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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Softblow, the Quarterly Literary Review Singapore, Poetry Billboard, the 2nd Rule, No Tell Motel, Boulevard, American Letters & Commentary, FIELD, Boston Review, Pleiades, Witness, and Gulf Stream.
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from Home Land by Sam Lipsyte and The Celestial Jukebox by Cynthia Shearer.
From the beginning the founders of the Associated Writing Programs and other pioneers have argued that, through effective creative writing programs, students can attain lifelong skills of critical thinking, empathy for others, and an understanding of the creative process, the key to all innovation. The schools featured in this article—Knox College, Oberlin, and Sarah Lawrence—have been working to make undergraduate creative writing degrees a hallmark of their respective institutions for some time now.
In the world of hip-hop, Lewis Turco would be considered an “Original Gangsta,” an “O.G.”—a title given to someone who started it all. In the more genteel business of poetry writing, however, Turco would be called an “Institution,” and what he started was nothing less than a renewed appreciation of poetic forms. Since its first edition in 1968, his reference book The Book of Forms has become a standard text for poets of all stripes. A cross between The Joy of Cooking and According to Hoyle for poets, Turco’s text remains a rarity: a reference book with personality. Turco’s lucid, empathetic entries on every form under the sun continue to serve many poets writing their first pantoums or settling drunken bets on the rhyme scheme of the rimas dissolutas (abcdef abcdef ghijlk ghijlk ..., if written in sestets).
Eleven years ago, JT LeRoy was a teenager living on the streets of the San Francisco Bay Area, turning tricks and suffering from dissociative episodes. Today, he is a critically acclaimed author whose first two books, the novel Sarah (Bloomsbury, 2000) and the collection of short stories The Heart Is Deceitful Above All Things (Bloomsbury, 2001), have been translated into more than a dozen languages—most recently, Turkish. His novella, Harold’s End, illustrated by renowned painter Cherry Hood, with an introduction by Dave Eggers, was recently published by Last Gasp, an independent press in San Francisco.
When New Rivers Press announced that Ron Rindo of Oshkosh, Wisconsin, was a winner of the 2003 MVP Competition this past summer, some of the approximately six hundred entrants were perplexed. The guidelines stated that the contest, which awards three $1,000 prizes and the publication of three book-length manuscripts, was open to emerging poets, fiction writers, and creative nonfiction writers. Rindo, who won for his short story collection Love in an Expanding Universe, had previously published two books, both with New Rivers Press.
No entry fee? Little chance of rejection? Any poet worth her iamb has reason to be suspicious. And, indeed, the International Library of Poetry and its affiliates—the International Society of Poets, Watermark Press, poetry.com, and so on appears on several Internet-based contest-scam watch lists. Still ILP education director Len Roberts argues that the organization has its purpose and is taking steps to redeem its reputation.
The industry trade magazine Publishers Weekly this summer decided to stop publishing its monthly Poetry Forecast section, an editorial move that would have had deleterious effects on independent publishers. In response to complaints from many publishers, editors, and poets, the decision was reversed a few weeks later, before any changes were made to the magazine.
Small Press Points highlights the happenings of the small press players. This issue features Fish Publishing, Zygote Publishing, and Perugia Press.
Cindy Dach, the events and marketing manager of Changing Hands Bookstore in Tempe, Arizona, recently launched First Fiction Tour, a program that she hopes will heighten the public image of the first-time author. But it’s not what you might expect: She isn’t packing customers into the bookstore, she’s inviting them to the bar.
Last month Faber and Faber published Blinking With Fists, the first book of poems by Billy Corgan, the singer and songwriter for the defunct rock band Smashing Pumpkins.
After a 10-year hiatus from publishing, Norman Dubie has returned with an award-winning volume of collected and new poetry, a 400-page sci-fi poem, and his latest, Ordinary Mornings of a Coliseum.
Page One features a sample of titles we think you'll want to explore. With this installment, we offer an excerpt from Torture the Artist by Joey Goebel.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Pindeldyboz, Grand Street, Verse, the Paris Review, Lilies & Cannonballs Review, and No: A Journal of the Arts.
"I believe I control the world with my mind," Augusten Burroughs writes in the title essay of his new collection, Magical Thinking: True Stories. And who’s to say he doesn’t? Having survived a tumultuous childhood and an early career as an advertising copywriter while struggling with alcoholism, Burroughs—now a bestselling author—has indeed controlled his world. Magical Thinking is his fourth book in as many years, taking its place alongside Sellevision, his satirical novel about cable television’s home shopping networks, and his memoirs, Running With Scissors and Dry.
Page One features a sample of titles we think you'll want to
explore. With this installment, we offer excerpts from A Reading Diary: A Passionate Reader’s Reflections 0n a Year of Books by Alberto Manguel, The Secret Goldfish by David Means, and A Complicated Kindness by Miriam Toews.
Vladimir Nabokov once wrote, “Does there not exist a high ridge where the mountainside of ‘scientific’ information joins the opposite slope of ‘artistic’ imagination?” This was, of course, a rhetorical question, but Nabokov’s own life proved that this connection indeed exists. A dedicated lepidopterist (one who studies moths and butterflies), Nabokov not only held a post at the Museum of Comparative Zoology at Harvard University, he also wrote Lolita, a classic of 20th-century literature. I was recently reminded of Nabokov’s butterflies in, of all places, a dead man’s apartment in Boston.
Is it against the law for an American literary journal editor to publish a translation of a poem by a member of a terrorist organization? Is it illegal to translate it? Learn what writers need to know about the Patriot Act.
A recent headline in the New York Times Book Review declared, “Books Make You a Boring Person.” Many would disagree with that statement, but few would go as far as the folks in the marketing department at Penguin UK. The London-based arm of the venerable publishing house has begun to advertise its books as dating aids. According to Penguin, you’re not good looking—or Good Booking—unless you’re holding a book.
For nearly two years, WordTech Communications was one of the growing number of small presses using the contest model in which entry fees fund prize monies as well as the publication and promotion of winning books. Some would even say the Cincinnati-based press was gung ho about it, holding a different poetry contest every month. But in June, WordTech announced it was discontinuing its contest program and replacing it with an open-submissions policy, stating that there was more money to be made without contests.
Richard Howard will turn 75 in October, the same month that Farrar, Straus and Giroux will publish Inner Voices: Selected Poems 1963–2003 and Paper Trail: Selected Prose 1965–2003, and he seems more eager than ever to share his unique perspectives.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Granta, the Indiana Review, Black Warrior Review, Court Green, Columbia Poetry Review, Absinthe Literary Review, Minima, Wild Strawberries, and Cue.
Small Press Points highlights the happenings of the small press players. This issue features Future Tense Books, Manic D Press, Akashic Books, Nightboat Books, and Autumn House Press.
Every year, musicians, movie stars, filmmakers, and politicos share billing with creative writers at the New Yorker Festival, held every autumn at various New York City venues. Now in its fifth year, the literary event has turned into a pop-culture phenomenon.
Next month, Norton will publish Stephen Dunn’s thirteenth book of poetry, The Insistence of Beauty, his second offering since his Different Hours won the 2001 Pulitzer Prize. In a writing career that has spanned three decades, Dunn has also been honored with the Academy Award for Literature from the American Academy of Arts & Letters, the James Wright Prize from the Mid-American Review, and the Levinson Award from Poetry magazine, as well as fellowships from the National Endowment for the Arts, the New Jersey State Council on the Arts, and the Guggenheim Foundation. He divides his time between Frostburg, Maryland, and Pomona, New Jersey, where he teaches creative writing at Richard Stockton College.
