Genre: Poetry

Public Property

The Time Is Now
2.25.20

In “‘Hostile Architecture’: How Public Spaces Keep the Public Out” in the New York Times, Winnie Hu reports on elements of urban architecture in New York City that are designed to enforce order and deter lingering, loitering, sleeping, skateboarding, and the homeless. This includes metal spikes, studs, teeth, bars, bolts, walls, and railings placed on resting surfaces like benches, ledges, and low walls in public plazas. This week, look around more closely at the architectural details you pass by and write a poem about an interesting feature or texture whose design functions in a specific way. Is it welcoming or hostile? Can you express the physical details by playing with sound, rhythm, and spacing?

The Legacy of the NOMMO Literary Society

United States of Writing
2.19.20

My New Orleans Black History Month series of posts continues today with the NOMMO Literary Society. It’s impossible to talk about New Orleans Black literary history without talking about Kalamu ya Salaam and the NOMMO Literary Society.

Many of you may not know that NOMMO was founded by Salaam in New Orleans in 1995, a rare Black writers workshop established a year before Cave Canem. That summer, Salaam had led a writing workshop for male students on the invitation of Tommye Myrick at Southern University New Orleans. Poet Ayo Fayemi-Robinson (formerly known as Kysha Brown Robinson) then questioned Salaam about the exclusion of women writers in the workshop and from that encounter, NOMMO was born and had its first meeting that fall.

The workshop consisted of three parts: a selected reading, a “housekeeping” to share information about upcoming literary events and resources, and giving and receiving feedback on original compositions. The physical space of NOMMO had shelves full of books and CDs of music by Black artists, and there was a monthly reading held at Community Book Center.

The name NOMMO has two origins. First is the central African concept of NOMMO being the power of the spoken word. Second is from Salaam’s sarcastic quip that it was time for the elevation of the Black vernacular and “no more of that literary shit.” The workshop met weekly and hosted several prominent writers, such as Amiri Baraka, Staceyann Chin, Toi Derricotte, Terrance Hayes, Major Jackson, E. Ethelbert Miller, and Sonia Sanchez.

Hurricane Katrina ended NOMMO in 2005, but the legacy lives on through published books by alumni like Jericho Brown, Jarvis DeBerry, Freddi Williams Evans, and Keturah Kendrick.

New Orleans has a long literary history, including the 1845 publication of Les Cenelles, the first anthology of poetry by African Americans which featured the work of seventeen New Orleans poets. NOMMO was a continuation of this rich tradition of African American writing that lives on today.

NOMMO Literary Society reunion at Community Book Center in 2014. (Credit: NOMMO)
 
Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

John Murillo

Caption: 

John Murillo reads “Trouble Man,” a poem from his first collection, Up Jump the Boogie (Cypher Books, 2010), and a poem by Etheridge Knight for the P.O.P series, shot and edited by Rachel Eliza Griffiths in partnership with the Academy of American Poets. Murillo’s second collection, Kontemporary Amerikan Poetry (Four Way Books, 2020), is featured in Page One in the March/April issue of Poets & Writers Magazine.

Genre: 
Poetry
Tags: 
John Murillo
P.O.P. series
Academy of American Poets
Up Jump the Boogie
Cypher Books
2010
Page One
March/April 2020

Party Time: Sin Muros Festival

United States of Writing
2.18.20

Last week we took a little break and I hope you enjoyed my list of things to check out. Beginning this week, I want to highlight the big events: conferences and festivals. As many of you know, we are gearing up for a massive conference, the annual AWP Conference & Bookfair, run by the Association of Writers & Writing Programs, taking place in San Antonio, Texas in March. Poets & Writers and the literary outreach coordinators—Justin, Kelly, and I—will be there so come say hello if you’re at AWP!

Keeping that in mind, I’d like to dedicate some time in this blog to celebrate the literary festivals and conferences that take place here in Houston, including Sin Muros, Comicpalooza, Fade to Black Play Festival, and Zine Fest Houston.

First up, Sin Muros! Now in its third year, Sin Muros: A Latinx Theater Festival is a community-led playwriting festival focused on Texas-based Latinx voices and stories. The festival is put on by Stages, a nonprofit organization and historic theater in Houston, and offers a ton of access to literary craft for emerging artists. In Spanish, sin muros means “without walls” and the festival embodies this theme through its events.

Stages works with community leaders—playwrights, dramatists, poets, and activists—to put together a four-day festival for the public with many free events. Two plays (which are a part of Stages’s regular season) serve as anchors to a series of play readings and poetry readings; a generative, writing workshop (any genre is welcome); a professional development workshop for theater teachers; a children’s play; a town hall meeting focusing on issues Latinx artists face; and a poetry tent filled with booksellers, local literary organizations, and poets. Stages works with several literary and performance organizations to put the festival together, including Tintero Projects, Gente de Teatro, and TEATRX. Some of the work is in English. Some of the work is in Spanish. All of the work is Tejano.

This year’s festival over this past weekend was a great success. Every year it gets larger and larger, and I can’t wait for the next one.

Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Truth

The Time Is Now
2.18.20

“Truth can be lazy because it becomes satisfied with itself, and it is often so tethered to time and space that to demand one truth can often invisibilize another’s truth,” says Natalie Diaz in “Energy,” an interview by Jacqueline Woodson in the March/April issue of Poets & Writers Magazine. “When and where does truth begin, and whose truth is it?” Think of an issue in your life that you feel conflicted over, an idea or state of being that you have long held to be true, whose solidity you have begun to question. Write a poem that attempts to demand more from this perceived truth, exploring how it entered your belief system. To whom is it tethered?

Grover Easterling on the Detroit Literary Scene

United States of Writing
2.17.20

Grover Easterling is a poet, activist, and educator currently living in Detroit. Grover and I were both students in the after-school program Citywide Poets organized by InsideOut Literary Arts, so naturally we became friends and writing partners. After we graduated from the program, we attended classes together at Wayne State University and led a student organization called WayneSLAM (aka Wayne Student Literary Arts Movement). The organization offered a space for artists of different genres to showcase themselves in a monthly open mic. Grover and I led the series from 2013 to 2016. I had an opportunity to catch up with Grover last week and asked him a few questions about his experience with WayneSLAM and the literary scene in Detroit.

What impact did WayneSLAM have on you?
As an artist it gave me the opportunity to help other artists get paid to share their art, to put money on the table for young writers of color. The series also showed me many different styles of poetry and the varying levels of where folks are at in their art.

As a youth, your family settled down in Troy, Michigan. What differences did you notice when you sought out the literary scene in Detroit?
I wanted to invest in Black art and what made me feel seen, and that wasn’t present in Troy. When I visited Detroit, I was exposed to various cultures and their art scenes. In Detroit’s literary scene, people are more willing to be radical in their writing. People are more comfortable with their Blackness here.

How have Detroit’s artists and writers influenced you outside of your writing?
They help me stay innovative. Being around poets has given me tools to sharpen my skills as a political and environmental organizer.

Recently, Grover released a video titled “Change the Climate 2020” featuring newsclips mixed with a reading of his poem “All Be Green” in an effort to bring awareness to environmental issues in Michigan as the 2020 presidential election approaches.

Grover Easterling.
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Postcolonial Love Poem

Caption: 

“The rain will eventually come, or not. / Until then, we touch our bodies like wounds…” In this Mellon Foundation video, Natalie Diaz reads the title poem from her forthcoming collection, Postcolonial Love Poem (Graywolf Press, 2020). A Q&A with Diaz by Jacqueline Woodson appears in the March/April issue of Poets & Writers Magazine.

Genre: 
Poetry
Tags: 
Natalie Diaz
Postcolonial Love Poem
2020
Graywolf Press
Mellon Foundation
March/April 2020

Angela So and Monica Sok

Caption: 

At Brazos Bookstore in Houston, Angela So and Monica Sok read from their work and talk about displacement, what it means to be children of refugees, and the search for home. Sok discusses her debut poetry collection, A Nail the Evening Hangs On (Copper Canyon Press, 2020), in “First” by Rigoberto González in the March/April issue of Poets & Writers Magazine.

Genre: 
Poetry
Fiction
Tags: 
Monica Sok
A Nail the Evening Hangs On
Copper Canyon Press
2020
Angela So
Brazos Bookstore
March/April 2020

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