Order Out of Chaos: Revising Your Poetry Manuscript
An author suggests several strategies for ordering a poetry collection that can help poets generate new poems to make a stronger, more cohesive book.
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Genre: Poetry
The Clifton House
Sidney Clifton, the eldest daughter of poet Lucille Clifton, has purchased her childhood home in Baltimore with plans to recreate the space as a haven for emerging and established artists.
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On the Road
“I can’t afford to think like Whitman / that whomever I shall meet on the road I shall love / and whoever beholds me shall love me,” writes Tyree Daye in “Field Notes on Leaving,” the first poem in Cardinal, out today from Copper Canyon Press. The collection includes blurred photos of Daye’s family and childhood and an epigraph from the Green Book, the mid-1900s guidebook that provided Black Americans with advice on safe places to eat and sleep as they traveled in the United States. Write a short series of poems that acts as a kind of family album, providing a record of journeying within a community through adolescence and adulthood. In each poem allow yourself to explore themes of home and travel, in both literal and figurative ways, including interactions with local people or other travelers, signposts or navigational tools, baggage brought along, and the things or places left behind.
Ten Questions for Heid E. Erdrich
“You may not see it, but I am always writing.” —Heid E. Erdrich, author of Little Big Bully
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Natasha Trethewey on Memorial Drive
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“I think that the body does not let you forget.” In this PBS NewsHour video, Natasha Trethewey reflects on the trauma of her mother’s murder, the subject of her book Memorial Drive: A Daughter’s Memoir (Ecco, 2020), and how the events led her to become a poet and writer. Trethewey is interviewed by Joshunda Sanders in “A Poetics of Resilience” in the July/August 2020 issue of Poets & Writers Magazine.
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Malinda A. Markham Memorial Prize in Translation Open for Submissions
The deadline is approaching for the inaugural Malinda A. Markham Memorial Prize in Translation, presented by Saturnalia Books. Established in the memory of poet and translator Malinda A. Markham, this annual prize awards $2,000 and publication by Saturnalia Books to a manuscript of a female poet’s work, translated by a female translator.
Using only the online submission system, submit a cover letter and a manuscript of at least 48 pages with an entry fee of $25 by October 31. Manuscripts featuring the work of multiple female poets are ineligible, but manuscripts may have multiple translators, so long as all collaborators identify as female. The editors will judge. Visit the website for complete guidelines.
Founded in 2002 by the poet Henry Israeli, Saturnalia Books seeks to publish both new and established poets and to “encourage the publication of literature of a noncommercial and challenging nature.” In addition to the Markham Memorial Prize, the press offers two other awards for poetry manuscripts: the Saturnalia Books Poetry and Editors Prizes.
Poets House Presents: John Murillo
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“I’ve never spoken to anyone about this. Until now, until you.” In this installment of the Poets House Presents video series, John Murillo reads two poems from his latest poetry collection, Kontemporary Amerikan Poetry (Four Way Books, 2020). For more Murillo, listen to his Page One author reading of “On Metaphor.”
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Nikky Finney’s National Book Award Speech
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“We begin with history. The slave codes of South Carolina, 1739,” begins Nikky Finney’s 2011 National Book Award acceptance speech for Head Off & Split (Northwestern University Press, 2011), where she traces the history of literacy in her own life and in the lives of African Americans. Finney is the recipient of the 2020 Wallace Stevens Award from the Academy of American Poets, conferred annually to honor outstanding artistic achievement over a poet’s career.
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Dear America, We Can’t Turn a Blind Eye
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The Ventura County Poetry Project invited writers from Ventura County and surrounding counties in Southern California to respond to their “Dear America, We Can’t Turn a Blind Eye” initiative and share their work. This short video includes excerpts from W. David Hall, Sojourner Kincaid Rolle, Veronica Reyes, Julius Sokenu, Amy Uyematsu, and others.
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Pentimento
In Natasha Trethewey’s “Repentance,” included in her retrospective poetry collection Monument (Houghton Mifflin Harcourt, 2018), she describes the term pentimento as: “the word for a painter’s change of heart revision / on canvas.” Trethewey uses this painting practice as a metaphor for contending with the memory of a quarrel with her father: “a moment so / far back there’s still time to take the glass from your hand / or mine.” What memory would you want to revise or repent, as if you could paint over it? Inspired by painting, write a poem that uses detailed imagery to imagine the possibility of a new past.
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