Agents & Editors: Ibrahim Ahmad
The former editorial director of Akashic Books, now an executive editor at Viking, talks about his experience moving from an indie press to one of the Big Five publishers.
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Agents & Editors: Tanya McKinnon
The principal agent of McKinnon Literary talks about how publishing can be a form of activism, the different ways agents and authors can use comp titles, and how the future of the book business still holds many wonderful possibilities.
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Agents & Editors: Jamia Wilson
Random House executive editor and vice president Jamia Wilson talks about her passion for publishing as a craft, how being a writer informs her work as an editor, and the importance of keeping an expansive interest in books.
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Agents & Editors: Rakia Clark
Mariner Books executive editor Rakia Clark talks about unlocking the full potential of an author, how writers can shine in the query letter, and effecting meaningful change in the publishing industry.
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Agents & Editors: Annie Hwang
Annie Hwang of Ayesha Pande Literary talks about community building, professional burnout, the questions writers should ask when querying agents, and the demanding work of advocating for diversity in publishing.
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Agents & Editors: Sarah McGrath
The editor in chief of Riverhead Books, an imprint of Penguin Random House, talks about her start in publishing, acquiring books, editing as a creative process, and more.
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Agents & Editors: Ben George
Ben George, a senior editor at Little, Brown who works with some of the biggest names in literary fiction and nonfiction, talks about the author-editor relationship, the plight of the midlist writer, and the art of revision.
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Agents & Editors: Rob Spillman
Editor Rob Spillman talks Tin House—the magazine, the books, the summer workshop—and the pleasures, perils, and surprises of independent publishing.
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Agents & Editors: The Book Group
Four veteran agents talk about the business of books, the secret to a good pitch, and what authors should do in the lead-up to publication.
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Agents & Editors: Michael Wiegers
Michael Wiegers, the editor in chief of Copper Canyon Press, talks about how he decides which books to publish (from the two thousand manuscripts the press receives each year) and what it’s like to edit the likes of Pablo Neruda, W. S. Merwin, and C. D. Wright.
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