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In this 2022 virtual reading hosted by the Frostburg Center for Literary Arts in Maryland, Elizabeth Arnold reads a selection of poems from her books, including her most recent, Skeleton Coast (Flood Editions, 2017), and discusses dream poems and her writing career. Arnold died at the age of sixty-six on February 24, 2024.
“I wanted to think freely, let my mind wander, follow ideas (and phrases) wherever they might go,” said the late poet Lyn Hejinian in a 2020 interview for the Wheeler Column at the University of California in Berkeley, where she was a professor and John F. Hotchkis Chair Emerita. “For a while—but not for very long—I used poetry to express my adolescent angst and longings, but very soon I recognized the banality and the limits of that. It wasn’t self-expression I was seeking but loss of self.” Inspired by Hejinian, who died at the age of eighty-two on February 24, write a poem that avoids a preconceived intention of style or thematic experience, and instead allow these elements to emerge as you let your mind wander. How might language, in the abstract as the material of your thinking, lead to a new mode of expression or representation?
The author and translator discusses his process of translating Sappho, the lessons that ancient poetry holds for contemporary life, and the gifts of a life steeped in practicing poetry and translation.
Brent Ameneyro introduces this 2021 installment of transatlantic conversations between U.S. and U.K. Latinx poets featuring Francisco Aragón and Leo Boix for Curated Conversation(s): A Latinx Poetry Show, a collaboration between the Writer’s Center, Un Nuevo Sol, Poet Lore, and Letras Latinas. For more from Aragón, the director of Letras Latinas, read this Q&A from the March/April issue of Poets & Writers Magazine.
Poets, fiction writers, and nonfiction writers with work that illustrates “the wild woman spirit”—the creative agency and power women display in shaping the world—may want to consider submitting to TulipTree Publishing’s Wild Women Story Contest by March 8. The annual prize awards $1,000 and publication in TulipTree Review for a single poem, a short story, or an essay “whose main characters embody” this “feminine spirit.”
Submit up to five pages of poetry or up to 10,000 words of prose with a $20 entry fee. All entries are considered for publication. Visit the website for complete guidelines.
With an application period closing on International Women’s Day, the Wild Women Story Contest recognizes work that honors the convictions of feminist historian Stephanie Camp, who believed that “[w]omen’s history does not merely add to what we know; it changes what we know and how we know it.” A selection of poems, stories, and essays submitted to the prize are gathered in TulipTree Review’s annual Spring/Summer Wild Women Issue, and both the grand prize winner and one honorable mention are nominated for the Pushcart Prize. Last year’s nominees were fiction writer Amy Soscia for “Life on the Ledge” and essayist Hannah Hindley for “Heat Map.”
“I write to ask questions and to inquire, not declare.” In this Virtual Craft Chat hosted by the Writer’s Center, poet Sarah Ghazal Ali reads from her debut collection, Theophanies (Alice James Books, 2024), and discusses her use of the ghazal form, the architecture of her book, and the inspirations she drew from the Qur’an in a conversation with Poet Lore editor Emily Holland.
Drawing on a wealth of botanical vocabulary, Canadian poet Sylvia Legris explores themes of nature in her new book, The Principle of Rapid Peering, forthcoming in April from New Directions. In the book, the title of which is derived from early-twentieth-century ornithologist Joseph Grinnell’s study on the behavior of birds around food, Legris categorizes birds as either “those who wait passively for food to approach them” or rapid-peering active-seekers “whose target[s] of desire [are] stationary.” She writes: “The rapid-peerer’s eyes turn / as the head changes position. // The eyes focus the beak, / the instrument of capture. // ... The head follows the feet, / quick moves, to, fro. // Feet with an intelligence of texture, / bark, branch, gravel, soil.” Browse through nature guides or encyclopedias in search of unique animal attributes, specifically looking for evocative terminology with potentially expansive interpretations. Then write a poem that both touches on the term’s original meaning and imagines a new interpretation connecting to a personal experience or memory.
The author of Midwhistle explores the power of the epic poem.
Thanks to the extra fraction of a calendar day it takes Earth to orbit the sun each year, you have this leap year’s compensation day to apply to awards with deadlines on February 28 and February 29! Use that temps perdu to submit to contests offering prizes including $22,000 and publication for a nonfiction manuscript-in-progress that “emphasizes innovation in form and content”; $3,000, publication, and 20 author copies for a first or second poetry collection; and two prizes of $2,000 for a poetry e-book and a fiction e-book that depict “cultural, historical, and sociopolitical aspects of the Black Diaspora.” Best of luck!
Association of Writers & Writing Programs
Award Series
Three prizes of $5,500 each and publication by a participating press are given annually for a poetry collection, a short story collection, and a novel. A prize of $2,500 and publication by a participating press is also given annually for an essay collection or a memoir. Deadline: February 28. Entry fee: $30 ($20 for AWP members).
Austin Community College
Balcones Prizes
Two prizes of $1,500 each are given annually for a poetry collection and a book of fiction published during the previous year. English translations of works originally written in another language are accepted. Deadline: February 28. Entry fee: $25 for poetry and $30 for fiction.
Black Caucus of the American Library Association
Self-Publishing Literary Awards
Two prizes of $2,500 each are given annually for a poetry e-book and a fiction e-book self-published during the previous year by an African American writer. The awards honor books that depict “cultural, historical, and sociopolitical aspects of the Black Diaspora.” Deadline: February 28. Entry fee: None.
Graywolf Press
Nonfiction Prize
A prize of $22,000 (comprised of a $20,000 advance and a $2,000 research stipend) and publication by Graywolf Press will be given biennially for a nonfiction manuscript-in-progress that “emphasizes innovation in form and content” by a writer who is not yet established in the genre of nonfiction. The editors will judge. Deadline: February 28. Entry fee: None.
Little Tokyo Historical Society
Imagine Little Tokyo Short Story Contest
Two prizes of $500 each and publication in Rafu Shimpo and on the Discover Nikkei and Little Tokyo Historical Society websites are given annually for short stories that take place in the Little Tokyo district of Los Angeles and “capture the cultural spirit” of the neighborhood. One prize is given for a story written in English; the other is given for a story written in Japanese. Deadline: February 29. Entry fee: None.
Omnidawn Publishing
First/Second Poetry Book Contest
A prize of $3,000, publication by Omnidawn Publishing, and 20 author copies is given annually for a first or second poetry collection. Desirée Alvarez will judge. Deadline: February 29. Entry fee: $35.
Red Hen Press
Women’s Prose Prize
A prize of $1,000 and publication by Red Hen Press is given annually for a book of fiction or nonfiction by a writer who identifies as a woman. Laila Halaby will judge. Deadline: February 28. Entry fee: $25.
Tupelo Press
Snowbound Chapbook Award
A prize of $1,000, publication by Tupelo Press, and 25 author copies is given annually for a poetry chapbook. All entries are considered for publication. Deadline: February 28. Entry fee: $25.
Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.
“Tonight I pray to the god / of small children and broken toys,” reads January Gill O’Neil from her poem “Prayer” in this installment of the P.O.P. series, shot and edited by Rachel Eliza Griffiths in partnership with the Academy of American Poets. O’Neil’s fourth collection, Glitter Road (CavanKerry Press, 2024), is featured in Page One in the March/April issue of Poets & Writers Magazine.
