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The poet and novelist, whose most recent book, The Oldest Word for Dawn: New and Selected Poems, was published in February by Knopf, recently read his work at Politics & Prose in Washington D.C., and spoke about his feelings for his hometown of Detroit.
Poet Joseph O. Legaspi cofounded P&W–supported Kundiman, a nonprofit organization that serves Asian American poetry. He blogs about Kundiman's beginnings and this year's ten-year anniversary celebrations. The author of Imago (CavanKerry Press) and the forthcoming chapbook Subways (Thrush Press), he lives in Queens, New York, and works at Columbia University.
In summer 2002, Sara
h Gambito and I were swaying on a hammock at a backyard BBQ in Westchester. Watching the mostly Filipino crowd—families and community—playing games, eating, totally at ease with one another, we were mesmerized and even envious. As recent MFA graduates and young Filipino American poets trying to patch together literary lives in New York City, we felt alone and lost. We wanted to recreate the joyful and safe space that we witnessed in Westchester, but for Asian American artists. I then told Sarah about P&W–supported Cave Canem, a premiere literary organization that hosts a retreat for black poets. Two close friends, January Gill O’Neil and the late Phebus Etienne, attended the Cave Canem Retreat and raved about it. Why not? we asked ourselves, as there was already an impressive model, and in our hearts, we knew there was a void to fill. The rest, as they say, is history.
Kundiman now celebrates its ten-year anniversary! The sole organization of its kind, Kundiman remains dedicated to the creation and cultivation of Asian American writing. In summer 2013, we are hosting our tenth Kundiman Poetry Retreat with faculty members Li-Young Lee, Srikanth Reddy, and Lee Ann Roripaugh teaching workshops to our fellows. Over 120 fellows have attended the annual retreats under the tutelage of such renowned Asian and Asian American poets as Lawson Inada, Bei Dao, Myung Mi Kim, Marilyn Chin, Arthur Sze, Truong Tran, Paisley Rekdal, Aimee Nezhukumatathil, Rick Barot, and Tan Lin—many of whom have been supported by P&W over the years. Award-winning Kundiman fellows have published twenty books thus far with more titles forthcoming in 2014, in addition to over twenty chapbooks, and numerous print and online publications. Cofounder Sarah Gambito received the 2009 Barnes & Noble Writers for Writers Award. In partnership with Alice James Books, the Kundiman Poetry Prize is set to select its fourth winner this June. P&W–supported Matthew Olzmann’s Mezzanines, the second selection, was released in April 2013.
So, what’s in store for Kundiman’s tenth year? There will be a fundraising campaign with a target goal of $10,000. There will be exciting “10 for 10” events across the country, an NYC gala in the planning stages. Our website has already undergone a redesign. Kundiman’s oral history program, Kavad, will roll out fellow-driven projects that will provide new platforms to present and amplify Asian American voices. Kundiman remains strongly committed to fostering Asian American writing, which, in turn, empowers our marginalized, diasporic communities. Kundiman strives to transform the American literary landscape. Please come celebrate with us.
Photo: (Top) Joseph O. Legaspi. Credit: Emmy Cateral. (Bottom) Kundiman staff, faculty, and fellows. Credit: Dustin Parsons.
Support for Readings/Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, The Cowles Charitable Trust, the Abbey K. Starr Charitable Trust, and the Friends of Poets & Writers.
On April 11 the author of five books of poetry and two essay collections, including Power and Possibility: Essays, Interviews, Reviews (University of Michigan Press, 2007), read her poem "Haircut" at the opening presentation of the Hill Center Poetry Series, cosponsored by the Library of Congress and the Washington Post.
The Toronto–based Griffin Trust for Excellence in Poetry has announced the shortlist for its 2013 Griffin Poetry Prize. Two awards of $65,000 each are given annually for poetry collections published during the preceding year, one by a poet living in Canada and another by a poet living internationally.
The international finalists include Like a Straw Bird It Follows Me, and Other Poems, by Ghassan Zaqtan and translated from the Arabic by Fady Joudah (Yale University Press), Liquid Nitrogen by Jennifer Maiden (Giramondo Publishing), Night of the Republic by Alan Shapiro (Houghton Mifflin Harcourt), and Our Andromeda by Brenda Shaughnessy (Copper Canyon Press). The Canadian finalists include What’s the Score? by David W. McFadden (Mansfield Press), Sailing to Babylon by James Pollock (Able Muse Press), and Personals by Ian Williams (Freehand Books).
Judges Suzanne Buffam of Canada, Mark Doty of the United States, and Wang Ping of China each read 509 books of poetry from 40 countries, including 15 translations.
The seven finalists, who will be invited to participate in a reading in Toronto on June 12, will each receive $10,000. The two winners, to be announced at the Griffin Poetry Prize Awards ceremony on June 13, will each receive $65,000.
The Griffin Trust was founded in April 2000 by Scott Griffin, along with trustees Margaret Atwood, Robert Hass, Michael Ondaatje, Robin Robertson, and David Young. Carolyn Forché joined the roster in 2004. Prize judges are selected annually by the trustees, and the prizes are awarded in the spring of each year.
Publishers may submit books for consideration by the annual deadline of December 31. Visit the Griffin Trust website for more information and complete guidelines.
Choose a word or phrase you find yourself saying often (e.g. like, totally, hate, really, kind of) and write a poem using it as much as possible, turning it over and over, repositioning it, extending it, playing with its uses and the parts of speech into which it can be shaped.
The inaugural Loraine Williams Poetry Prize, sponsored by the Georgia Review, is currently open for submissions. A prize of one thousand dollars and publication in the Georgia Review will be given annually for a poem. Poets may submit up to three previously unpublished poems written in English, totaling no more than ten pages, with a fifteen-dollar entry fee by May 15. The editors will judge.
The winning poem will be announced on August 15, and will be published in the Spring 2014 issue of the Georgia Review. Current subscribers may enter the competition free of charge; nonsubscribers may choose to begin a subscription at the time of entry—thirty-five dollars for four issues, which is five dollars less than the regular price—in lieu of the entry fee. Submissions may be sent electronically or by mail to the Georgia Review, Loraine Williams Poetry Prize, 706A Main Library, 320 South Jackson Street, The University of Georgia, Athens, GA 30602.
Founded at the University of Georgia in 1947, the Georgia Review is a quarterly print journal of poetry, fiction, creative nonfiction, reviews, and visual art. “Never stuffy and never shallow,” the editors write on the magazine’s website, “the Georgia Review seeks a broad audience of intellectually open and curious readers.” Past contributors have included established writers as Rita Dove, Stephen Dunn, Louise Erdrich, Philip Levine, Barry Lopez, Joyce Carol Oates, Natasha Trethewey, David Wagoner, and Paul Zimmer, as well as many new and emerging voices.
For more information about the Georgia Review and for complete contest guidelines, visit the website.
The first in a series of three readings and discussions celebrating the tenth anniversary of the Poetry Society of America's Chapbook Fellowship features 2006 winner Dan Chelotti alongside that year's judge, Pulitzer Prize-winner Yusef Komunyakaa, introduced by PSA executive director Alice Quinn at New York City's Strand Book Store.
Poet Joseph O. Legaspi cofounded Kundiman, a nonprofit organization that serves Asian American poets. He blogs about curating P&W–supported Kundiman & Verlaine, a New York City–based reading series that has been running for ten years. The author of Imago (CavanKerry Press) and the forthcoming chapbook Subways (Thrush Press), he lives in Queens, New York, and works at Columbia University.
It started with an experiment. Before the poet Sarah Gambito and I fully conceived of Kundiman, the nonprofit we founded to serve Asian American poetry, there were the poems. At the time, in 2003, we were interested in the idea of poems as physical objects, as solid and tangible art pieces. We were also regulars imbibing lychee martinis at Verlaine, a bar on the lower east side of Manhattan where we befriended Gary Weingarten, a photographer and one of the owners of Verlaine. Presented with our idea, he provided us with the blank canvases: the walls inside Verlaine onto which we hung blown-up prints of poems. Words against a sheer white backdrop loomed large: our poems, as well as others by Prageeta Sharma and Li-Young Lee. Like a gallery, we hosted an opening with an amazing turnout.
When such a partnership presents itself, you run with it. The March 17, 2013, P&W–supported reading marked the tenth year of Kundiman & Verlaine, the only reading series that highlights Asian American poets. Over 130 readers have graced our stage, among them luminaries like Mei-mei Berssenbrugge, John Yau, Kimiko Hahn, Vijay Seshadri, Patrick Rosal, and Cathy Park Hong, along with emerging Asian American talents. In the spirit of community building, we have also invited poets from other literary circles like Cave Canem, LouderArts, and Acentos. Through the years, the series has exemplified the multiplicity and vitality of voices within the Asian American (and greater) literary community. At the March reading alone, for instance, were the following participants: Mandy Gor, a poet, painter, seamstress, and banker raised in Texas; Seni Seneviratne, a Sri Lankan living in England; and Kit Yan, a transgender spoken word phenomenon. The audience, from seemingly divergent backgrounds, were brought together by poetry. The Kundiman & Verlaine reading series embodies this spirit: big-hearted and celebratory. The lounge atmosphere helps, as well as the hour-long open bar before each reading.
The bottom line is that for a literary series to thrive, much generosity is needed: a place for gathering, a co-host/co-sponsor who shares your vision, an open-minded audience, and kind readers. Recently, another act of generosity: Poets & Writers, through its Readings/Workshops Program, has been able to provide honoraria to qualified readers. How lovely it’s been to compensate poets for their time and craft. Kundiman believes in paying poets, but because of our limited funds, we’ve been unable to do so—beyond the gift bags we give to readers as a token of our appreciation. Because of such patronage and generosity, the Kundiman & Verlaine reading series continues to be a welcoming, warm environment, full of heart.
Photo: (Top) Joseph O. Legaspi. Credit: Emmy Cateral. (Bottom, from left to right) Vikas Menon, Kit Yan, Seni Seneviratne, Mandy Gor, and Joseph O. Legaspi. Credit: JP Sevillano
Support for Readings/Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, The Cowles Charitable Trust, the Abbey K. Starr Charitable Trust, and the Friends of Poets & Writers.
In this video, poets Kevin Young, Evie Shockley, and Terrance Hayes participate in a roundtable symposium on newness in the creative arts and American expressive culture held at Brown University’s Granoff Center for the Creative Arts.
The eighty-seven-year-old poet talks with PBS NewsHour's Jeffrey Brown about a life of writing poetry and his Early Collected Poems: 1965-1992, for which he recently won the Bobbitt National Prize for Poetry from the Library of Congress.
