Genre: Poetry

Afterliving

“This place in which I dream the new body — whole & abiding — // I am reaching for the boy now as warden to both the living / & the afterliving…” Khaty Xiong’s poem “On Visiting the Franklin Park Conservatory & Botanical Gardens” is the basis for an interactive installation currently on view at the Poetry Foundation in Chicago. Visitors can write poems and messages exploring grief on paper cutouts of plants and animals which are then displayed in the gallery. Draw or cut out a paper template in the form of something from nature, and write a poem within its frame addressing or dedicated to a lost loved one. Does your poem, and the emotions contained within it, take shape in different ways according to the shape of your paper?

The Roots and Wings Project Helps Prisoners Tell Their Stories

Jesse Bliss is a playwright, director, producer, poet, actress, veteran educator, and curriculum writer. She is the founder and creative director of the Roots and Wings Project, a theater company with a mission to provide a stage and space for voices of the unnamed, unknown, and misunderstood. The Roots and Wings Project is a recipient of a Cultural Pathways Grant from the California Arts Council and has received support from Poets & Writers for its prison programs. Bliss also produces Think Outside the Cage on KPFK 90.7 FM, a radio show voicing truth about mass incarceration, and was featured in Look What She Did!, a documentary directed by Julie Hébert.

The very energy of prison is punitive, designed to drive love out. Perhaps this is why implementing the Roots and Wings Project’s ASCENSION, a P&W–supported theater and writing pilot workshop series at the California State Prison in Lancaster, a men’s prison, and the California Institution for Women, a women’s state prison in Chino, was nearly impossible.

Days and weeks of e-mail requests turned into months. Finally, the workshops were approved. On my first trip out to the prison in Lancaster, where the wind never stops blowing on the exaggeratedly long sidewalk stretches to the entrance, the facility said no to the first workshop session. There was no getting in to speak to anyone after a two-hour drive. On the second visit, it took me two hours to finally enter into A Yard and meet the inmates.

Once I was in, participants at both penitentiaries wrote from the very depths of their souls. Their stories brought to light experiences most could never imagine surviving, and exposed truths about how people are led to incarceration and kept captive with draconian sentencing.

Some of the participants have life without parole sentences. One student went into the prison system at eighteen, three days following his high school graduation. He’s been incarcerated for two decades, and in those years has developed a friendship with his victim’s wife—a friendship she initiated. He writes: “She saw beyond the cold written record of my past into the present, to the core of who I really am.”

Another participant was sixteen months away from her release from prison when she was given a life sentence for a domestic violence charge. Many of the women express that they were put in prison for defending themselves against abusive men. I don’t ask, but if they share about their case in our writing workshops, I lovingly listen. Anna, a workshop participant, writes: “WOMAN. To be strong yet assumed weak, to work and love harder, yet be given less—less pay, less honor, less respect—for our weakness is our strength, our tears our freedom, to feel, to be: humanity in a world of insanity.”

One of our students grew up in a home where both his parents were drug users and dealers. The house was always getting shot up. His diaper was perpetually full. He grew to become what he knew and, while addicted to drugs, murdered someone over a twenty-dollar debt. He is one of the greatest keepers of peace I’ve ever known and a passionate advocate for helping others to transform and heal despite unthinkable intergenerational trauma. He often recites Shakespeare by heart.

Another student played one of the most stunning reggae songs on the guitar that I’ve ever heard called “Beautiful Day.” How, in there, does a human being author that song? He also eloquently writes: “Prison beds are expanding instead of consciousness.... You’ll see one electric fence with prisoners on both sides of it, society is on lockdown and they don’t even know it, out of necessity prisoners become poets.”

We culminated the workshops with powerful readings described in a student’s letter this way: “Soon, the room was bristling with hope and with stories of our children, our mothers, our wives, our communities, even our freedom. And when we returned to the dark confines of our cells, we brought with us a deeper, brighter, lingering purpose in our lives.”

We laughed. We cried. We read. We talked. We listened. We loved, all in the spirit of one of our writer’s words: “By finding the courage to speak up!”

With support from Poets & Writers, and in partnership with Unlock Tomorrow and Tia Chucha’s Centro Cultural and Bookstore, the Roots & Wings Project will hold a second series of workshops this fall at the California Institution for Women.

Support for this event was provided, in part, by Poets & Writers, thanks to a gift from Diana Raab. Additional support for Readings & Workshops in California is provided by the California Arts Council, a state agency, and the National Endowment for the Arts, a federal agency, and by the Friends of Poets & Writers.

Photo: Jesse Bliss (Credit: Angela L. Torres).

Irene Hicks’s Wish

Caption: 

“The resilient founders established the school, that they polished into a beautiful jewel.” Irene Hicks, a South Carolina native and poet living with Parkinson’s disease, reads her poem to commemorate her alma mater the Mather School, a school created by Rachel Crane Mather for the daughters of liberated slaves in the late 1860s. Brookdale Senior Living and Colorado nonprofit Wish of a Lifetime partnered with Essity to provide resources for Hicks to write her poem and continue to teach poetry to seniors.

Genre: 

Sonia Sanchez Receives Wallace Stevens Award

The Academy of American Poets has announced that Sonia Sanchez has received the 2018 Wallace Stevens Award, which is given annually to “recognize outstanding and proven mastery in the art of poetry.” Sanchez will receive $100,000.

Sonia Sanchez is our peerless griot of American poetry,” says Terrance Hayes, a chancellor of the Academy. “There is no poet like her in the whole motley canon. There may have never been a more appropriate recipient of an award honoring poetic mastery and originality.” Sanchez, who was chosen by the chancellors of the Academy, has written more than a dozen poetry collections that address ideas of womanhood, black culture, and more. Her most recent collection is Morning Haiku (Beacon Press, 2010).

The Academy announced all of the winners of the 2018 American Poets Prizes today, including Sanchez. Martín Espada has won the $25,000 Academy of American Poets Fellowship, which recognizes “distinguished poetic achievement” and includes a residency at the Eliot summer home in Gloucester, Massachusetts. “Martín Espada is a poet of musical richness, passion, high and low comedy, imagistic vibrance, wild metaphor, and storytelling skill, with a sense of history,” says chancellor Alicia Ostriker. “He is a celebrant of love and a persistent troubler of the waters. As a ‘people’s poet’ he has been called North America’s Neruda.”

Craig Morgan Teicher received the $25,000 Lenore Marshall Poetry Prize for his collection The Trembling Answers (BOA Editions, 2017); the annual award is given for the best book of poetry published in the United States during the previous year. Laura Kasischke, Campbell McGrath, and Mary Szybist judged. “The Trembling Answers is a collection as ecstatic as it is solemn, and what this poetry shares with us about love, faith, doubt, and poetry itself is essential,” says Szybist.

Geffrey Davis has won the James Laughlin Award for his collection Night Angler (BOA Editions, 2019). The $5,000 award, which includes a weeklong residency at the Betsy Hotel in Miami, is given annually for a second book of poetry forthcoming in the next calendar year.

Raquel Salas Rivera won the $1,000 Ambroggio Prize for the collection x/ex/exis (poemas para la nación) (poems for the nation), and David Larsen won the $1,000 Harold Morton Landon Translation Award for his translation of Ibn Khālawayh’s Names of the Lion (Wave Books, 2017). Anthony Molino won the $10,000 Raiziss/De Palchi Book Prize for his translation of Paolo Febbraro’s The Diary of Kaspar Hauser (Negative Capability Press, 2017).

Read more about the winners on the Academy of American Poets website.

 

Housebound Inspiration

8.28.18

Gardens, forests, hills, fields, wild pink flowers, a farmhouse, a writer’s shed, birds. There is much inspiration to be found at Edna St. Vincent Millay’s former home in Austerlitz, New York, which is open to the public. Visitors can even peek into Millay’s wardrobe to see her shoes, hats, purses, makeup, dresses, and hunting jacket. In “Saving Millay’s Home” by Adrienne Raphel in the September/October issue of Poets & Writers Magazine, she writes about Millay’s house and other writers’ homes in the region including the Emily Dickinson Museum, Edith Wharton’s estate, the Mark Twain House, Herman Melville’s home, and several of Robert Frost’s homes. Browse through writers’ homes in our Literary Places database for one of your favorites, or simply one whose photographs capture your imagination. Write a poem that draws on images you find, the writer’s work and milieu, and themes of home, geography, and legacy.

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