Deadline Extended for Omnidawn Poetry Contest

The deadline for Omnidawn’s First/Second Poetry Book Prize, which was previously June 30, has been extended to July 17. A prize of $3,000, publication by Omnidawn Publishing, and 100 author copies is given annually for a first or second poetry collection.

Submit a manuscript of 40 to 120 pages via e-mail with a $27 entry fee, or $30 to receive a book from the Omnidawn catalogue. Visit the Omnidawn website for complete guidelines.

The judge for this year’s award is Korean American poet Myung Mi Kim, whose most recent collection is Penury (Omnidawn, 2009). Kim has previously judged Bayou Magazine’s Kay Murphy Prize for Poetry and Kelsey Street Press’s Firsts! series for women poets, among other contests.       

Recent winning titles of the First/Second Book Prize include Henry Wei Leung’s Goddess of Democracy (to be published in October), Jennifer S. Cheng’s House A (2016), and Margaret Ross’s A Timeshare (2015).

Check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction.

Deadline Approaches for Crab Orchard First Book Award

Poets: Submissions are currently open for Crab Orchard’s First Book Award. A prize of $2,500, publication by Southern Illinois University Press, and a $1,500 honorarium to give a reading at Southern Illinois University in Carbondale is given annually for a debut poetry collection.

Using the online submission system, submit a manuscript of 50 to 75 pages with a $20 entry fee by July 10. U.S. poets who have not published a full-length book of poems in an edition of over 500 copies are eligible. Visit the Crab Orchard website for complete guidelines.

Poet Chad Davidson will judge. Davidson is the author three poetry collections published by Southern Illinois University Press, most recently From the Fire Hills (2014).

Previous winners of the Crab Orchard First Book Award include Kara van de Graaff’s Spitting Image (forthcoming in 2018), Charif Shanahan’s Into Each Room We Enter Without Knowing (2016), and Gregory Kimbrell’s The Primitive Observatory (2015).

Check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and creative nonfiction.

Below, listen to previous winner Charif Shanahan read his poem "Plantation" for the Academy of American Poets.

Apple Pie

Burgers, hot dogs, barbecue ribs, mac and cheese, apple pie…. What immediately comes to mind when you think: American food? Whether you’re influenced by pop culture and media, regional specialties, or your own family and cultural traditions, write a personal essay inspired by one or two of your favorite American dishes. Recount some of your favorite memories associated with this food. What about the dish makes it distinctly American?

Captain Hook Fish and Chips

In the 1982 comedy film Fast Times at Ridgemont High—based on Cameron Crowe’s 1981 nonfiction book of the same name—several of the main characters are depicted working summer jobs at various fast food joints in a Southern California mall. Write a short story that revolves around a high school student’s first summer job. What kind of unfamiliar characters or unexpected situations does she encounter? Does her inexperience lead to humorous or embarrassing misunderstandings? Use this new working experience and environment to explore a transformation in your character.

America the Beautiful

“Sometimes I still put my hand tenderly on my heart / somehow or other still carried away by America,” writes Alicia Ostriker in “Ghazal: America the Beautiful.” This Fourth of July, begin a poem with the title “America the Beautiful” and let this phrase guide your piece, allowing your mind freedom to reflect on the things you find beautiful (or not so beautiful) about the nation. Read through some other Independence Day poetry by writers such as Carl Sandburg, Walt Whitman, Claude McKay, and Rachel Eliza Griffiths for further inspiration.

(Im)possible Feats

6.29.17

Earlier this month, professional climber Alex Honnold completed a free-solo climb of the nearly three thousand-feet-high El Capitan cliff in Yosemite National Park in less than four hours. The accomplishment, done alone and without any safety gear, is considered almost impossible. J. B. MacKinnon writes in the New Yorker, “After twelve years of regularly climbing ropeless, he seems able to simply turn off his body’s fear response.” Write an essay about what you would dream of accomplishing if you could turn off your body’s fear response. What have you been afraid of in the past and been able to overcome? What do you consider possible and impossible in your future, and how might Honnold’s feat change your thinking?  

Upcoming Prose Contest Deadlines

Fiction and creative nonfiction writers: If you are sitting on a finished short story, essay collection, novel, or other work of prose, check out the following contests that are open to submissions for two more days! Each of the contests has a June 30 deadline and offers a prize of at least $1,000 and publication.

Autumn House Press Literary Prizes: Two prizes of $1,000 each and publication by Autumn House Press are given annually for a book of fiction and a book of creative nonfiction. Each winner also receives a $1,500 travel and publicity grant. Amina Gautier will judge in fiction and Alison Hawthorne Deming will judge in nonfiction. Entry fee: $30

Engine Books Fiction Prize: A prize of $2,000 and publication by Engine Books is given annually for a short story collection, a novella collection, or a novel. Maya Lang will judge. Entry fee: $30

Glimmer Train Press Short Story Award for New Writers: A prize of $2,500 and publication in Glimmer Train Stories is given three times yearly for a short story by a writer whose fiction has not appeared in a print publication with a circulation over 5,000. Entry fee: $18

Hidden River Arts William Van Wert Fiction Award: A prize of $1,000 is given annually for a short story or a novel excerpt. Entry fee: $17

Key West Literary Seminars Emerging Writer Awards: Two prizes valued at $4,000 each are given annually for a short story and a novel-in-progress by writers who have not published a book with a major publisher. The winners will each receive $500 and full tuition, airfare, and lodging to attend the Key West Literary Seminar and Workshop Program in January 2018 in Key West, Florida. There is no entry fee.

Los Angeles Review Literary Awards: Three prizes of $1,000 each and publication in Los Angeles Review are given twice yearly for a short story, a short short story, and an essay. Bryan Hurt will judge in fiction, Siel Ju will judge in flash fiction, and Chelsey Clammer will judge in nonfiction. Entry fee: $20

The Moth International Short Story Prize: A prize of €3,000 (approximately $3,420) and publication in the Moth is given annually for a short story. A second-place prize of publication, a weeklong retreat at the Circle of Missé in Missé, France, and a €250 (approximately $285) travel stipend; and a third-place prize of €1,000 (approximately $1,140) and publication are also given. Belinda McKeon will judge. Entry fee: $14

Visit the contest websites for complete guidelines and submission details. Check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction.

Fixing to Forgive

6.28.17

Our willingness to forgive can be challenged by hurt feelings, guilt, and sometimes, our egos. It is not an easy task but in writing, we can explore different perspectives and outcomes. Write a story in which a character is trying to forgive someone. What are the circumstances that bring your character to this point of forgiveness? Is there an expectation that this act of forgiving will change their relationship for the better? To hear stories of people struggling to forgive others and themselves, listen to this episode of NPR’s TED Radio Hour.

Language Dance

6.27.17

Writer, vocalist, and sound artist LaTasha N. Nevada Diggs mixes multiple languages and uses a variety of musical influences in the poems from her debut collection, TwERK (Belladonna, 2013). Drawing inspiration from Nevada Diggs, write a poem in which you incorporate words and phrases from two or more languages or dialects that are significant to you, whether they are fictional languages like Klingon or spoken languages like Cajun French.

Poets & Writers’ Seventh Annual Los Angeles Connecting Cultures Reading

Readings & Workshops (West) director Jamie Asaye FitzGerald blogs about Poets & Writers’ seventh annual Los Angeles Connecting Cultures Reading at Beyond Baroque Literary Arts Center in Venice, California.

Each year for the past seven years, Poets & Writers has held the Los Angeles Connecting Cultures Reading, which astounds audiences with the diversity of its performers and their unique voices, and the power of the work read to redeem, heal, and delight.

We select five organizations that serve culturally diverse groups and have received support from the Readings & Workshops (R&W) program to help curate the event. Each organization chooses readers to represent them at the reading. This year’s event was held at Beyond Baroque on June 4, 2017 and included 826LA, a writing and tutoring center; Beyond Baroque, a literary/arts center; the Boyle Heights Arts Conservatory, serving homeless and at-risk youth; Bittersweet: The Immigrant Stories, a reading featuring the voices of immigrant writers; and Urban Possibilities, serving the urban poor of Los Angeles. It’s wonderful to witness the general comradery between the presenters as they meet and discover one another’s work.

Among the eleven readers, who all gave strong readings, were four teen writers, including Xolo Maridueña, a fifteen-year-old sophomore who attended a R&W–supported writing workshop with Jeff Chang at the Boyle Heights Arts Conservatory in March. Xolo read his first poem ever—a poem about falling in love, in which he wrote: “When I would see her, the butterflies in my stomach would turn into pterodactyls,” an experience I’m sure many in the audience could relate to. Also writing on the theme of love was another teen writer, Ashla Chavez Razzano, representing 826LA, who wrote, “a spider’s web taught me to love.” Nadia Villegas, also representing 826LA, read a poem about how “blue nail polish is freedom,” and Vera Castañada from the Boyle Heights Arts Conservatory called the neighborhood around Cesar Chavez Avenue where she grew up, “the West Coast Ellis Island.”

So Hyun Chang, representing Bittersweet: The Immigrant Stories, read in Korean his poem “Sugarcane Arirang,” recounting the first Korean American’s long days in the sugar fields of Hawaii, where they would chant a song of hope, “arirang, arirang,” to help pass the time. Hack Hee Kang read a poem using the Korean dish bi bim bap to convey a sense of loneliness and longing, and Jun C. Kim moved silently as a recording of his poem played over the loud speaker.

Ambika Talwar, who hails from India, read on behalf of Beyond Baroque rich, evocative poems about searching for home and “the true power of your own volition.” Jessica Ceballos y Campbell also representing Beyond Baroque, read her poem from Only Light Can Do That, a collection of stories, poems, and essays published by PEN Center USA in response to the 2016 presidential election and ensuing events. Her poem, dedicated to her parents and “all of the magicians” spoke of those who make “gardens, in a world that would prefer us not to exist” and how “When man, woman, and child pour their bodies across the man-made borders they are executing a willed-intention to change what they know of the world….”

Yvette Jones-Johnson, the executive director of Urban Possibilities, spoke powerfully about homelessness in Los Angeles, citing lifelong poverty, losing everything, life after incarceration, abuse, and military trauma as some of the factors contributing to the high rates. Her readers, Keith Brown and Norma L. Eaton, are both alums of the Urban Possibilities writing empowerment program. Brown, a veteran who hails from the U.K., read a gorgeous pastoral poem reminiscent of Wordsworth, and Eaton astounded the audience with a devastating poem about her experience of homelessness. After the reading, she commented: “I felt as though I was the Reincarnation of Maya Angelou! She Understood ‘Why the Cage Bird Sang’ And I know how it feels to be homeless and destitute, knowing that ‘My Name Is Forgotten.’  I wanted the Message to be conveyed with the hope of transforming the hearts and changing the stigma of homelessness…. Sharing the stage with the other artists was phenomenal.  I sat and feasted at the table of literary Art.”

We give our thanks to the organizations, project directors, and writers who made this event possible, as well as Beyond Baroque, for hosting and for their support.

To keep up with Readings & Workshops news and events, such as Connecting Cultures, please be sure to sign up for our quarterly newsletter, Readings & Workshops Presents.

Major support for Readings & Workshops in California is provided by the James Irvine Foundation and the Hearst Foundations. Additional support comes from the Friends of Poets & Writers.

Photos (top): Teen poet Xolo Maridueña representing the Boyle Heights Arts Conservatory (Credit: Craig Johnson Photography). (bottom): (left to right) Brandi Spaethe, Norma L. Eaton, Keith Brown, Jamie Asaye FitzGerald, Eyvette Jones-Johnson, Ambika Talwar, Hack Hee Kang, audience member, Tanya Ko Hong, Jun C. Kim (Credit: Craig Johnson Photography).

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