Q&A: Inside Christopher McCabe's BEA
Christopher McCabe, the new manager of BEA, speaks directly about its purpose and sets the stage for the United States publishing industry’s biggest event.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Christopher McCabe, the new manager of BEA, speaks directly about its purpose and sets the stage for the United States publishing industry’s biggest event.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features the Grove Review, the Sonora Review, Volt, Quick Fiction, and Barrelhouse.
Thanks to a growing trend in grassroots marketing and publicity, writers in the San Francisco Bay area are reading to packed houses—literally.
Aided by a $260,000 grant from the National Endowment for the Humanities, Poets House and the Poetry Society of America, two nonprofit literary organizations based in New York City, recently partnered to establish Branching Out: Poetry in the Twentieth Century.
Small Press Points highlights the happenings of the small press players. This issue features City Lights Books, Verse Press, Wave Books, the Feminist Press, Ig Publishing, and Sarabande Books.
To those who knew him through his work—and, if we are to believe the many tributes published in the past two months, to those who knew him intimately as well—Thompson was a strange and lovely amalgamation.
Elizabeth Gaffney, Adrienne Miller, and Adrienne Brodeur—three high-profile magazine editors who recently added "debut novelist" to their resumés.
Voices in Wartime, a documentary about the experience of war as seen by soldiers, journalists, historians, and poets, featuring contemporary poets Chris Abani, Sam Hamill, Marie Howe, and Todd Swift, opened in select theaters nationwide last month.
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from Haunted by Chuck Palahniuk, Bitter Milk by John McManus, and The Lake, The River & the Other Lake by Steve Amick.
HarperCollins recently announced that it will close its United States imprint Fourth Estate.
When I stepped off the plane in Aspen, Colorado, in June 1997, I found a 60-year-old Hunter S. Thompson waiting for me in a convertible Cadillac blasting Norman Greenbaum’s “Spirit in the Sky” at full volume. I was terrified; he was giddy. He was playing the song because it was a part of the soundtrack put together for the film version of Fear and Loathing in Las Vegas that was scheduled to hit theaters the following summer, and he could not have been happier.
Small Press Points highlights the happenings of the small press players. This issue features Copper Canyon Press, Shambhala Publications, Other Press, Suspect Thoughts Press, and Vernacular Press.
Ted Kooser, appointed the 13th poet laureate of the United States last August, launches American Life in Poetry, a weekly newspaper column featuring a poem and a brief introduction, which is distributed free to any paper wishing to publish it.
To celebrate the 150th anniversary of the publication of Leaves of Grass, the Washington Friends of Walt Whitman is cosponsoring a citywide festival from March 26 (the day of Whitman’s death) to May 31 (his birthday).
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from Pinkerton’s Sister by Peter Rushforth and Cooling Time: An American Poetry Vigil by C.D. Wright.
The standard recompense for winning a literary contest is typically one of the following: money, publication in a literary magazine or a book, and a certain amount of recognition, but some rather unusual awards are handed out each year that don’t fall within the usual “money plus publication” category.
I am in the middle of Don Quixote—where many writers are and, according to Cervantes scholars, where every writer should be. I’m reading it because this year marks the 400th anniversary of its publication. I would like to say that I’ve finished it, but I cannot. The Quixote, as it is affectionately referred to by die-hard fans, is not something you finish. It’s something you rattle around in.
The Academy gears up to celebrate the 10th annual National Poetry Month in April—an event seen, depending on one’s perspective, as either a marketing bonanza or a wonderful excuse to bring poems into the public sphere.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Diner, the Massachusetts Review, Night Train, the Women’s Review of Books, DoubleTake, the Oxford American, and Cranky Literary Journal.
How did I become a sestinas editor? It all began with a rejection letter. “Thanks for sending,” it read, “but we’re looking for more traditional, iambic pentameter sestinas."
The biweekly magazine Kirkus Reviews publishes pre-publication book reviews, offering professional opinions of approximately 5,000 titles per year. But the tables have turned on the 72-year-old publication as writers and publishers offer their own appraisals of its recent decision to charge money for some book reviews.
Small Press Points highlights the happenings of the small press players. This issue features Calyx Books, Graywolf Press, and nthposition press.
The widely used online search engine Google recently launched a new feature that allows Web users to search within pages of published books.
Despite the fluctuating aesthetics and ideologies espoused by critics, professors, and practitioners of poetry, there remain two general subjects that consistently offer poets inspiration: love and war; but with walentine’s Day just around the corner, three new anthologies of love poems are offering readers a respite from verse about violence.
Despite the numerous prestigious awards given to published short story authors, recent news of short fiction contest administrators and judges failing to choose a winner have left emerging writers wondering, "What about me?"