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“Take pleasure in publishing work you love,” says Ander Monson, founder of New Michigan Press. Steered by this guidance and a taste for the off-kilter, the press has produced chapbooks and the magazine Diagram for over twenty years.
The author of The Story Game, a debut memoir, introduces some of the journals that helped her explore the interplay between memory and storytelling, including So to Speak and Colorado Review.
One of the greatest offenses a writer can commit is to steal others’ work and present it as their own. Members of the literary community discuss the negative impact of a serial plagiarist and potential protections against further theft.
As AI makes it easier for people to generate text, literary editors are wrestling with how to weed out submissions by authors trying to pass off AI work as their own from those that use the technology in a more ethical way.
The author of Self-Mythology, a debut poetry collection, introduces some of the journals that offered a home for her work, including AGNI and Poet Lore.
The writer behind Choose This Now, a novel-in-stories, introduces some of the journals that first published her work, including Pigeon Pages and Joyland.
The debut essayist behind Holy American Burnout! introduces some of the journals that provided a thoughtful home for his work, including Lunch Ticket and Counterclock.
The translator of Tomasz Różycki’s To the Letter discusses the journals where she first placed poems from the book—including Cagibi and Guernica—and the unique process of publishing translated work.
The author of Leg: The Story of a Limb and the Boy Who Grew From It introduces five journals that shaped his work.
