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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Poetry Northwest, the Alaska Quarterly Review, Fence, Black Clock, Ninth Letter, and Eleven Eleven.
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from The Jungle Law by Victoria Vinton and Mother’s Milk by Edward St. Aubyn.
The eighteen poets featured here represent only a fraction of the debut books published in 2005, yet they are emblematic of the diverse community of poets who have recently forged their own paths to publication.
During the last three years, some of America’s most respected poets—Richard Wilbur, Mark Strand, and the late Anthony Hecht, among others—have published British editions of their books with Waywiser Press, a virtually unknown publisher based in London.
Fifty years later, a number of organizations are planning special events on October 7 to commemorate the anniversary of Ginsberg's legendary reading.
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from Water’s Leaves and Other Poems by Geoffrey Nutter and Pieces of Air in the Epic by Brenda Hillman.
Small Press Points highlights the happenings of the small press players. This issue features Borealis Books, Passager Books, and Gorsky Press.
At no time on my book tour did I jump up and down, wave my fists, and scream, “It’s a novel! That means fiction!” At least I don’t think I did. It’s hard to be sure, because, in my head, I had that tantrum about three times daily as I traveled from town to town in southern Michigan, reading, signing books, and attending the Ann Arbor Book Festival. You see, my novel, Flight, was set in that region, where I had lived during my high school and college years.
This month the Library of America, the nonprofit publisher founded in 1979 to “preserve our nation’s literary heritage,” will release the first two installments of a planned eight-volume edition of Philip Roth’s collected fiction.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Verb, the Relay Project, From the Fishouse, Sonora Review, Bridge, Columbia, Failbetter, and Versal.
From the Paris Review’s new offices in lower Manhattan, Philip Gourevitch spoke about the past and future of what Time called “the biggest ‘little magazine’ in history.”
Much has been written about some judges rewarding friends and former students, and I worry that a few questionable practices have detracted from the hundreds of contests that bring recognition to so many well-deserving writers. Nevertheless, there are steps that all of us—editors, judges, and writers—can take to help keep contests clean.
Two years after publishing a brutal, unflinching account of his drug addiction, James Frey is showing signs of becoming a kinder, gentler writer in his second memoir, My Friend Leonard.
The National Endowment for the Arts and the Poetry Foundation recently completed the pilot phase of a new program designed to raise the profile of poetry in high schools.
In case anyone was wondering, the four most frequently used words in T.S. Eliot’s 1943 collection Four Quartets are “time,” “past,” “fire,” and “end.” It is this kind of information that can be found by using one of several new features recently added to Amazon.com’s “Search Inside the Book” function, launched in October 2003.
Unfortunately, these days it is not the quality of the award-winning writing that gets people talking; it is the way in which contests are run and the manner in which winners are chosen—or not chosen, as the case may be—that attract attention.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Poetry, the Southern Review, Swivel: The Nexus of Women and Wit, 6x6, Ninth Letter, and Black Clock.
Small Press Points highlights the happenings of the small press players. This issue features McSweeney’s Books, Believer Books, Tell Tale Press, and Wings Press.
C. Michael Curtis, a senior editor at the Atlantic Monthly, who is known not only for selecting award-winning short stories but also for his considerate and sensible letters of rejection to the thousands of submissions he’s read over the years, spoke about the magazine’s new approach to publishing fiction.
Despite a $10,000 incentive from the Association of American Publishers to United States publishers willing to translate, publish, and promote contemporary Iranian fiction, no commercial houses have come forward since the initiative was announced in late 2004.
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from Evening Ferry by Katherine Towler and Little Beauties by Kim Addonizio.
Perhaps because many writers and their adherents are poorly paid and often go unrecognized, they cultivate a variety of myths—some about the creative process, others about the profession itself—to justify what they do, to cheer themselves up, to inhabit a mystique.
In April 2003, an agent sat down with me, pointed to my manuscript, and said the words I had been dreading: I think this should be a novel. I shuddered. I was no novelist. I was a minimalist, a votress of the goddess of gesture, a worshipper at the altar of the succinct. I was a short story writer.
What if genetic cloning had become the defining science of the 20th century? The main characters of Kazuo Ishiguro's new novel contend with such a world—and its moral consequences.
Most writers have heard the old saying about the Bard and the chimps: Gather 100 monkeys (or similarly hirsute primates) in a room, give them typewriters, and sooner or (more likely) later, they’ll deliver the complete works of Shakespeare. Nick Hoggard, a British computer programmer living in Sweden, has decided to put the theory—often attributed to Thomas Huxley, a 19th-century disciple of Charles Darwin—to the test.
