Genre: Poetry

The Last of Its Kind

1.15.19

The Humboldt Glacier, located high in the Andes mountain range in Venezuela, is the country’s last glacier. Glaciers are disappearing around the world due to climate change, which has also been a factor in declines and extinctions of animal species elsewhere. This month saw the death of George, the last snail of the Hawaiian species Achatinella apexfulva, named after Lonesome George who died in 2012, the last of the Galápagos tortoises. Write a poem about an object that is the last of its kind to ever exist, either in reality or hypothetically. How is the disappearance of your chosen subject significant in its own way? 

2018 Maureen Egen Writers Exchange Winner in Poetry: The Literary Community

Anushah Jiwani graduated summa cum laude from Hendrix College with a BA in English–Creative Writing and International Relations. She is the 2018 recipient of the Maureen Egen Writers Exchange Award (WEX) for poetry sponsored by Poets & Writers. She took honors in the 2017 Southern Literary Festival Competition and won third place in the statewide 2017 Jeannie Dolan Carter Collegiate Poetry Contest sponsored by the Poets’ Roundtable of Arkansas. Jiwani also won the Fourth Annual Short Fiction Contest sponsored by the Hemingway-Pfeiffer Museum and Educational Center in 2017. Much of her writing centers on the duality of her Pakistani American identity and aims to provide a space for the immigrant voice.

In May of 2018, I found out that I was the recipient of Poets & Writers’ Maureen Egen Writers Exchange Award for poetry. In addition to a generous honorarium and a reading, Joshua Idaszak, the winner for fiction, and I would get the chance to meet with editors, authors, and publishers in New York City. Bonnie Rose Marcus worked tirelessly to arrange meetings, and welcomed us with open arms in November.

What I learned: editors, publishers, literary agents—they’re all just ordinary people. They want to know about you, and it’s as easy as one simple conversation. This prize creates the opportunity for that conversation to happen, with generous support from the team at Poets & Writers.

Through these conversations, many things became clear: internal relationships mattered, there would be little money in poetry, literary agents wanted novels over short stories, small presses are dedicated to their authors, and within all this business, community around writing was a precious thing.

Among others, I chose to meet with Paolo Javier, who works tirelessly to create community and accessibility around writing at Poets House, and Sarah Gambito, cofounder of Kundiman, who is seeking holistic points of entry and multidisciplinary forms for audience engagement.

These poets have been motivated by lack of opportunity or equity in the writing world, and are trying to create honest spaces for established and growing writers. We talked about embracing rejections, finding the right MFA programs, expanding community programs, the discipline required for publishing one’s work, and our love for literature.

As a writer, I learned an incredible amount about the inner workings of the literary world through this trip. But what was more significant, personally, was being able to connect with other writers of color who shared their experiences about navigating and succeeding in this sphere.

The Maureen Egen Writers Exchange Award is generously supported by Maureen Egen, a member of the Poets & Writers Board of Directors.

Photo: (left to right) Joshua Idaszak, 2018 WEX poetry judge Cheryl Boyce-Taylor, Anushah Jiwani, R&W (east) director Bonnie Rose Marcus, R&W fellow Arriel Vinson, and R&W program assistant Ricardo Hernandez (Credit: Christian Rodriguez).

Jenny Xie

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“My frugal mouth spends the only foreign words it owns. / At present, on this sleeper train, there’s nowhere to arrive.” Jenny Xie, a finalist for the 2018 National Book Award in poetry, reads “Rootless” and “Ongoing” from her debut poetry collection, Eye Level (Graywolf Press, 2018). Xie is featured in “Wilder Forms: Our Fourteenth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.

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Milkweed Expands Midwestern Poetry Prize

Minneapolis–based independent publisher Milkweed Editions recently announced that its Lindquist & Vennum Prize for Poetry will continue under a new name, the Ballard Spahr Prize for Poetry. The annual books prize, which is open to poets living in the upper Midwest, has also been expanded to include Michigan on its list of eligible states of residence for entrants.

Established in 2011, the prize offers $10,000 and publication by Milkweed Editions for a collection of poetry by an emerging or established poet residing in Minnesota, Iowa, North Dakota, South Dakota, Wisconsin, or Michigan.

“This meaningful prize recognizes artistic excellence and rewards poets publicly and lucratively, and we are grateful for the vision and commitment of the Ballard Spahr Foundation to carry this prize forward in partnership with Milkweed,” said Daniel Slager, Milkweed’s publisher and CEO.

Submissions are currently open, and the deadline is February 15. Using the online submission system, submit a manuscript of at least 48 pages. There is no entry fee. Khaled Mattawa will judge.

Previous winners include Claire Wahmanholm for Wilder (2018); Caitlin Bailey for Solve for Desire (2017); Chris Santiago for Tula (2016); Jennifer Willoughby for Beautiful Zero (2015); Michael Bazzett for You Must Remember This (2014); Rebecca Dunham for Glass Armonica (2013); and Patricia Kirkpatrick for Odessa (2012).

Franny Choi

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In this video for PBS NewsHour’s “Brief But Spectacular” series, Franny Choi reads her poem “Introduction to Quantum Theory” and discusses the importance of asking unanswerable questions and imagining alternate realities. Choi is the author of Floating, Brilliant, Gone (Write Bloody Publishing, 2014) and Soft Science, which is forthcoming from Alice James Books in April.

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Against Consolidation

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“I want to write about tiny miracles: I woke up this morning. I woke up this morning.” George Abraham, author of the chapbook The Specimen’s Apology (Sibling Rivalry Press, 2019), reads his poem “Against Consolidation” at the 2017 VOX POP Poetry Slam Tournament in Manchester, New Hampshire.

Off the Page

Works of poetry composed of tiny glass vials, a mineral collection, a board game, lunch boxes, Rolodexes, and View-Masters? In “Authors Thinking Outside the Box” in the January/February issue of Poets & Writers Magazine, Adrienne Raphel takes a look at Container, a small press founded by poets Jenni B. Baker and Douglas Luman, which teams with authors to publish books in nontraditional forms, oftentimes as a modified object or series of objects. Take a look around your home, a grocery store, or a hardware store for an everyday object that sparks your interest, and compose a poem that could be printed or inscribed onto the object in some way. Take in consideration how the object and your poem relate to one another.

Upcoming Poetry Contest Deadlines

Is it your New Year’s resolution to submit more of your poetry to contests and journals? Here are several poetry contests, all of which offer a cash prize of $500 to $2,000, with upcoming deadlines.

92Y Unterberg Poetry Center Discover Poetry Prizes: Four prizes of $500 each and publication in the Paris Review Daily are given annually for a group of poems. Winners also receive lodging and travel expenses to give a reading at the 92nd Street Y in New York City in May. Poets who have not yet published a full-length poetry collection are eligible. Timothy Donnelly and Mai Der Vang will serve as preliminary judges; Daniel Borzutzky, Randall Mann, and Patricia Smith will serve as final judges. Entry fee: $15. Deadline: January 11.

Colorado Review Colorado Prize for Poetry: A prize of $2,000 and publication by the Center for Literary Publishing is given annually for a poetry collection. Kazim Ali will judge. Entry fee: $25.Deadline: January 14.

BkMk Press Ciardi Prize: A prize of $1,000 and publication by BkMk Press is given annually for a poetry collection. Entry fee: $30. Deadline: January 15. 

WOMR/WFMR Community Radio Joe Gouveia Outermost Poetry Contest: A prize of $1,000 is given annually for a poem. Marge Piercy will judge. Entry fee: $15. Deadline: January 15.

Third Coast Poetry Contest: A prize of $1,000 each and publication in Third Coast is given annually for a poem. Leila Chatti will judge. Entry fee: $18. Deadline: January 15.

Asheville Poetry Review William Matthews Poetry Prize: A prize of $1,000 and publication in Asheville Poetry Review is given annually for a poem. Dorianne Laux will judge. Entry fee: $20. Deadline: January 15.

Wells College Press Chapbook Competition: A prize of $1,000, publication by Wells College Press, and 10 author copies is given annually for a poetry chapbook. The winner will also receive room and board to attend a launch party at Wells College in Fall 2019. Dan Rosenberg will judge. Entry fee: $20. Deadline: January 15.

Visit the contest websites for complete submission details, including eligibility guidelines and length requirements. For a look at more writing contests with upcoming deadlines, visit our Grants & Awards database and submission calendar

 

Dorianne Laux

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Dorianne Laux reads her poems “If It Weren’t for Bad Ideas, I’d Have No Ideas at All,” “Evening,” “This Close,” and “Savages” at a 2017 reading in Washington, D.C. for the Field Office. Laux’s new collection, Only as the Day Is Long: New and Selected Poems (Norton, 2019), is featured in Page One in the January/February issue of Poets & Writers Magazine.

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