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In this episode of the Keep Talking Podcast, Pico Iyer talks about losing his home in the 1990 Painted Cave fire in Santa Barbara, his experiences with silence, and his new book, Aflame: Learning From Silence (Riverhead Books, 2025), which is featured in Page One in the January/February issue of Poets & Writers Magazine.
Three prizes of $1,000 each and online publication in Arts & Letters are given annually for a group of poems, a short story, and an essay.
Mati Diop’s 2024 hybrid documentary, Dahomey, chronicles the repatriation of twenty-six cultural treasures—including sculptures and a throne plundered during France’s colonial rule over the Kingdom of Dahomey—following them from the Musée du quai Branly in Paris back to the present-day Republic of Benin. Diop intersperses her footage with poetic voice-over narration representing the sentiments of a statue of a king, and uses cameras placed in the perspective of the looted artifacts while they’re in transit, the screen going dark when the crates are sealed and shipped. Think of an artwork, artifact, or other personally significant object that, due to its location in time or geography, has existed during a tumultuous period. Write a lyrical essay that gives the item voice and expression, using imaginative language to animate the inanimate with the capability of experience or witnessing.
The 2025 Black Sea Workshop, sponsored by the Elizabeth Kostova Foundation, will be held from June 26 to July 2 at the Sozopol Art Gallery in Sozopol, Bulgaria. The workshop features time and space to write; workshops; lectures on local history, architecture, and folklore; student and faculty readings; and an excursion to Varvara, a picturesque village located on the Black Sea coast by the Strandzha mountains for poets, fiction writers, and creative nonfiction writers.
Black Sea Workshop, 149 Evlogi I Hristo Georgievi Boulevard, Apartment 10, Sofia 1504, Bulgaria. Violeta Radkova, Managing Director.
During a time of year when many people are taking stock of the previous twelve months and preparing for new resolutions and fresh starts, take a brief contrarian turn and compose a personal essay that focuses on the well-trodden: old habits, die-hard routines, and tried-and-true tendencies. What are some things that you’d passionately never want to give up? Perhaps your essay is a compilation of a list of objects, behaviors, people, or traditions that have proven their worth over an extended period of time; or you might concentrate your essay on one specific subject, something dear you vow to hold onto. Are there trade-offs, sacrifices, or curiosities about the costs of keeping the old? How do you weigh any misgivings against your convictions?
In this episode of Poured Over: The Barnes & Noble Podcast with host Miwa Messer, New York Times Book Review critic at large A. O. Scott talks about his journey as a journalist and book critic, reflects on “instant classics” like Percival Everett’s novel James (Doubleday, 2024), and discusses how the experience of discovering books has changed because of the internet.
In a recent New York Times article about New Year’s resolutions, Holly Burns describes the value of creating resolutions that are connected to other people. Burns cites Stephanie Harrison, author of New Happy: Getting Happiness Right in a World That’s Got It Wrong (TarcherPerigee, 2024), who says: “Our society has treated happiness as a highly individualistic pursuit—the idea being that it’s something that you make for yourself, that you get for yourself, and you do it all alone,” and yet, research shows that interpersonal relationships contribute to a significant portion of people’s happiness. Inspired by the idea of creating resolutions for the year (or beyond) that involve spending time with others, write a personal essay that reflects on times when you have discovered joy when helping or being helped by another person, perhaps unexpectedly. How might you incorporate this into future habits?
In this Books Are Magic event, Lili Anolik reads from her new biography, Didion and Babitz (Scribner, 2024), and discusses how the book originated from discovering a box of Eve Babitz’s unsent letters, which included a letter to Joan Didion, in a conversation with Emma Straub.
In this Library of Congress National Book Festival event, Alexis Pauline Gumbs, author of Survival Is a Promise: The Eternal Life of Audre Lorde (Farrar, Straus and Giroux, 2024), and Tiya Miles, author of Night Flyer: Harriet Tubman and the Faith Dreams of a Free People (Penguin Press, 2024), discuss their books in a conversation moderated by Martha S. Jones.
In the documentary No Other Land, made by a Palestinian-Israeli collective of four directors over the course of five years, a group of Palestinian villages in the southern West Bank is overrun by the Israeli military as they raid and bulldoze homes while families are forced to witness the destruction. At a recent screening in New York, the filmmakers shared their thoughts in a written statement: “We as young activists offer this film to the world, which is both a document of a war crime happening now in the occupied West Bank, and a plea for a different future.” Write a personal essay that begins with recounting a recent significant event that you witnessed, noting as much granular detail as possible. If available, you might refer to photos or a paper trail to help you remember specifics. In addition to the event itself, reflect on your outlook after the event, documenting both for posterity’s sake.
