized no one liked my stuff. I just had no choice but to keep going and start a new novel.” In an interview for Louisiana Channel, Pulitzer Prize–winning author Colson Whitehead talks about how rejections of his first manuscript pushed him forward to pursue writing and why he enjoys exploring different genres.

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