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A technology company intends to create a Spotify-like service for books; David Letterman's production company Worldwide Pants has purchased film rights to Jonathan Evison's The Revised Fundamentals of Caregiving; Alexander Chee lists twenty-one lies writers tell themselves; and other news.
Twenty-five years after poets Thomas Sayers Ellis and Sharan Strange founded the Dark Room Collective as a community for established and emerging African American writers, members have gathered for a reunion tour that celebrates the DRC’s rich history and far-reaching influence in the literary world.
Moving into new poetic territory, Major Jackson, in his third collection, Holding Company, corrals the ecstatic in a ten-line form.
Author Carleen Brice recommends titles in honor of National Buy a Book by a Black Author and Give It to Somebody Not Black Month, the book-buying campaign she launched last year to heighten awareness of black authors who aren't as famous as Toni Morrison, Alice Walker, and Colson Whitehead.
A decade after the founding of Cave Canem, Eady speaks about the ways in which the organization has developed into a "safe haven for black poets."
Ethiopian exile Nega Mezlekia's memoir, Notes From the Hyena's Belly, details his remarkable boyhood in Jijiga, a city in the eastern part of the Horn of Africa built on a "dry, sandless desert where even the smallest wind creates devils—whirlwinds of dust that rise high into the heavens and are visible from miles away."
Elizabeth Alexander's new collection, Antebellum Dream Book, deals with the image of the body, a theme she visits often in her previous works. "If you let a body speak," she says, "it gives you access to all sorts of concrete sensations that are vital, the stuff of poetry, the way a poem convinces." In this interview with Natasha Trethewey, Alexander speaks to her use of race, urban life, history, and of course, the body.
