Genre: Poetry
The Weight of Words
“I caught this morning morning’s minion, king- / dom of daylight’s dauphin, dapple-dawn-drawn Falcon, in his riding / Of the rolling level underneath him steady air,” begins Gerard Manley Hopkins’s 1877 poem “The Windhover,” a sonnet in which the poet wields the image of a kestrel in flight to explore his conflicted feelings about spirituality and art. The beginning lines of the poem are filled with repetition—of words, alliteration, consonance, and assonance—all of which place a weight onto the words, slowing the pace as one reads it aloud. Try your hand at weighing down the beginning of a new poem with repetition, using a variety of rhymes and sound. After a leisure beginning, does your poem suddenly break free and open, or is it more gradual?
Saretta Morgan
Hemingway-Pfeiffer Writer-in-Residence Program
The Hemingway-Pfeiffer Museum and Educational Center at Arkansas State University offers a monthlong residency in June to poets, fiction writers, creative nonfiction writers, and translators in Piggott, Arkansas. Residents are provided with a loft apartment on the downtown square in Piggott, a $1,000 stipend to help cover food and transportation costs, and the opportunity to write in the studio where Ernest Hemingway worked on A Farewell to Arms in 1928.
Hemingway-Pfeiffer Writer-in-Residence Program, 1913 Museum Row, Piggott, AR 72454. (870) 598-3487. Adam Long, Executive Director.
Emily Lee Luan and Jimin Seo
Kenzie Allen: Cloud Missives
Airlie Prize
Literary Artist Fellowships
Morton, McCarthy, and Sarabande Prizes
Small Press Points: Driftwood Press
Publishing around half a dozen novellas, poetry collections, and graphic novels yearly, Driftwood Press resists narrowing itself to a specific niche; instead, the press is defined by its diversity in stories, styles, and perspectives.