Self-Defense

In times of conflict, we often experience an instinct for self-preservation. Last month, a truck transporting thousands of hagfish in Oregon was involved in a collision that resulted in the eel-like creatures spilling out and releasing massive amounts of slimy mucus onto the highway and cars. In their natural deep-sea habitat, one of the functions of the slime-spewing is as a defense mechanism, clogging the gills of attacking predators. Think of a time when you’ve responded in a stressful situation with a defense mechanism of your own. Write an essay about the encounter, exploring your emotional responses and aspects of your personal history that may have contributed to your instinctive reaction.  

Time After Time

“And for me, while fiction is necessary, I prefer it to be timeless rather than timely,” says Arundhati Roy in “Worth the Wait,” Renée H. Shea’s profile of the author in the July/August issue of Poets & Writers Magazine. This week, try out an exercise to make your own fiction more timeless. Search through your writing for an excerpt in a short story that includes markers of a contemporary setting, perhaps in its mention of modern objects, technology, or usage of slang. Then revise that section of the story by transforming the contemporary elements into description or dialogue that incorporates more timeless language.

Submissions Open for New Lyric Essay Book Prize

Submissions are currently open for Seneca Review’s inaugural Deborah Tall Lyric Essay Book Prize. An award of $2,000 and publication by Hobart and William Smith College Press will be given biennially for a lyric essay collection. The winner will also be invited to give a reading at Hobart and William Smith College in Geneva, New York. John D’Agata will serve as final judge.

The contest accepts “cross-genre and hybrid work, verse forms, text and image, connected or related pieces, and ‘beyond category’ projects.” Using the online submission manager, submit a manuscript of 48 to 120 pages with a $27 entry fee by August 15. The contest is open to both emerging and established writers.

Sponsored by Seneca Review in conjunction with the TRIAS residency program at Hobart and William Smith Colleges, the new biennial book series intends to “encourage and support innovative work in the essay.” Visit the website for complete guidelines.

For more upcoming prizes in poetry, fiction, and creative nonfiction, visit our Grants & Awards Database and Submission Calendar.

Classic Snacks

Watermelon, Mississippi Mud Pie, Red Velvet, Pumpkin Spice, Firework. The original Oreo with its classic pairing of chocolate cookie and white cream filling might remain unchanged, but over the years the Nabisco company has released limited edition flavors to the delight of some fans and the confusion or disapproval of others. Write a poem dedicated to a beloved snack from your childhood, exploring how it has changed or remained the same throughout the years. Consider the effect that consistency has on your life, even in the form of a favorite snack. 

Temples of Books

7.27.17

“To stand in this library again is a profound experience, a return to a wellspring of story and encouragement, here where many of the librarians knew me by name when I was a shy kid who’d walk home with a stack of seven books, one to devour each day before exchanging them for the next stack,” writes Rebecca Solnit in an essay about returning to her childhood public library, adapted for Literary Hub from a talk at Novato Public Library in California. Write an essay that reflects on your own experiences visiting libraries, whether long ago or more recently. Taking inspiration from Solnit’s essay, feel free to wander from metaphysical associations to books and reading, to personal memories tied to physical spaces, to the geographical and cultural history of the library’s locale.

Short Fiction Contest Deadlines

Short fiction writers: The following contests—each offering an award of at least $1,000 and publication for a short story—are open for submissions until July 31. Additional prizes include a residency and an agency review.

Munster Literature Centre Seán Ó Faoláin Short Story Competition: A prize of €2,000 (approximately $2,300) and publication in Southword, an online literary journal published in Cork, Ireland, is given annually for a short story. The winner also receives a weeklong residency at the Anam Cara Writer’s Retreat on the Beara Peninsula in West Cork. Entry fee: $20

Masters Review Short Story Award for New Writers: A prize of $3,000 and publication in Masters Review is given twice yearly for a short story by a writer who has not published a novel (writers who have published story collections are eligible). The winning story will also be sent to agents Laura Biagi (Jean V. Naggar Literary Agency), Victoria Marini (Gelfman Schneider/ICM Partners), and Amy Williams (Williams Agency). The editors will judge. Entry fee: $20

Narrative Spring Story Contest: A prize of $2,500 and publication in Narrative is given annually for a short story, a short short story, or an excerpt from a work of fiction. A second-place prize of $1,000 is also awarded. The editors will judge. Entry fee: $25

New Millennium Writings Awards: Two prizes of $1,000 each and publication in New Millennium Writings and on the journal’s website are given twice yearly for a short story and a short short story that have not appeared in a print publication with a circulation over 5,000. Entry fee: $20

Visit the individual contest websites for complete submission guidelines, and check out the Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and creative nonfiction.

Fish Rain

7.26.17

According to the residents of La Unión, a small farming community in rural Honduras, at least once a year the skies rain fish, a phenomenon explained by locals with a variety of scientific, religious, and superstitious theories and legends. Locally regarded as a miracle, the day after a spectacular and torrential storm, the ground is covered with hundreds of small, silver-colored fish. Write a short story that takes place in a setting where a similarly surprising and perhaps inexplicable phenomenon exists year after year. Does your main character fall on the side of science or superstition? Does she respond with skepticism, wonder, or indifference? How does this experience affect her life?

Never Forgotten: A Nisei Writing Workshop

Naomi Shibata, author of Bend With the Wind: The Life, Family, and Writings of Grace Eto Shibata (Shibata Family Partnership, 2014), is a docent and senior engagement writing instructor with the National Japanese American Historical Society of San Francisco. She also delivers guest lectures on the Japanese American experience to schools, historical societies, museums, service organizations, libraries, and book clubs. Shibata is a University of California graduate and a high technology industry veteran. From April to June 2017, Shibata led a series of P&W–supported writing workshops for second-generation Japanese American elders (the Nisei) with the theme: “Tell your story as you would like it told.” Below, Shibata blogs about her approach to working with the elders and the importance of the project.

In late 2016, I received an invitation to lead a workshop for first-time writers. Sponsored by the Friends of the Little Tokyo Branch of the Los Angeles Public Library and Poets & Writers, the four-part program targeted second-generation Americans of Japanese descent, the Nisei.

The Nisei, now in their eighties and nineties, are the last in a line of storytellers with firsthand accounts of a dark time in American history. Their racial-ethnic community was disenfranchised, incarcerated, and exiled by the U.S. government during World War II. For some Nisei, the time has come to speak of their lives before, during, and after the incarceration. It is time to write about the long road to the American Dream. It is time to tell their stories as they would like them told.

I knew that the success of this workshop hinged on integrating the Japanese American experience with the how-tos of Storytelling 101. Presenting the material in a relevant context would help participants internalize the concepts and release their ideas into words. I also suspected that healthy doses of offbeat humor would lighten and facilitate the learning process for an audience comprised of educators, medical professionals, attorneys, and amateur historians.

The workshop participants shared a common goal—kodomo no tame ni, to write “for the children.” In the winters of their lives, they chose to tell their stories on their own terms. Forthright and candid, they knew that their words were the most priceless legacies. One observer asked these novice writers how they found the courage to reveal so much about themselves. One participant answered for them all when he replied, “I want my grandchildren to know the truth.”

The new voices recorded crossroad moments, human drama, and the value of small acts of kindness. Succinct and uncensored, they spoke of how one teacher’s arbitrary change of a little girl’s name shaped the six-year-old’s resolve always to have her voice heard; how a ten-year-old boy experienced loss when the FBI interned both his parents; and how a young woman valued the simple social courtesies shown to her by strangers.

The workshop participants and I wish to extend our thanks to Alanna Lin Ramage and the Friends of the Little Tokyo Branch library, Los Angeles Public Library Senior Librarian James Sherod, and Readings & Workshops (West) director Jamie Asaye FitzGerald. Their support was instrumental in helping new writers preserve the stories of lives well lived.

Support for Readings & Workshops in California is provided by the California Arts Council, a state agency, and the National Endowment for the Arts, a federal agency. Additional support comes from the Friends of Poets & Writers.

Photos: (top) Naomi Shibata giving an introduction at the culmination reading (Credit: Jamie Asaye FitzGerald). (bottom, left to right): Irma Fukumoto, Adeline Manzo, Hagiko Kusunoki, Vice President of the Friends of the Little Tokyo Branch Library Ron Hirano, Ray Saruwatari, Naomi Shibata, and President of the Friends of the Little Tokyo Branch Library Alanna Lin Ramage (Credit: Jamie Asaye FitzGerald).

Singing Myself

7.25.17

“I celebrate myself, and sing myself, / And what I assume you shall assume, / For every atom belonging to me as good belongs to you,” begins Walt Whitman’s 1855 poem “Song of Myself.” Filmmaker Jennifer Crandall’s video series Whitman, Alabama, featured in the July/August issue of Poets & Writers Magazine, captures a wide range of Alabamians in different settings and locales in the state, each reciting from one of the fifty-two verses of Whitman’s iconic poem. Watch the series and choose several lines from the poem that feel particularly resonant to you, either capturing the mood of the moment or a theme you’ve been thinking about for a while. Write a poem starting with Whitman’s words, and then move on to explore how this theme ties in with your own ideas about American identity, community, and interpersonal connections.

A Place Called Home

7.20.17

As a part of an interactive installation by artist Aman Mojadidi, three repurposed pay phones have been installed in New York City’s Times Square to transmit oral histories focusing on immigrant experiences. Anyone can enter into a phone booth and choose from a collection of seventy stories recorded by New Yorkers from a variety of countries, told in a variety of languages. What memories or anecdotes do you have about immigration or migration, feelings of belonging and displacement, or storytelling over long distances? Write a personal essay in the style of an oral history, as if you’re relaying a story over the phone to a faraway friend.

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