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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Small Press Points highlights the innovative and can-do spirit of independent presses. This issue features H_NGM_N BKS, the independent publisher of full-length collections by emerging poets, chapbooks, and reissues of out-of-print books.
After reading about one famed writer’s seemingly carefree existence, novelist Jesse Browner ruminates on his personal decision to forego the romanticized bohemian life and contemplates every writer’s choice to pursue the trade-offs writers face between artistic aspirations or financial security.
With crowdfunding platforms gaining traction in the publishing world, writers now have a means of accessing wider readerships while simultaneously soliciting funding to launch literary projects.
Having witnessed firsthand the merits of one student’s MFA education, author and creative writing teacher Gregory Spatz considers the well-worn debate on whether creative writing can be taught, and what he himself learned from his mentorship role.
Plans are under way by the American Writers Museum Foundation to develop the first national museum dedicated entirely to the history and influence of American literature.
With its buzz-generating statistical count of male and female literary bylines, nonprofit organization VIDA: Women in Literary Arts has raised awareness of gender disparity in publishing and created a space in which women can exchange ideas and be heard.
After navigating a devastating crisis, husband-and-wife poets Craig Morgan Teicher and Brenda Shaughnessy reflect on the fortifying powers of poetry and their commitment to their marriage and one another’s work.
After a hotly contested auction among ten major publishers, twenty-eight-year-old Claire Vaye Watkins’s debut story collection, Battleborn, has arrived.
As director of NYU’s creative writing program, Deborah Landau speaks about the university’s new low-residency MFA program in Paris and the storied literary history of the City of Light.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Michael Chabon’s Telegraph Avenue and Frederick Seidel’s Nice Weather, as the starting point for a closer look at these new and noteworthy titles.
In this issue we offer a look at Seymour Chwast’s graphic novel adaptation of Homer’s The Odyssey, to be released by Bloomsbury in September.
A comprehensive article about how we compiled the 2013 MFA Index of full- and low-residency programs, featured in the September/October 2012 issue of Poets & Writers Magazine.
As he steps into his new role as the NEA’s literature director, Ira Silverberg speaks about the books that first drew him to literature and how he’s currently serving the field at the nation’s largest art organization.
In a fight against the controversial Arizona House Bill 2281, which effectively bans ethnic-studies classes and curricula, novelist Tony Diaz and other members of the Texas-based arts advocacy group Nuestra Palabra have formed a network of writers and supporters to raise awareness about the impact of the bill and to counter its effects with initiatives such as “banned book bashes” and the building of underground libraries.
Three authors who followed very different paths to publication in 2011 speak about what they learned after their books were published, including hard lessons about publicity and reviews, readings and events, and advertising and sales.
Twenty-five years after poets Thomas Sayers Ellis and Sharan Strange founded the Dark Room Collective as a community for established and emerging African American writers, members have gathered for a reunion tour that celebrates the DRC’s rich history and far-reaching influence in the literary world.
Fiction writer Jami Attenberg shares her experience using social-media platform Tumblr and offers advice to authors who want to get started themselves.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Carmen Bugan’s Burying the Typewriter and Joyelle McSweeney’s Percussion Grenade, as the starting point for a closer look at these new and noteworthy titles.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue’s MagNet features Timothy McSweeney’s Quarterly Concern, Conjunctions, Phantom Drift: A Journal of New Fabulism, Fairy Tale Review, and Unstuck.
Despite worries that digital media sounded the death knell for serious, immersive reading, publishing platforms such as the iPad, Kindle, and Nook have given rise to single-sitting works—longform journalism pieces, single stories, and short novellas—that have broad reader appeal.
In this issue we offer a look at a new, illustrated translation of the Antigone of Sophocles. Antigonick, a collaboration between poet Anne Carson and poet and artist Bianca Stone, was released by New Directions in May.
Small Press Points highlights the innovative and can-do spirit of independent presses. This issue features Stoneslide Books, a recently launched fiction press looking for narratives that prompt readers “to think, to ask questions, to move the mind forward.”
Three debut authors compare notes about everything from working with an editor to choosing a cover.
Started by husband-and-wife writers Stona and Ann Fitch, Concord Free Press is using a philanthropic publishing model to successfully distribute limited-edition books at no cost, upon request.
The website Small Demons and the X-Ray feature of Amazon’s e-readers are the first in a new crop of digital literary tools that promise to change how readers interact with texts. By equipping users with digital reference frameworks, these new meta-analytical approaches give readers immediate access to the contextual worlds of literary works.
