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David Julius Caesar Salad sets up his manual typewriter in New York City's Central Park, prompting passersby to pick a subject. It's poetry on demand: He types out the poem while patrons wait on the benches nearby, and reads the poem to them when he's finished.
Unnameable Books is a bookstore located in the heart of Prospect Heights, Brooklyn. Founded as “Adam’s Books” before being renamed, the store specializes in poetry, has an eclectic collection of used books, and carries work from many small independent presses.
Golda Solomon is a spoken word performer, professor, and the poet-in-residence at Blue Door Gallery. Her poems have been published in the Mom Egg, Heal: Between the Pages of These Folks We Seek a Panacea, the 35th Anniversary of Blind Beggar Press’ Collector’s Edition Anthology, Out of Africa, Fiber Plus, Sacred Visions, and Narratives x4. She is the author of Flatbush Cowgirl (CM Graphic Design, 1999) and Medicine Woman of Jazz (World Audience, 2012). She produced the poetry and jazz compilation albums First Set, Word Riffs, and Takin’ It To the Hollow. Solomon created From Page to Performance workshops and ArtSpeak: Poetic Responses to the Walls, writing workshops (partially funded by Poets & Writers), at Blue Door Gallery.
In 2008, I moved to Yonkers, New York, and came across Blue Door Gallery, a quaint gallery on a main street next to a boarded-up building. Giving back to community and nurturing diversity is essential to who I am. I began as a volunteer, facilitating writing workshops, and with the help of Poets & Writers, I became Blue Door Gallery's poet-in-residence, and ArtSpeak was born.
The ArtSpeak workshops give participants an opportunity to use exhibitions as writing prompts and inspiration. A packet is distributed that contains an agenda with the current exhibition program, ArtSpeak Walk (which includes questions, poems, and readings related to the artwork), an explanation of ekphrastic writing, and an evaluation form.
I facilitate eight workshops each calendar year, as well as two in the community outreach summer program. Each workshop is two and a half hours and allows leisurely viewing of the art with ample time for first draft free-writing and sharing in a welcoming atmosphere. Recent workshops have included an additional From Page to Performance workshop hour. Friends, family, and community members are invited to witness our “raw” work. On occasion, the artists attend, answer questions, and are invited to write—a rewarding experience for all.
It’s been said that I am playfully stubborn in my determination to bring out the best in all who are there. My background in communications has taught me how to help those with public speaking jitters and I personally understand what it’s like to have anxiety. As a child, I stopped playing the piano because of my fears and I try my best not to let that happen to anyone in my care. As one participant remarked, “For me, this was the best workshop/writing experience I’ve ever had. The group of writers was as varied as our ages and it gave the event incredible energy. I also felt free of my fears. In this workshop, I allowed myself to read my poem without quivering.”
It is gratifying and a privilege to work with these writers and receive positive feedback. One member noted, “This need to accept my creative side is the invaluable part of the ArtSpeak experience for me. The other part is working with visual art and having this art as prompts to stir my words."
Blue Door Gallery has included ArtSpeak poems in publications and honored the artists with three ArtSpeak chapbooks. The gallery will soon inaugurate Blue Door Quarterly with writings from each ArtSpeak workshop. These publications have offered an opportunity for established writers and emerging poets to be published together. Support from the Readings & Workshops program of Poets & Writers has helped establish Blue Door Gallery as a cultural center in downtown Yonkers. On these streets of grit and energy, I am proud to be known as the ArtSpeak lady. I am always teacher and learner.
Photos: (top) Golda Solomon, (middle) Golda Solomon and ArtSpeak Class. Photo Credit: Maureen Hatch.
Photo: (bottom) Golda Solomon. Photo Credit: Zak Sherzad.
Support for Readings/Workshops in New York is provided, in part, by public funds from the New York State Council on the Arts, with additional support from the Friends of Poets & Writers.
The Library of Congress announced today that Charles Wright is the new U.S. poet laureate. In this clip, Wright, the author of nearly two dozen poetry collections, most recently Caribou (FSG, 2014), reads his poem "Together" for PBS NewsHour.
The recipient of this year's Jackson Poetry Prize, Claudia Rankine, was honored last night at a reception hosted by Poets & Writers, Inc. In this video from the Split This Rock Poetry Festival, Rankine reads from her book Citizen: An American Lyric, forthcoming from Graywolf Press in October. "And you are not the guy but still you fit the description because there is only one guy who is always the guy fitting the description."
Each month a full moon rises in the sky, and each of these moons has a special name. In June the full moon is known as the Full Strawberry Moon, a name given to it by the Algonquin tribes, to whom it signaled the time to gather the ripening fruit. In Europe, where the strawberry is not a native fruit, this moon is known as the Full Rose Moon. This week, try writing a short poem of rhyming couplets about this month's full moon. For inspiration, read Percy Bysshe Shelley's "The Waning Moon."
Poets Anne Carson and Brenda Hillman have won the 2014 Griffin Poetry Prizes, given annually since 2000 for books of poetry published in, or translated into, English in the previous year and submitted from anywhere in the world. They each received $65,000 Canadian (approximately $60,000).
Carson, a poet, essayist, and translator who was born in Canada and currently teaches at the University of Michigan in Ann Arbor, won the Canadian prize for her most recent collection, Red Doc> (Knopf). Hillman, who serves as a professor and poet-in-residence at St. Mary’s College in Morago, California, and is the author of eight previous collections, won the International Prize for her collection Seasonal Works with Letters on Fire (Wesleyan University Press).
The announcement was made late last week at an annual awards ceremony in Toronto. Scott Griffin, the founder of the prize, and trustees Carolyn Forché, Robert Hass, Robin Robertson, Karen Solie, Colm Tóibín, and David Young hosted the event.
The judges, who are selected each year by the prize trustees, were for 2014 Robert Bringhurst, Jo Shapcott, and C. D. Wright. They each read 542 books of poetry, submitted from forty different countries, including twenty-four translations.
The 2014 Griffin Poetry Prize shortlist featured collections by four international and three Canadian poets. The finalists were Rachael Boast’s Pilgrim’s Flower (Picador), Carl Phillips’s Silverchest (Farrar, Straus and Giroux), Mira Rosenthal’s translation from the Polish of Colonies by Tomasz Rózycki (Zephyr Press), Sue Goyette’s Ocean (Gaspereau Press), and Anne Michaels’s Correspondences (McClelland & Stewart). Each finalist received a $10,000 honorarium.
During the awards ceremony, Brazilian poet and writer Adélia Prado was honored with the Griffin Trust For Excellence In Poetry's 2014 Lifetime Achievement Award.
The Griffin Poetry Prize Anthology: A Selection of the 2014 Shortlist, edited by Robert Bringhurst and published by House of Anansi Press, is now available at retail bookstores and online. Royalties generated from the anthologies, published annually, are donated to UNESCO's World Poetry Day.
Carson (above left), and Hillman (above right, Brett Hall Jones)
"My mother taught me this trick. If you repeat something over and over again it loses its meaning." In this short film, poet Phil Kaye performs his poem "Repetition," a personal piece about his struggles as a child dealing with his parents' divorce (including developing a stutter) and the power of words.
Poet and founder of UbuWeb, Kenneth Goldsmith, speaks about the "conceptual writing" movement and the art of transcription. "There can be no such thing as writer's block, there's no lack of inspiration—there's always something to transcribe, there's always something to rewrite, there's always something to refrain."
The powerHouse Arena—a self-proclaimed laboratory for creative thought—is a gallery, boutique, bookstore, performance, and events space located in Brooklyn’s Dumbo neighborhood. The space is home to the art book publisher, powerHouse Books, and hosts book launch parties, readings and signings, and conversations for a host of voices in contemporary literature. The store carries a curated selection of design and photography books, along with a discriminating selection of nonfiction, lifestyle, illustrated, and New York-themed books.
