Ten Questions for Arthur Sze

“Write one poem at a time and resist knowing where you are going.” —Arthur Sze, author of Into the Hush
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“Write one poem at a time and resist knowing where you are going.” —Arthur Sze, author of Into the Hush
“I was playing, trying to make something I liked, something no one else had already made for me.” —Rachel Trousdale, author of Five-Paragraph Essay on the Body-Mind Problem
“This isn’t writer-stuff, it’s life-stuff that bears on the poems.” —Lesley Wheeler, author of Mycocosmic
“I had many beginnings and several endings, and I tried to arrange the poems in a way that might ask why that was.” —Austin Araujo, author of At the Park on the Edge of the Country
Flower Conroy’s elaborate three-dimensional installations, fashioned from found and crafted objects, masterfully evoke the spirit of each book the artist chooses and carefully communicate her reverence for literature.
Originally an umbrella site for literary journals, this book publisher looks to the wider writing community for inspiration, camaraderie, and collaborators in the art that it makes and promotes.
Write a poem that uses the metaphor of a bridge to represent a complex family dynamic, a short story that reconceptualizes historical fiction, or a lyrical essay that reflects on the stages of returning to a former self.
The transcription of Voca, an audiovisual archive of more than twelve thousand poetry recordings, makes literary history accessible to poets, critics, scholars, and the general public.
Publishing around half a dozen novellas, poetry collections, and graphic novels yearly, Driftwood Press resists narrowing itself to a specific niche; instead, the press is defined by its diversity in stories, styles, and perspectives.
Write a poem about the pains and pleasures of cold weather, a short story that brings together an unexpected series of events, or an essay that contemplates companionship.